Author: Liz Farrelly
Publisher: Bloomsbury Publishing
ISBN: 1472577256
Category : Design
Languages : en
Pages : 217
Book Description
Design Objects and the Museum brings together leading design historians, curators, educators and archivists to consider the place of contemporary design objects within museums. Contributors draw on a wide range of 20th century and contemporary examples from international museums to consider how design objects have been curated and displayed within and beyond the museum. The book continues contemporary global debates on the ways in which museums of design engage and educate their public. Chapters are grouped into three thematic sections addressing The Canon and Design in the Museum; Positioning Design within and Beyond the Museum; and Interpretation and the Challenge of Design, with chapters exploring museological practice and issues, the roles people play in creating meaning, and the challenges contemporary design presents to interpretation and learning within the museum.
Design Objects and the Museum
Author: Liz Farrelly
Publisher: Bloomsbury Publishing
ISBN: 1472577256
Category : Design
Languages : en
Pages : 217
Book Description
Design Objects and the Museum brings together leading design historians, curators, educators and archivists to consider the place of contemporary design objects within museums. Contributors draw on a wide range of 20th century and contemporary examples from international museums to consider how design objects have been curated and displayed within and beyond the museum. The book continues contemporary global debates on the ways in which museums of design engage and educate their public. Chapters are grouped into three thematic sections addressing The Canon and Design in the Museum; Positioning Design within and Beyond the Museum; and Interpretation and the Challenge of Design, with chapters exploring museological practice and issues, the roles people play in creating meaning, and the challenges contemporary design presents to interpretation and learning within the museum.
Publisher: Bloomsbury Publishing
ISBN: 1472577256
Category : Design
Languages : en
Pages : 217
Book Description
Design Objects and the Museum brings together leading design historians, curators, educators and archivists to consider the place of contemporary design objects within museums. Contributors draw on a wide range of 20th century and contemporary examples from international museums to consider how design objects have been curated and displayed within and beyond the museum. The book continues contemporary global debates on the ways in which museums of design engage and educate their public. Chapters are grouped into three thematic sections addressing The Canon and Design in the Museum; Positioning Design within and Beyond the Museum; and Interpretation and the Challenge of Design, with chapters exploring museological practice and issues, the roles people play in creating meaning, and the challenges contemporary design presents to interpretation and learning within the museum.
Robin and Lucienne Day
Author: Lesley Jackson
Publisher: Princeton Architectural Press
ISBN: 9781568982717
Category : Art
Languages : en
Pages : 210
Book Description
Hailed as the British counterparts to Charles and Ray Eames, Robin and Lucienne Day electrified the British design scene in the 1950s with their startling furniture and textile designs. Indeed, their influence over the next five decades has been so profound that their early products were recently reintroduced by Conran's Habitat. Lucienne Day pioneered the introduction of modern abstract pattern design in the textile industry. Her fabrics, which oscillate between bold geometric figures and more subtle abstract patterns, were produced by companies as diverse as Heal's and Liberty of London. Robin Day's influential furniture designs pioneered the use of materials such as plywood, steel, and plastic. His stacking polypropylene chair (right) is one of the best-selling chairs in the world. Robin and Lucienne Day, the first-ever full-length monograph on their designs, features never-before-seen archival material along with over 250 color images of the full range of their work, including furniture, ceramics, textiles, wallpaper, interiors, appliances, exhibit designs, and graphics. Spanning a half-century's creative output, no designer will fail to be awed by the genius seen in this book.
Publisher: Princeton Architectural Press
ISBN: 9781568982717
Category : Art
Languages : en
Pages : 210
Book Description
Hailed as the British counterparts to Charles and Ray Eames, Robin and Lucienne Day electrified the British design scene in the 1950s with their startling furniture and textile designs. Indeed, their influence over the next five decades has been so profound that their early products were recently reintroduced by Conran's Habitat. Lucienne Day pioneered the introduction of modern abstract pattern design in the textile industry. Her fabrics, which oscillate between bold geometric figures and more subtle abstract patterns, were produced by companies as diverse as Heal's and Liberty of London. Robin Day's influential furniture designs pioneered the use of materials such as plywood, steel, and plastic. His stacking polypropylene chair (right) is one of the best-selling chairs in the world. Robin and Lucienne Day, the first-ever full-length monograph on their designs, features never-before-seen archival material along with over 250 color images of the full range of their work, including furniture, ceramics, textiles, wallpaper, interiors, appliances, exhibit designs, and graphics. Spanning a half-century's creative output, no designer will fail to be awed by the genius seen in this book.
