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Author: Michael Snodin Publisher: ISBN: Category : Architecture Languages : en Pages : 380
Book Description
Taking examples from all media and genres, this comprehensive book, now available in paperback, explores this emotionally powerful and geographically pervasive style, tracing its development from Rome, centre of papal and princely power. Carefully selected and rarely seen objects from public and private collections illustrate traditions of ornament, performance and visual art, while stunning spreads examine how churches and palaces became showcases for the pomp and splendour of Baroque art.
Author: Michael Snodin Publisher: ISBN: Category : Architecture Languages : en Pages : 380
Book Description
Taking examples from all media and genres, this comprehensive book, now available in paperback, explores this emotionally powerful and geographically pervasive style, tracing its development from Rome, centre of papal and princely power. Carefully selected and rarely seen objects from public and private collections illustrate traditions of ornament, performance and visual art, while stunning spreads examine how churches and palaces became showcases for the pomp and splendour of Baroque art.
Author: Alois Riegl Publisher: Getty Publications ISBN: 1606060414 Category : Architecture Languages : en Pages : 294
Book Description
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.
Author: Lilian H. Zirpolo Publisher: Rowman & Littlefield ISBN: 1538111292 Category : Art Languages : en Pages : 692
Book Description
This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.
Author: Helen Hills Publisher: Routledge ISBN: 1351551175 Category : Architecture Languages : en Pages : 286
Book Description
Rethinking the Baroque explores a tension. In recent years the idea of ?baroque? or ?the baroque? has been seized upon by scholars from a range of disciplines and the term ?baroque? has consequently been much in evidence in writings on contemporary culture, especially architecture and entertainment. Most of the scholars concerned have little knowledge of the art, literature, and history of the period usually associated with the baroque. A gulf has arisen. On the one hand, there are scholars who are deeply immersed in historical period, who shy away from abstraction, and who have remained often oblivious to the convulsions surrounding the term ?baroque?; on the other, there are theorists and scholars of contemporary theory who have largely ignored baroque art and architecture. This book explores what happens when these worlds mesh. In this book, scholars from a range of disciplines retrieve the term ?baroque? from the margins of art history where it has been sidelined as ?anachronistic?, to reconsider the usefulness of the term ?baroque?, while avoiding simply rehearsing familiar policing of periodization, stylistic boundaries, categories or essence. ?Baroque? emerges as a vital and productive way to rethink problems in art history, visual culture and architectural theory. Rather than attempting to provide a survey of baroque as a chronological or geographical conception, the essays here attempt critical re-engagement with the term ?baroque? - its promise, its limits, and its overlooked potential - in relation to the visual arts. Thus the book is posited on the idea that tension is not only inevitable, but even desirable, since it not only encapsulates intellectual divergence (which is always as useful as much as it is feared), but helps to push scholars (and therefore readers) outside their usual runnels.
Author: John D. Lyons Publisher: Oxford University Press ISBN: 019067847X Category : Literary Criticism Languages : en Pages : 907
Book Description
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
Author: Amanda Wunder Publisher: Penn State Press ISBN: 027107941X Category : Art Languages : en Pages : 499
Book Description
Baroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens. Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos—divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization. Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville’s hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.
Author: Geoffrey R. Sharpe Publisher: Bloomsbury Publishing ISBN: 0857720104 Category : Architecture Languages : en Pages : 239
Book Description
No other country offers so rich and varied a heritage of traditional buildings as England. From windmills to water mills, cottages to castles, dovecotes to beeboles a wealth of treasures await discovery. Drawing upon forty years' experience of caring for historic structures Geoffrey R. Sharpe provides a simple but informed guide to these delights and curiosities of the English countryside. He explains not just the purpose of these buildings but the part they played in the history of the countryside, showing how the buildings evolved and the ways in which people lived and worked in them. He uses his expert knowledge to explain the differences in materials, how they were worked, and the many regional variations to be enjoyed. The result is an invaluable guide that will enhance the reader's understanding and appreciation of England's rich and varied heritage.
Author: Michael Snodin
Author: Michael Snodin
Author: Michael Snodin
Author: Reinier Baarsen
Author: Reinier Baarsen
Author: Alois Riegl
Author: Lilian H. Zirpolo
Author: Helen Hills
Author: John D. Lyons
Author: Amanda Wunder
Author: Geoffrey R. Sharpe