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Author: John Potvin Publisher: Manchester University Press ISBN: 1526159317 Category : History Languages : en Pages : 450
Book Description
The bachelor has long held an ambivalent, uncomfortable and even at times unfriendly position in society. This book carefully considers the complicated relationships between the modern queer bachelor and interior design, material culture and aesthetics in Britain between 1885 and 1957. The seven deadly sins of the modern bachelor (queerness, idolatry, askesis, decadence, the decorative, glamour and artifice) comprise a contested site and reveal in their respective ways the distinctly queer twinning of shame and resistance. It pays close attention to the interiors of Lord Ronald Gower, Alfred Taylor, Oscar Wilde, Charles Shannon and Charles Ricketts, Edward Perry Warren and John Marshall, Sir Cedric Morris and Arthur Lett-Haines, Noël Coward and Cecil Beaton. Richly illustrated and written in a lively and accessible manner, Bachelors of a different sort is at once theoretically ambitious and rich in its use of archival and various historical sources.
Author: John Potvin Publisher: Manchester University Press ISBN: 1526159317 Category : History Languages : en Pages : 450
Book Description
The bachelor has long held an ambivalent, uncomfortable and even at times unfriendly position in society. This book carefully considers the complicated relationships between the modern queer bachelor and interior design, material culture and aesthetics in Britain between 1885 and 1957. The seven deadly sins of the modern bachelor (queerness, idolatry, askesis, decadence, the decorative, glamour and artifice) comprise a contested site and reveal in their respective ways the distinctly queer twinning of shame and resistance. It pays close attention to the interiors of Lord Ronald Gower, Alfred Taylor, Oscar Wilde, Charles Shannon and Charles Ricketts, Edward Perry Warren and John Marshall, Sir Cedric Morris and Arthur Lett-Haines, Noël Coward and Cecil Beaton. Richly illustrated and written in a lively and accessible manner, Bachelors of a different sort is at once theoretically ambitious and rich in its use of archival and various historical sources.
Author: John Potvin Publisher: Manchester University Press ISBN: 1526134810 Category : Design Languages : en Pages : 508
Book Description
Deco dandy contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences of decorative modernism, nationalism, gender and sexuality in the years surrounding World War I converge in the protean figure of the 'deco dandy'. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important and productive moments in the history of the cultural life of Paris presented in the book provide insights into the changing role performed by consumerism, masculinity, design history and national identity.
Author: John Gilbert McCurdy Publisher: Cornell University Press ISBN: 0801457807 Category : Social Science Languages : en Pages : 283
Book Description
In 1755 Benjamin Franklin observed "a man without a wife is but half a man" and since then historians have taken Franklin at his word. In Citizen Bachelors, John Gilbert McCurdy demonstrates that Franklin's comment was only one side of a much larger conversation. Early Americans vigorously debated the status of unmarried men and this debate was instrumental in the creation of American citizenship. In a sweeping examination of the bachelor in early America, McCurdy fleshes out a largely unexamined aspect of the history of gender. Single men were instrumental to the settlement of the United States and for most of the seventeenth century their presence was not particularly problematic. However, as the colonies matured, Americans began to worry about those who stood outside the family. Lawmakers began to limit the freedoms of single men with laws requiring bachelors to pay higher taxes and face harsher penalties for crimes than married men, while moralists began to decry the sexual immorality of unmarried men. But many resisted these new tactics, including single men who reveled in their hedonistic reputations by delighting in sexual horseplay without marital consequences. At the time of the Revolution, these conflicting views were confronted head-on. As the incipient American state needed men to stand at the forefront of the fight for independence, the bachelor came to be seen as possessing just the sort of political, social, and economic agency associated with citizenship in a democratic society. When the war was won, these men demanded an end to their unequal treatment, sometimes grudgingly, and the citizen bachelor was welcomed into American society. Drawing on sources as varied as laws, diaries, political manifestos, and newspapers, McCurdy shows that in the course of the seventeenth and eighteenth centuries the bachelor was a simultaneously suspicious and desirable figure: suspicious because he was not tethered to family and household obligations yet desirable because he was free to study, devote himself to political office, and fight and die in battle. He suggests that this dichotomy remains with us to this day and thus it is in early America that we find the origins of the modern-day identity of the bachelor as a symbol of masculine independence. McCurdy also observes that by extending citizenship to bachelors, the founders affirmed their commitment to individual freedom, a commitment that has subsequently come to define the very essence of American citizenship.
