Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Bach’s Cycle, Mozart’s Arrow PDF full book. Access full book title Bach’s Cycle, Mozart’s Arrow by Karol Berger. Download full books in PDF and EPUB format.
Author: Karol Berger Publisher: Univ of California Press ISBN: 0520257979 Category : Biography & Autobiography Languages : en Pages : 432
Book Description
Karol Berger uses the works of Monteverdi, Bach, Mozart and Beethoven to support two claims: first that it was only in the later 18th century that music began to take the flow of time from the past to the future seriously; and second that this change in structure was an aspect of a larger transformation towards modernity.
Author: Karol Berger Publisher: Univ of California Press ISBN: 0520257979 Category : Biography & Autobiography Languages : en Pages : 432
Book Description
Karol Berger uses the works of Monteverdi, Bach, Mozart and Beethoven to support two claims: first that it was only in the later 18th century that music began to take the flow of time from the past to the future seriously; and second that this change in structure was an aspect of a larger transformation towards modernity.
Author: Karol Berger Publisher: Univ of California Press ISBN: 0520933699 Category : Music Languages : en Pages : 434
Book Description
In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian worldview. Until this historical moment, as Berger illustrates in his analysis of Bach's St. Matthew Passion, music was simply "in time." Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. But after the shift, as he finds in looking at Mozart's Don Giovanni, the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period.
Author: Karol Berger Publisher: Univ of California Press ISBN: 0520250915 Category : Art Languages : en Pages : 432
Book Description
Uses the works of Monteverdi, Bach, Mozart, and Beethoven to support the claims that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously.
Author: Markus Rathey Publisher: Oxford University Press ISBN: 019027526X Category : Music Languages : en Pages : 433
Book Description
In the last decades of the 17th century, the feast of Christmas in Lutheran Germany underwent a major transformation when theologians and local governments waged an early modern "war on Christmas," discouraging riotous pageants and carnivalesque rituals in favor of more personal and internalized expressions of piety. Christmas rituals, such as the "Heilig Christ" plays and the rocking of the child (Kindelwiegen) were abolished, and Christian devotion focused increasingly on the metaphor of a birth of Christ in the human heart. John Sebastian Bach's Christmas Oratorio, composed in 1734, both reflects this new piety and conveys the composer's experience living through this tumult during his own childhood and early career. Markus Rathey's book is the first thorough study of this popular masterpiece in English. While giving a comprehensive overview of the Christmas Oratorio as a whole, the book focuses on two themes in particular: the cultural and theological understanding of Christmas in Bach's time and the compositional process that led Bach from the earliest concepts to the completed piece. The cultural and religious context of the oratorio provides the backdrop for Rathey's detailed analysis of the composition, in which he explores Bach's compositional practices, for example, his reuse and parodies of movements that had originally been composed for secular cantatas. The book analyzes Bach's original score and sheds new light on the way Bach wrote the piece, how he shaped musical themes, and how he revised his initial ideas into the final composition.
Author: Benedict Taylor Publisher: Oxford University Press ISBN: 0190206055 Category : History Languages : en Pages : 329
Book Description
Music has been seen since the Romantic era as the quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. The Melody of Time explores the multiple ways in which music may provide insight into the problematics of time, spanning the dynamic century between Beethoven and Elgar.
Author: Gurtner et al Publisher: Wm. B. Eerdmans Publishing ISBN: 0802873375 Category : Bibles Languages : en Pages : 286
Book Description
Over the course of his distinguished career Richard Bauckham has made pioneering contributions to diverse areas of scholarship ranging from ethics and contemporary issues to hermeneutical problems and theology, often drawing together disciplines and fields of research all too commonly kept separate from one another. In this volume some of the most eminent figures in modern biblical and theological scholarship present essays honoring Bauckham. Addressing a variety of subjects related to Christology, creation, and eschatology, the contributors develop elements of Bauckham's biblical and theological work further, present fresh research of their own to complement his work, and raise critical questions. -from dust jacket.
