Author: Francis J. Geck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 82
Book Description
Baroque, 1600-1700, Il Seicento
Art and Architecture in Italy, 1600–1750
Author: Rudolf Wittkower
Publisher: Yale University Press
ISBN: 9780300079418
Category : Art
Languages : en
Pages : 212
Book Description
This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition-now published in three volumes-will also include color illustrations for the first time.
Publisher: Yale University Press
ISBN: 9780300079418
Category : Art
Languages : en
Pages : 212
Book Description
This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition-now published in three volumes-will also include color illustrations for the first time.
Bernini and the Birth of Baroque Portrait Sculpture
Author: Andrea Bacchi
Publisher: Getty Publications
ISBN: 0892369329
Category : Portrait sculpture, Baroque
Languages : en
Pages : 338
Book Description
Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
Publisher: Getty Publications
ISBN: 0892369329
Category : Portrait sculpture, Baroque
Languages : en
Pages : 338
Book Description
Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
Bibliography of Italian High Renaissance Art
Author: Francis J. Geck
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 70
Book Description
Art in Italy, 1600-1700
Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Art, Baroque
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Art, Baroque
Languages : en
Pages : 204
Book Description
Bibliography of Italian Late Renaissance Art
Author: Francis J. Geck
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 80
Book Description
Bibliography of Italian Rococo Art
Author: Francis J. Geck
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 84
Book Description
Bibliography of Italian Gothic Art
Author: Francis J. Geck
Publisher:
ISBN:
Category : Art, Gothic
Languages : en
Pages : 86
Book Description
Publisher:
ISBN:
Category : Art, Gothic
Languages : en
Pages : 86
Book Description
Bibliography of Italian ... Art
Performativity and Performance in Baroque Rome
Author: Peter Gillgren
Publisher: Routledge
ISBN: 1351554689
Category : Art
Languages : en
Pages : 280
Book Description
A new interest in the study of early modern ritual, ceremony, formations of personal and collective identities, social roles, and the production of meaning inside and outside the arts have made it possible to talk today about a performative turn in the humanities. In Performativity and Performance in Baroque Rome, scholars from different fields of research explore performative aspects of Baroque culture. With examples from the politics of diplomacy and everyday life, from theatre, music and ritual as well as from architecture, painting and sculpture the contributors demonstrate how broadly the concept of performativity has been adopted within different disciplines.
Publisher: Routledge
ISBN: 1351554689
Category : Art
Languages : en
Pages : 280
Book Description
A new interest in the study of early modern ritual, ceremony, formations of personal and collective identities, social roles, and the production of meaning inside and outside the arts have made it possible to talk today about a performative turn in the humanities. In Performativity and Performance in Baroque Rome, scholars from different fields of research explore performative aspects of Baroque culture. With examples from the politics of diplomacy and everyday life, from theatre, music and ritual as well as from architecture, painting and sculpture the contributors demonstrate how broadly the concept of performativity has been adopted within different disciplines.