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Author: Gabriel Fauré Publisher: Courier Corporation ISBN: 0486312402 Category : Music Languages : en Pages : 207
Book Description
These 12 nocturnes and 12 barcarolles, composed over a span of 40 years, document Fauré's move through the innovations of late Romanticism to the frontier of early-20th-century music. From authoritative French editions.
Author: Gabriel Fauré Publisher: Courier Corporation ISBN: 0486312402 Category : Music Languages : en Pages : 207
Book Description
These 12 nocturnes and 12 barcarolles, composed over a span of 40 years, document Fauré's move through the innovations of late Romanticism to the frontier of early-20th-century music. From authoritative French editions.
Author: Maurice Hinson Publisher: Indiana University Press ISBN: 0253010233 Category : Music Languages : en Pages : 1215
Book Description
Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.
Author: Theodore Karp Publisher: Northwestern University Press ISBN: 0810106590 Category : Music Languages : en Pages : 465
Book Description
" ... Assist[s] ... the student of music toward a better understanding of the musical heritage of the Western world. It seeks to present in compact and understandable form information regarding the history of Western music, the constitution of its more important forms, biographies of the greatest composers, and accounts of compositional techniques, performance media, and acoustic phenomena, together with brief definitions of basic terms in performance and theory ..."--Preface
Author: Edward R. Phillips Publisher: Routledge ISBN: 1135838968 Category : Music Languages : en Pages : 635
Book Description
First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music
Author: Alison Hood Publisher: Routledge ISBN: 1317113586 Category : Music Languages : en Pages : 288
Book Description
Music theory is often seen as independent from - even antithetical to - performance. While music theory is an intellectual enterprise, performance requires an intuitive response to the music. But this binary opposition is a false one, which serves neither the theorist nor the performer. In Interpreting Chopin Alison Hood brings her experience as a performer to bear on contemporary analytical models. She combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin, casting new light on the composer’s preludes, nocturnes and barcarolle. An extension of Schenkerian analysis, the specific combination of five aspects distinguishes Hood’s method from previous analytical approaches. These five methods are: attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation, following guidelines offered by Steve Larson; a continual concern with what have been called 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shape those decisions. Building on the work of such authors as William Rothstein, Carl Schachter and John Rink, Hood’s approach to Chopin’s oeuvre raises interpretive questions of central interest to performers.
Author: Gabriel Fauré
Author: Gabriel Fauré
Author: Maurice Hinson
Author: Gabriel Fauré
Author: Gabriel Fauré
Author: James Silk Buckingham
Author: Theodore Karp
Author: Edward R. Phillips
Author: Alison Hood
Author: Albert Ernest Wier
Author: