Author: James R. Anthony
Publisher: Cambridge University Press
ISBN: 9780521352635
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.
Jean-Baptiste Lully and the Music of the French Baroque
Author: James R. Anthony
Publisher: Cambridge University Press
ISBN: 9780521352635
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.
Publisher: Cambridge University Press
ISBN: 9780521352635
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.
Lully Studies
Author: John Hajdu Heyer
Publisher: Cambridge University Press
ISBN: 9780521621830
Category : Music
Languages : en
Pages : 356
Book Description
Presents the best research on the life and work of Baroque composer Jean-Baptiste Lully.
Publisher: Cambridge University Press
ISBN: 9780521621830
Category : Music
Languages : en
Pages : 356
Book Description
Presents the best research on the life and work of Baroque composer Jean-Baptiste Lully.
A History of Baroque Music
Author: George J. Buelow
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Historical Dictionary of Baroque Music
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
The History of Classical Music For Beginners
Author: Endris, R. Ryan
Publisher: For Beginners, LLC
ISBN: 1939994268
Category : Music
Languages : en
Pages : 178
Book Description
Music history is nearly as old as human civilization itself, and while it has permeated the arts and popular culture for centuries, it still has a mystifying aura surrounding it. But fear not—it’s not as complicated as it seems, and anyone can learn the origins and history of Western classical music. In addition to learning how better to understand (and enjoy!) classical music, The History of Classical Music For Beginners will help you learn some of the more interesting and sometimes comical stories behind the music and composers. For example: Did you know that Jean-Baptiste Lully actually died from conducting one of his own compositions? You may have heard of Gregorian chant, but did you know there are many forms of chant, including Ambrosian and Byzantine chant? And did you also know that only a small portion of “classical music” is even technically classical? These interesting, insightful facts and more are yours to discover in The History of Classical Music For Beginners.
Publisher: For Beginners, LLC
ISBN: 1939994268
Category : Music
Languages : en
Pages : 178
Book Description
Music history is nearly as old as human civilization itself, and while it has permeated the arts and popular culture for centuries, it still has a mystifying aura surrounding it. But fear not—it’s not as complicated as it seems, and anyone can learn the origins and history of Western classical music. In addition to learning how better to understand (and enjoy!) classical music, The History of Classical Music For Beginners will help you learn some of the more interesting and sometimes comical stories behind the music and composers. For example: Did you know that Jean-Baptiste Lully actually died from conducting one of his own compositions? You may have heard of Gregorian chant, but did you know there are many forms of chant, including Ambrosian and Byzantine chant? And did you also know that only a small portion of “classical music” is even technically classical? These interesting, insightful facts and more are yours to discover in The History of Classical Music For Beginners.
The Cambridge Companion to French Music
Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 0521877946
Category : Music
Languages : en
Pages : 441
Book Description
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
Publisher: Cambridge University Press
ISBN: 0521877946
Category : Music
Languages : en
Pages : 441
Book Description
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
Music of the Baroque
Author: David Schulenberg
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 406
Book Description
An era of continuous and far-reaching musical evolution, the Baroque period witnessed the invention of opera and oratorio and the emergence of such instrumental genres as the sonata, suite, and concerto, which continue to engage composers today. An ideal instructional package for courses in music history and literature, Music of the Baroque, Second Edition, and its accompanying anthology of scores offer a vivid introduction to European music from 1600 through 1750. Integrating historical and cultural context with composer biography, music analysis, and performance practice, the text surveys Baroque music while analyzing in depth more than forty works from the principal traditions of the period. An opening chapter on late-Renaissance vocal music and a closing chapter on galant instrumental music provide bridges to earlier and later European music. Thoroughly revised and updated to reflect current scholarship, this second edition of Music of the Baroque offers expanded coverage of instrumental music, with new sections on French lute music and the Italian trumpet sinfonia, along with enhanced discussion of chamber music from Salomone Rossi to Biber and Corelli. French sacred music also receives renewed attention. Offering models for musical criticism and analysis in a variety of compositional styles, author David Schulenberg analyzes familiar works like Monteverdi's Orfeo and a Bach cantata as well as lesser-known compositions, including works by Barbara Strozzi and Elizabeth-Claude Jacquet de La Guerre. Additional Features: * Incorporates a wealth of pedagogical resources including synopses of operatic works; biographical timelines for major composers; numerous illustrations, musical examples, and analytical tables; highlighting and explanations of technical terms upon first appearance; and carefully formulated definitions of each new concept * Revised to incorporate the latest in Baroque music scholarship, including an updated bibliography and many new music examples and illustrations * Accompanied by a companion anthology that contains more than fifty pieces for analysis * Supplemented by the author's website, www.wagner.edu/faculty/dschulenberg/oupcont.html, which provides a discography for pieces included in the anthology Designed for undergraduate and graduate students, Music of the Baroque, Second Edition, is also essential reading for anyone who desires an up-to-date introduction to the serious study of Baroque music.
