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Author: Linda S. Kauffman Publisher: Univ of California Press ISBN: 0520919718 Category : Performing Arts Languages : en Pages : 342
Book Description
Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick Boys offers a vital and entertaining tour of the current cultural landscape. Kauffman boldly connects the dots between the radical artists who shatter taboos and challenge legal and aesthetic conventions. She links writers like John Hawkes and Robert Coover to Kathy Acker and William Vollmann; filmmakers like Ngozi Onwurah and Isaac Julien to Brian De Palma and Gus Van Sant; and performers like Carolee Schneemann and Annie Sprinkle to the visual arts. Kauffman's lively interviews with J. G. Ballard, David Cronenberg, Bob Flanagan, and Orlan add an extraordinary dimension to her timely and convincing argument.
Author: Linda S. Kauffman Publisher: Univ of California Press ISBN: 0520919718 Category : Performing Arts Languages : en Pages : 342
Book Description
Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick Boys offers a vital and entertaining tour of the current cultural landscape. Kauffman boldly connects the dots between the radical artists who shatter taboos and challenge legal and aesthetic conventions. She links writers like John Hawkes and Robert Coover to Kathy Acker and William Vollmann; filmmakers like Ngozi Onwurah and Isaac Julien to Brian De Palma and Gus Van Sant; and performers like Carolee Schneemann and Annie Sprinkle to the visual arts. Kauffman's lively interviews with J. G. Ballard, David Cronenberg, Bob Flanagan, and Orlan add an extraordinary dimension to her timely and convincing argument.
Author: Linda S. Kauffman Publisher: Univ of California Press ISBN: 9780520919716 Category : Performing Arts Languages : en Pages : 348
Book Description
Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick Boys offers a vital and entertaining tour of the current cultural landscape. Kauffman boldly connects the dots between the radical artists who shatter taboos and challenge legal and aesthetic conventions. She links writers like John Hawkes and Robert Coover to Kathy Acker and William Vollmann; filmmakers like Ngozi Onwurah and Isaac Julien to Brian De Palma and Gus Van Sant; and performers like Carolee Schneemann and Annie Sprinkle to the visual arts. Kauffman's lively interviews with J. G. Ballard, David Cronenberg, Bob Flanagan, and Orlan add an extraordinary dimension to her timely and convincing argument.
Author: Philip H. Melanson Publisher: Bloomsbury Publishing USA ISBN: 0313368309 Category : History Languages : en Pages : 222
Book Description
Murkin was the code name chosen by the FBI for their investigation into the assassination of Dr. Martin Luther King, Jr., in 1968. Today, 20 years after the fatal shooting of the civil rights leader, Philip H. Melanson, a renowned authority on American political assassinations, unveils his own investigation into the murder. Melanson . . . has done an exhaustively thorough job on the still-mysterious King assassination. After following Melanson's meticulous pursuit of seemingly every lead in the case--including interviews with the men whose names were used as aliases for alleged killer James Earl Ray--there can be little doubt in the reader's mind that neither of the two official versions of what happened could have been the whole truth. The first was the ever-popular notion of the lone killer: Ray. The second, propounded by a clearly inept congressional investigation a decade after the 1969 shooting, was that an ill-defined racist conspiracy was behind the assassination. What seems unarguable is that Ray, a petty criminal, could not have killed King unaided. There are too many improbabilities--the source of his carefully chosen Canadian aliases, the identity of the `fat man' who brought him a `letter' in Toronto during his escape, the odd setup at the rooming house from which the shot was fired. It is Melanson's thesis that there was high-level intelligence involvement, probably by the CIA, which was violently alarmed by King's anti-Vietnam stance. Publisher's Weekly Murkin was the code name chosen by the FBI for the investigation into the assassination of Dr. Martin Luther King, Jr., in 1968. Today, twenty years after the fatal shooting of the civil rights leader, Philip H. Melanson, a renowned authority on American political assassinations, unveils his own investigation into the murder. Through extensive interviews, research, and Freedom of Information Act requests, Melanson analyzes the official investigations, the evidence, the performance of law enforcement officials, the role of James Earl Ray, and the questions of conspiracy. Much of the data presented has never before been published. Based on his detailed investigation, Melanson offers a revisionist interpretation of the King case, demonstrating that it remains unsolved. Melanson argues persuasively that both the FBI's conclusion that Ray acted alone and the later 1978 House Select Committee on Assassinations decision that Ray was backed by a conspiracy of St. Louis-based white supremacists are not supported by the evidence. Although Melanson concludes that Ray did not, in fact, act alone, he contends that the official investigations were so flawed that the conspirators behind him are still unidentified. His own conclusions regarding the probable source of the conspiracy offer a sobering indictment of the ways in which powerful interests, left unchecked, can wreak havoc on American democratic processes.