Author: Stefanie London Publisher: Sourcebooks, Inc. ISBN: 149265518X Category : Fiction Languages : en Pages : 259
Book Description
Everybody's talking about the hot new app rating New York's most eligible bachelors. But why focus on Prince Charming when you can read the latest dirt on the lowest-ranked "Bad Bachelors"—NYC's most notorious bad boys. He says... If one more person mentions Bad Bachelors to me, someone's gonna get hurt. Who thought this app would be a good idea? Like dating isn't hard enough without being critiqued for every little misstep. My name is Reed McMahon and I'm supposedly a PR whiz and "image fixer," but now I need some help cleaning up my own image. She says... When Reed strolls into my workplace offering to help save the struggling library, I'm not buying his story. I'm Darcy Greer, a no-nonsense Brooklynite who knows Reed is exactly the kind of guy to be avoided. I've seen the app, and Bad Bachelor #1 has no place in my life. However, the library does need his help, and this guy needs to make some serious amends, so who am I to stop him? If only he didn't work so hard to find redemption... "Delightfully fresh. Stefanie London delivers all the feels in this exceptional opposites-attract love story. Bad Bachelor is an absolute must-read."—LAUREN LAYNE, New York Times bestselling author "Original, witty, and sexy. My #1 romance read of the year!"—JENNIFER BLACKWOOD, USA Today bestselling author
Author: Robert Fagley Publisher: Cambridge Scholars Publishing ISBN: 1443871419 Category : Literary Criticism Languages : en Pages : 235
Book Description
Bachelors, Bastards, and Nomadic Masculinity is, firstly, a thematic exploration of bachelor figures and male bastards in literary works by Guy de Maupassant and André Gide. The coupling of Maupassant and Gide is appropriate for such an analysis, not only because of their mutual treatment of illegitimacy, but also because each writer represents varieties of bachelors and bastards from disparate social classes and subcultures, each writing during contiguous moments of socio-legal changes particularly related to divorce law and women’s rights, which consequently have great influence on the legal destiny of illegitimate or “natural” children. Napoleon’s Civil Code of 1804 provides the legal (patriarchal) framework for the period of this study of illegitimacy, from about 1870 to 1925. The Civil Code saw numerous changes during this period. The Naquet Law of 1884, which reestablished limited legal divorce, represents the central socio-legal event of the turn of the century in matters of legitimacy, whereas the Franco-Prussian War of 1870 and the First World War furnish chronological bookends for this book. Besides through history, law, and sociology, this book treats illegitimacy through the lens of various branches of gender and sexual theory, particularly the study of masculinities, and a handful of other important critical theories, most importantly those of Michel Foucault, Eve Sedgwick, Todd Reeser, Charles Stivale, and Gilles Deleuze and Félix Guattari. Bachelors and bastards are two principal players in the representation of illegitimacy in Maupassant and Gide, but this study considers the theme of illegitimacy as extended beyond simple questions of legitimate versus illegitimate children. The male bastard is only one of the "Counterfeit" characters examined in these authors' fictional texts. This book is divided into three parts which consider specific thematic elements of their "bastard narratives". Part One frames the representation in fiction of bachelor figures and how they contribute to, or the roles they play in, instances of illegitimacy. Part Two springs from and develops the metaphor of the "counterfeit coin," whether represented by a bastard son, an affected schoolboy, a false priest, or a pretentious littérateur. Part Three explains the concept of "nomadic masculine" practices; such practices include nomadic styles of masculinity development as well as the bastard's nomadism.
Author: Katherine V. Snyder Publisher: Cambridge University Press ISBN: 1139426249 Category : Literary Criticism Languages : en Pages : 299
Book Description
Katherine Snyder's study explores the significance of the bachelor narrator, a prevalent but little-recognised figure in premodernist and modernist fiction by male authors, including Hawthorne, James, Conrad, Ford and Fitzgerald. Snyder demonstrates that bachelors functioned in cultural and literary discourse as threshold figures who, by crossing the shifting, permeable boundaries of bourgeois domesticity, highlighted the limits of conventional masculinity. The very marginality of the figure, Snyder argues, effects a critique of gendered norms of manhood, while the symbolic function of marriage as a means of plot resolution is also made more complex by the presence of the single man. Bachelor figures made, moreover, an ideal narrative device for male authors who themselves occupied vexed cultural positions. By attending to the gendered identities and relations at issue in these narratives, Snyder's study discloses the aesthetic and political underpinnings of the traditional canon of English and American male modernism.
Author: Various Authors Publisher: Taylor & Francis ISBN: 0429577923 Category : Philosophy Languages : en Pages : 2705
Book Description
Reissuing works originally published between 1937 and 1992, this collection of original texts addresses the philosophical realm of metaphysics, not only ontology but the philosophy of science, religion and morals. The theory of values and the theory of absolutes are the subject of more than one volume, while others take a broader spectrum and outlay the history of the philosophical arguments. The nature of objects and questions of being and identity are addressed from very different perspectives. With some volumes by very eminent thinkers, this is a great addition to any collection on philosophy.
Author: John Potvin
Author: John Potvin
Author: John Potvin
Author: John Gilbert McCurdy
Author: Stefanie London
Author: Robert Fagley
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Author: Katherine V. Snyder
Author: Various Authors
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