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 406
Book Description
An era of continuous and far-reaching musical evolution, the Baroque period witnessed the invention of opera and oratorio and the emergence of such instrumental genres as the sonata, suite, and concerto, which continue to engage composers today. An ideal instructional package for courses in music history and literature, Music of the Baroque, Second Edition, and its accompanying anthology of scores offer a vivid introduction to European music from 1600 through 1750. Integrating historical and cultural context with composer biography, music analysis, and performance practice, the text surveys Baroque music while analyzing in depth more than forty works from the principal traditions of the period. An opening chapter on late-Renaissance vocal music and a closing chapter on galant instrumental music provide bridges to earlier and later European music. Thoroughly revised and updated to reflect current scholarship, this second edition of Music of the Baroque offers expanded coverage of instrumental music, with new sections on French lute music and the Italian trumpet sinfonia, along with enhanced discussion of chamber music from Salomone Rossi to Biber and Corelli. French sacred music also receives renewed attention. Offering models for musical criticism and analysis in a variety of compositional styles, author David Schulenberg analyzes familiar works like Monteverdi's Orfeo and a Bach cantata as well as lesser-known compositions, including works by Barbara Strozzi and Elizabeth-Claude Jacquet de La Guerre. Additional Features: * Incorporates a wealth of pedagogical resources including synopses of operatic works; biographical timelines for major composers; numerous illustrations, musical examples, and analytical tables; highlighting and explanations of technical terms upon first appearance; and carefully formulated definitions of each new concept * Revised to incorporate the latest in Baroque music scholarship, including an updated bibliography and many new music examples and illustrations * Accompanied by a companion anthology that contains more than fifty pieces for analysis * Supplemented by the author's website, www.wagner.edu/faculty/dschulenberg/oupcont.html, which provides a discography for pieces included in the anthology Designed for undergraduate and graduate students, Music of the Baroque, Second Edition, is also essential reading for anyone who desires an up-to-date introduction to the serious study of Baroque music.
Discover Music of the Baroque Era
Author: Clive Unger-Hamilton
Publisher: Naxos Audio Books
ISBN: 9781843792345
Category : Music
Languages : en
Pages : 160
Book Description
Free website with music available, to access see page 4.
Publisher: Naxos Audio Books
ISBN: 9781843792345
Category : Music
Languages : en
Pages : 160
Book Description
Free website with music available, to access see page 4.
Five Lives in Music
Author: Cecelia Hopkins Porter
Publisher: University of Illinois Press
ISBN: 0252037014
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
A century later, Josephine Lang, a prodigiously talented pianist and dedicated composer, participated at various times in the German Romantic world of lieder through her important arts salon. Lastly, the twentieth century brought forth two exceptional women: Baroness Maria Bach, a composer and pianist of twentieth-century Vienna's upper bourgeoisie and its brilliant musical milieu in the era of Gustav Mahler, Richard Strauss, Arnold Schoenberg, and Erich Korngold; and Ann Schein, a brilliant and dauntless American piano prodigy whose career, ongoing today though only partially recognized, led her to study with the legendary virtuosos Arthur Rubinstein and Myra Hess.
Publisher: University of Illinois Press
ISBN: 0252037014
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
A century later, Josephine Lang, a prodigiously talented pianist and dedicated composer, participated at various times in the German Romantic world of lieder through her important arts salon. Lastly, the twentieth century brought forth two exceptional women: Baroness Maria Bach, a composer and pianist of twentieth-century Vienna's upper bourgeoisie and its brilliant musical milieu in the era of Gustav Mahler, Richard Strauss, Arnold Schoenberg, and Erich Korngold; and Ann Schein, a brilliant and dauntless American piano prodigy whose career, ongoing today though only partially recognized, led her to study with the legendary virtuosos Arthur Rubinstein and Myra Hess.
The Cambridge Companion to the Organ
Author: Nicholas Thistlethwaite
Publisher: Cambridge University Press
ISBN: 1107494036
Category : Music
Languages : en
Pages : 358
Book Description
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.
Publisher: Cambridge University Press
ISBN: 1107494036
Category : Music
Languages : en
Pages : 358
Book Description
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.