Provocative Plastics
Author: Susan Lambert
Publisher: Springer Nature
ISBN: 3030558827
Category : Social Science
Languages : en
Pages : 313
Book Description
Plastics have now been our most used materials for over fifty years. This book adopts a new approach, exploring plastics’ contribution from two perspectives: as a medium for making and their value in societal use. The first approach examines the multivalent nature of plastics materiality and their impact on creativity through the work of artists, designers and manufacturers. The second perspective explores attitudes to plastics and the different value systems applied to them through current research undertaken by design, materials and socio-cultural historians. The book addresses the environmental impact of plastics and elucidates the ways in which they can and must be part of the solution. The individual viewpoints are provocative and controversial but together they present a balanced and scholarly un-picking of the debate that surrounds this ubiquitous group of materials. The book is essential reading for a wide academic readership interested in the Arts and Humanities, especially Design and Design History; Anthropology; and Cultural, Material and Social Histories.
Publisher: Springer Nature
ISBN: 3030558827
Category : Social Science
Languages : en
Pages : 313
Book Description
Plastics have now been our most used materials for over fifty years. This book adopts a new approach, exploring plastics’ contribution from two perspectives: as a medium for making and their value in societal use. The first approach examines the multivalent nature of plastics materiality and their impact on creativity through the work of artists, designers and manufacturers. The second perspective explores attitudes to plastics and the different value systems applied to them through current research undertaken by design, materials and socio-cultural historians. The book addresses the environmental impact of plastics and elucidates the ways in which they can and must be part of the solution. The individual viewpoints are provocative and controversial but together they present a balanced and scholarly un-picking of the debate that surrounds this ubiquitous group of materials. The book is essential reading for a wide academic readership interested in the Arts and Humanities, especially Design and Design History; Anthropology; and Cultural, Material and Social Histories.
Award-Winning British Design 1957-1988
Author: Lily Crowther
Publisher: Victoria & Albert Museum
ISBN: 9781851776733
Category : Design
Languages : en
Pages : 0
Book Description
In 1957 the UK Design Museum launched the first annual Designs of the Year Awards to identify and promote the very best of British design. For the next 30 years, the awards celebrated designed objects in all forms, from the domestic (cutlery, glassware, textiles, and furniture) to the communal (streetlights, signage, and public seating) and everything in between, including fitted kitchens, schooners, bicycles, and electronics. This beautifully designed book introduces and illustrates the quirky breadth of the awards. Iconic objects by Robin and Lucienne Day, Kenneth Grange, and David Mellor sit alongside retro classics.
Publisher: Victoria & Albert Museum
ISBN: 9781851776733
Category : Design
Languages : en
Pages : 0
Book Description
In 1957 the UK Design Museum launched the first annual Designs of the Year Awards to identify and promote the very best of British design. For the next 30 years, the awards celebrated designed objects in all forms, from the domestic (cutlery, glassware, textiles, and furniture) to the communal (streetlights, signage, and public seating) and everything in between, including fitted kitchens, schooners, bicycles, and electronics. This beautifully designed book introduces and illustrates the quirky breadth of the awards. Iconic objects by Robin and Lucienne Day, Kenneth Grange, and David Mellor sit alongside retro classics.
Chroma
Author: Barbara Glasner
Publisher: Walter de Gruyter
ISBN: 3034604467
Category : Design
Languages : en
Pages : 320
Book Description
Designer und Architekten müssen täglich über Farben entscheiden. Aber wie findet man die wegweisende Inspiration? Die passende Farbe? Wie gehen andere Gestalter oder Künstler mit dem Thema um? Unter dem Titel Chroma, dem griechischen Wort für Farbe, gibt der vorliegende Bildband Antwort auf diese Fragen und macht deutlich, dass Farbe eben nicht nur Dekoration ist, sondern eine der zentralen Problemstellungen kreativer Arbeit. Dabei setzt Chroma auf die sinnliche Erfahrung von Farbe, inspiriert und verführt mit außergewöhnlichen Projekten von Industrieprodukten bis Farbfeldmalerei. Das Buch präsentiert sowohl die Arbeiten jüngerer Designer wie Stefan Diez und Arik Levy als auch die berühmter Künstler wie Ellsworth Kelly. Sämtliche Arbeiten sind großformatig dargestellt und in einer Art Farbverlauf den Kapiteln „monochromatic", "multichromatic" und "achromatic" zugeordnet. Das Spektrum umfasst alle erdenklichen Töne und Kombinationen, von leuchtenden, bunten über dezente Farbkompositionen, bis hin zu Schwarz-Weiß-Kontrasten. Ein weiteres Kapitel analysiert die Arbeit herausragender Künstler, Architekten und Designer wie Gerhard Richter, Konstantin Grcic oder Sauerbruch Hutton, die sich in besonderem Maße mit Farbe auseinandersetzen und zu einer charakteristischen Farbwelt gefunden haben. Ein alphabetischer Index liefert Hintergrundinformationen zu den ausgewählten Personen und Studios.
