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Author: Mario Moroni Publisher: University of Toronto Press ISBN: 9780802086020 Category : Social Science Languages : en Pages : 492
Book Description
Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Focussing on the confrontation between these concepts and the broader notion of international modernism, the essays in this important collection seek to understand this complex phase of literary and artistic practices as a response to the epistemes of philosophical and scientific modernity at the end of the nineteenth century and in the first three decades of the twentieth. Intellectually provocative, this collection is the first attempt in the field of Italian Studies at a comprehensive account of Italian literary modernism. Each contributor documents how previous critical categories, employed to account for the literary, artistic, and cultural experiences of the period, have provided only partial and inadequate descriptions, preventing a fuller understanding of the complexities and the interrelations among the cultural phenomena of the time.
Author: Mario Moroni Publisher: University of Toronto Press ISBN: 9780802086020 Category : Social Science Languages : en Pages : 492
Book Description
Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Focussing on the confrontation between these concepts and the broader notion of international modernism, the essays in this important collection seek to understand this complex phase of literary and artistic practices as a response to the epistemes of philosophical and scientific modernity at the end of the nineteenth century and in the first three decades of the twentieth. Intellectually provocative, this collection is the first attempt in the field of Italian Studies at a comprehensive account of Italian literary modernism. Each contributor documents how previous critical categories, employed to account for the literary, artistic, and cultural experiences of the period, have provided only partial and inadequate descriptions, preventing a fuller understanding of the complexities and the interrelations among the cultural phenomena of the time.
Author: Exhibition Design, Dance and Music of the Ballets Russes 1909 - 1929 (1997 - 1998, Hartford, Conn. u.a.) Publisher: Yale University Press ISBN: 0300074840 Category : Performing Arts Languages : en Pages : 362
Book Description
Præsentation af en række balletter illustreret med fotografier og tegninger af kostumer og kulisser, ordnet alfabetisk efter designeren
Author: Jerry Caruana Publisher: Vantage Press, Inc ISBN: 9780533157488 Category : Art Languages : en Pages : 60
Book Description
A scholarly and well-researched text presenting two essays intended to clarify de Chiricos life and its many ups and downs. Filled with thoughtful analysis and thought-provoking sentiments, The Case of Giorgio de Chirico will provide art lovers with new insights and answers on this enigmatic artist and his career.
Author: Giorgio De Chirico Publisher: Rizzoli International Publications ISBN: Category : Art Languages : en Pages : 322
Book Description
The Greek-born Italian painter Giorgio de Chirico is a master of metaphysical painting. This fully illustrated catalogue presents de Chirico's work in relation to the world and myths of classical antiquity.
Author: Institution of Civil Engineers (Great Britain) Publisher: ISBN: Category : Civil engineering Languages : en Pages : 552
Book Description
Vols. 39-214 (1874/75-1921/22) have a section 2 containing "Other selected papers"; issued separately, 1923-35, as the institution's Selected engineering papers.
Author: Sidney Jackson Jowers Publisher: Routledge ISBN: 1136746412 Category : History Languages : en Pages : 568
Book Description
This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.
Author: Juliet Bellow Publisher: Routledge ISBN: 1351558048 Category : Art Languages : en Pages : 315
Book Description
Modernism on Stage restores Serge Diaghilev?s Ballets Russes to its central role in the Parisian art world of the 1910s and 1920s. During those years, the Ballets Russes? stage served as a dynamic forum for the interaction of artistic genres - dance, music and painting - in a mixed-media form inspired by Richard Wagner?s Gesamtkunstwerk (total work of art). This interdisciplinary study combines a broad history of Diaghilev?s troupe with close readings of four ballets designed by canonical modernist artists: Pablo Picasso, Sonia Delaunay, Henri Matisse, and Giorgio de Chirico. Experimental both in concept and form, these productions redefine our understanding of the interconnected worlds of the visual and performing arts, elite culture and mass entertainment in Paris between the two world wars. This volume traces the ways in which artists working with the Ballets Russes adapted painterly styles to the temporal, three-dimensional and corporeal medium of ballet. Analyzing interactions among sets, costumes, choreography, and musical accompaniment, the book establishes what the Ballets Russes' productions looked like and how audiences reacted to them. Juliet Bellow brings dance to bear upon modernist art history as more than a source of imagery or ornament: she spotlights a complex dialogue among art forms that did not preclude but rather enhanced artists? interrogation of the limits of medium.
Author: Mario Moroni
Author: Mario Moroni
Author: Exhibition Design, Dance and Music of the Ballets Russes 1909 - 1929 (1997 - 1998, Hartford, Conn. u.a.)
Author: Jerry Caruana
Author: James Forrest
Author: Giorgio De Chirico
Author: Institution of Civil Engineers (Great Britain)
Author: Sidney Jackson Jowers
Author: 
Author: Thomas Mical
Author: Juliet Bellow