Author: Cynthia Voigt Publisher: ISBN: 9780590601344 Category : Fiction Languages : en Pages : 277
Book Description
After meeting on the first day in Mrs. Chemsky's fifth-grade class, Margalo and Mikey help each other in and out of trouble, as they try to maintain a friendship while each asserts her independence.
Author: Sidonie Smith Publisher: U of Minnesota Press ISBN: 9780816624904 Category : Literary Criticism Languages : en Pages : 432
Book Description
Various encounters helped us transform what was originally just a response to a trendy 1980s phrase--Get A life!--into the pointed yet heterogeneous engagement with everyday practices that we believe this collection represents. Papers submitted for the session on the everyday uses of autobiography at the Modern Language Association's convention in 1992 enabled us to connect with scholars around the country.
Author: Carolee Schneemann Publisher: Duke University Press ISBN: 0822345110 Category : Architecture Languages : en Pages : 601
Book Description
An epistolary history of the international avant-garde of happenings, Fluxus, and performance and conceptual art emerges from decades of correspondence between Carolee Schneemann and other artists and intellectuals.
Author: Marc A. Ouellette Publisher: McFarland ISBN: 1476671397 Category : Games & Activities Languages : en Pages : 250
Book Description
A lot of work has been done talking about what masculinity is and what it does within video games, but less has been given to considering how and why this happens, and the processes involved. This book considers the array of daily relationships involved in producing masculinity and how those actions and relationships translate to video games. Moreover, it examines the ways the actual play of the games maps onto the stories to create contradictory moments that show that, while toxic masculinity certainly exists, it is far from inevitable. Topics covered include the nature of masculine apprenticeship and nurturing, labor, fatherhood, the scapegoating of women, and reckoning with mortality, among many others.
Author: G. Harris Publisher: Springer ISBN: 0230554946 Category : Performing Arts Languages : en Pages : 243
Book Description
This work is a timely contribution to the debates surrounding feminism, theatre and performance. The excellent, cross-generational mix of theatre scholars and practitioners engaging in lively, cutting-edge debates on critical topics make this essential reading for students and scholars in Theatre and Performance Studies as well as Gender Studies.
Author: Meiling Cheng Publisher: Univ of California Press ISBN: 9780520936607 Category : Performing Arts Languages : en Pages : 448
Book Description
Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about "multicentric" Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and "mainstream" and "marginal" cultures. She analyzes individual artists and performances in detail, bringing her own "center" gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork. Cheng describes performance art as "an intermedia visual art form that uses theatrical elements in presentation." Performance art, which uses the living body as its central medium, occurs only "here" and only "now." Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression. As members of the "virtual audience," readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a "prosthetic performance." Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact. Published in association with the Southern California Studies Center at the University of Southern California
Author: Elwood Watson Publisher: McFarland ISBN: 078645508X Category : Performing Arts Languages : en Pages : 319
Book Description
With essays ranging in topic from the films of Neil LaBute to the sexual politics of Major League Baseball, this diverse collection of essays examines the multi-faceted media images of contemporary masculinity from a variety of perspectives and academic disciplines. The book's first half focuses on the issue of racialized masculinity and its various manifestations, with essays covering, among other topics, the re-imagining of Asian American masculinity in Justin Lin's Better Luck Tomorrow and the ever-present image of black male buffoonery in the neo-minstrel performances of VH1's Flavor of Love. The book's second half explores the issue of contemporary mediated performance and the cultural politics of masculinity, with essays focusing on popular media representations of men in a variety of gendered roles, from homemakers and househusbands to valorous war heroes and athletic demigods.
Author: Linda S. Kauffman
Author: Linda S. Kauffman
Author: Linda S. Kauffman
Author: Philip H. Melanson
Author: Cynthia Voigt
Author: Sidonie Smith
Author: Carolee Schneemann
Author: Marc A. Ouellette
Author: G. Harris
Author: Meiling Cheng
Author: Elwood Watson