Publisher: Walter de Gruyter
ISBN: 3034604467
Category : Design
Languages : en
Pages : 320
Book Description
Designer und Architekten müssen täglich über Farben entscheiden. Aber wie findet man die wegweisende Inspiration? Die passende Farbe? Wie gehen andere Gestalter oder Künstler mit dem Thema um? Unter dem Titel Chroma, dem griechischen Wort für Farbe, gibt der vorliegende Bildband Antwort auf diese Fragen und macht deutlich, dass Farbe eben nicht nur Dekoration ist, sondern eine der zentralen Problemstellungen kreativer Arbeit. Dabei setzt Chroma auf die sinnliche Erfahrung von Farbe, inspiriert und verführt mit außergewöhnlichen Projekten von Industrieprodukten bis Farbfeldmalerei. Das Buch präsentiert sowohl die Arbeiten jüngerer Designer wie Stefan Diez und Arik Levy als auch die berühmter Künstler wie Ellsworth Kelly. Sämtliche Arbeiten sind großformatig dargestellt und in einer Art Farbverlauf den Kapiteln „monochromatic", "multichromatic" und "achromatic" zugeordnet. Das Spektrum umfasst alle erdenklichen Töne und Kombinationen, von leuchtenden, bunten über dezente Farbkompositionen, bis hin zu Schwarz-Weiß-Kontrasten. Ein weiteres Kapitel analysiert die Arbeit herausragender Künstler, Architekten und Designer wie Gerhard Richter, Konstantin Grcic oder Sauerbruch Hutton, die sich in besonderem Maße mit Farbe auseinandersetzen und zu einer charakteristischen Farbwelt gefunden haben. Ein alphabetischer Index liefert Hintergrundinformationen zu den ausgewählten Personen und Studios.
The International Who's Who of Women 2002
Author: Elizabeth Sleeman
Publisher: Psychology Press
ISBN: 9781857431223
Category : Biography & Autobiography
Languages : en
Pages : 728
Book Description
Over 5,500 detailed biographies of the most eminent, talented and distinguished women in the world today.
Publisher: Psychology Press
ISBN: 9781857431223
Category : Biography & Autobiography
Languages : en
Pages : 728
Book Description
Over 5,500 detailed biographies of the most eminent, talented and distinguished women in the world today.
British Theatre Since the War
Author: Dominic Shellard
Publisher: Yale University Press
ISBN: 0300147910
Category : Performing Arts
Languages : en
Pages : 243
Book Description
British theatre of the past fifty years has been brilliant, varied, and controversial, encompassing invigorating indigenous drama, politically didactic writing, the formation of such institutions as the National Theatre, the exporting of musicals worldwide from the West End, and much more. This entertaining and authoritative book is the first comprehensive account of British theatre in this period. Dominic Shellard moves chronologically through the half-century, discussing important plays, performers, directors, playwrights, critics, censors, and agents as well as the social, political, and financial developments that influenced the theatre world. Drawing on previously unseen material (such as the Kenneth Tynan archives), first-hand testimony, and detailed research, Shellard tackles several long-held assumptions about drama of the period. He questions the dominance of Look Back in Anger in the 1950s, arguing that much of the theatre of the ten years prior to its premiere in 1956 was vibrant and worthwhile. He suggests that theatre criticism, theatre producers, and such institutions as the National Theatre and the Royal Shakespeare Company have played key roles in the evolution of recent drama. And he takes a fresh look at the work of Terence Rattigan, Harold Pinter, Joe Orton, Alan Ayckbourn, Timberlake Wertenbaker, and other significant playwrights of the modern era. The book will be a valuable resource not only for students of theatre history but also for any theatre enthusiast.
Publisher: Yale University Press
ISBN: 0300147910
Category : Performing Arts
Languages : en
Pages : 243
Book Description
British theatre of the past fifty years has been brilliant, varied, and controversial, encompassing invigorating indigenous drama, politically didactic writing, the formation of such institutions as the National Theatre, the exporting of musicals worldwide from the West End, and much more. This entertaining and authoritative book is the first comprehensive account of British theatre in this period. Dominic Shellard moves chronologically through the half-century, discussing important plays, performers, directors, playwrights, critics, censors, and agents as well as the social, political, and financial developments that influenced the theatre world. Drawing on previously unseen material (such as the Kenneth Tynan archives), first-hand testimony, and detailed research, Shellard tackles several long-held assumptions about drama of the period. He questions the dominance of Look Back in Anger in the 1950s, arguing that much of the theatre of the ten years prior to its premiere in 1956 was vibrant and worthwhile. He suggests that theatre criticism, theatre producers, and such institutions as the National Theatre and the Royal Shakespeare Company have played key roles in the evolution of recent drama. And he takes a fresh look at the work of Terence Rattigan, Harold Pinter, Joe Orton, Alan Ayckbourn, Timberlake Wertenbaker, and other significant playwrights of the modern era. The book will be a valuable resource not only for students of theatre history but also for any theatre enthusiast.