Author: Julian Johnson Publisher: Oxford University Press, USA ISBN: 0190233273 Category : Literary Criticism Languages : en Pages : 401
Book Description
Out of Time explores a bold idea: that western art music of the last four hundred years is better understood through the idea of musical modernity than by the usual periodizations of music history. Reading against the grain of linear history, it reconsiders the common concerns of music in terms of time and history, space and technology, language and sound. The result is a rehearing of modernity and a rethinking of modern music.
Author: Mark A. Peters Publisher: Rowman & Littlefield ISBN: 1498554962 Category : Music Languages : en Pages : 355
Book Description
Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.
Author: Stephen Rumph Publisher: Univ of California Press ISBN: 0520260864 Category : Biography & Autobiography Languages : en Pages : 283
Book Description
"In Mozart and Enlightenment Semiotics, Stephen Rumph shifts the ground of interpretation for late eighteenth century European music by reinstating the semiotics and language theory of the period. In so doing, Rumph challenges and reappraises current orthodoxies. These challenges are extremely valuable, bravely offered, and intuitively right as well as convincingly argued." —Matthew Head, author of Orientalism, Masquerade and Mozart's Turkish Music "Stephen Rumph’s book is, to my knowledge, the first successful attempt to ground classical music in its contemporaneous intellectual context. In this respect, Rumph’s book is a great achievement. It is an imaginative tour-de-force bursting with dazzling insights, and with an apparently encyclopedic range of intellectual reference in several languages." —Michael Spitzer, author of Metaphor and Musical Thought “By keeping so many things in focus at the same time, Stephen Rumph has really written several books in one: an introduction to Enlightenment theories of the sign for scholars of music; a much-needed historical context for modern musical semiotics; a sensitive new exploration of the circulation of meanings in and through Mozart’s music; and an important contribution to the ongoing integration of musicology into cultural studies. I suspect that in the course of several readings, one would come away each time with a different set of equally valuable revelations.” —Elisabeth LeGuin, author of Boccherini's Body: An Essay in Carnal Musicology
Author: Robin Leaver Publisher: Taylor & Francis ISBN: 1315452804 Category : Art Languages : en Pages : 593
Book Description
The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years. It is not a lexicon providing information on all the major aspects of Bach's life and work, such as the Oxford Composer Companion: J. S. Bach. Nor is it an entry-level research tool aimed at those making a beginning of such studies. The valuable essays presented here are designed for the next level of Bach research and are aimed at masters and doctoral students, as well as others interested in coming to terms with the current state of Bach research. Each author covers three aspects within their specific subject area; firstly, to describe the results of research over the past thirty-fifty years, concentrating on the most significant and controversial, such as: the debate over Smend's NBA edition of the B minor Mass; Blume's conclusions with regard to Bach's religion in the wake of the 'new' chronology; Rifkin's one-to-a-vocal-part interpretation; the rediscovery of the Berlin Singakademie manuscripts in Kiev; the discovery of hitherto unknown manuscripts and documents and the re-evaluation of previously known sources. Secondly, each author provides a critical analysis of current research being undertaken that is exploring new aspects, reinterpreting earlier assumptions, and/or opening-up new methodologies. For example, Martin W. B. Jarvis has suggested that Anna Magdalena Bach composed the cello suites and contributed to other works of her husband - another controversial hypothesis, whose newly proposed forensic methodology requires investigation. On the other hand, research into Bach's knowledge of the Lutheran chorale tradition is currently underway, which is likely to shed more light on the composer's choices and usage of this tradition. Thirdly, each author identifies areas that are still in need of investigation and research.
Author: Karol Berger
Author: Karol Berger
Author: Karol Berger
Author: Karol Berger
Author: Markus Rathey
Author: Benedict Taylor
Author: Gurtner et al
Author: Julian Johnson
Author: Mark A. Peters
Author: Stephen Rumph
Author: Robin Leaver