Lees' Loss Prevention in the Process Industries
Author: Frank Lees
Publisher: Butterworth-Heinemann
ISBN: 0123977827
Category : Technology & Engineering
Languages : en
Pages : 3685
Book Description
Safety in the process industries is critical for those who work with chemicals and hazardous substances or processes. The field of loss prevention is, and continues to be, of supreme importance to countless companies, municipalities and governments around the world, and Lees' is a detailed reference to defending against hazards. Recognized as the standard work for chemical and process engineering safety professionals, it provides the most complete collection of information on the theory, practice, design elements, equipment, regulations and laws covering the field of process safety. An entire library of alternative books (and cross-referencing systems) would be needed to replace or improve upon it, but everything of importance to safety professionals, engineers and managers can be found in this all-encompassing three volume reference instead. - The process safety encyclopedia, trusted worldwide for over 30 years - Now available in print and online, to aid searchability and portability - Over 3,600 print pages cover the full scope of process safety and loss prevention, compiling theory, practice, standards, legislation, case studies and lessons learned in one resource as opposed to multiple sources
Publisher: Butterworth-Heinemann
ISBN: 0123977827
Category : Technology & Engineering
Languages : en
Pages : 3685
Book Description
Safety in the process industries is critical for those who work with chemicals and hazardous substances or processes. The field of loss prevention is, and continues to be, of supreme importance to countless companies, municipalities and governments around the world, and Lees' is a detailed reference to defending against hazards. Recognized as the standard work for chemical and process engineering safety professionals, it provides the most complete collection of information on the theory, practice, design elements, equipment, regulations and laws covering the field of process safety. An entire library of alternative books (and cross-referencing systems) would be needed to replace or improve upon it, but everything of importance to safety professionals, engineers and managers can be found in this all-encompassing three volume reference instead. - The process safety encyclopedia, trusted worldwide for over 30 years - Now available in print and online, to aid searchability and portability - Over 3,600 print pages cover the full scope of process safety and loss prevention, compiling theory, practice, standards, legislation, case studies and lessons learned in one resource as opposed to multiple sources
Destruction Rites
Author: Mona Hadler
Publisher: Bloomsbury Publishing
ISBN: 1786721597
Category : Art
Languages : en
Pages : 282
Book Description
In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machines staged by contemporary artists. Destruction, in both its playful and fearsome aspects, was ubiquitous in the new Atomic Age. This complicated subjectivity was not just a way for people to find catharsis amid the fears of annihilation and postwar trauma, but also a complex instantiation of ideological crisis in a time with some seriously conflicted political myths. Destruction Rites explores the ephemeral visual culture of destruction in the postwar era and its links to contemporary art. It examines the demolition derby; games and toys based on warfare; playgrounds situated in bomb sites; and the rise of garage sales, where goods designed for obsolescence and destined for the garbage heap are reclaimed and repurposed by local communities. Mona Hadler looks at artists such as Jean Tinguely, Niki de Saint Phalle, Martha Rosler and Vito Acconci to expose how the 1960s saw destruction, construction and the everyday collide as never before. During the Atomic age, whether in the public sphere or art museums, destruction could be transformed into a constructive force and art objects and performances often oscillated between the two.
Publisher: Bloomsbury Publishing
ISBN: 1786721597
Category : Art
Languages : en
Pages : 282
Book Description
In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machines staged by contemporary artists. Destruction, in both its playful and fearsome aspects, was ubiquitous in the new Atomic Age. This complicated subjectivity was not just a way for people to find catharsis amid the fears of annihilation and postwar trauma, but also a complex instantiation of ideological crisis in a time with some seriously conflicted political myths. Destruction Rites explores the ephemeral visual culture of destruction in the postwar era and its links to contemporary art. It examines the demolition derby; games and toys based on warfare; playgrounds situated in bomb sites; and the rise of garage sales, where goods designed for obsolescence and destined for the garbage heap are reclaimed and repurposed by local communities. Mona Hadler looks at artists such as Jean Tinguely, Niki de Saint Phalle, Martha Rosler and Vito Acconci to expose how the 1960s saw destruction, construction and the everyday collide as never before. During the Atomic age, whether in the public sphere or art museums, destruction could be transformed into a constructive force and art objects and performances often oscillated between the two.
The Globalization of NATO
Author: Veronica M. Kitchen
Publisher: Routledge
ISBN: 1136955674
Category : History
Languages : en
Pages : 179
Book Description
This book examines NATO’s transition from a Cold War mutual defence organization into a global alliance, and puts the recent crisis over the Afghanistan mission in the context of long-standing debates over out-of-area interventions. Originally, NATO bound the western allies together for the purposes of mutual defence as defined by Article 5 of the North Atlantic Treaty, which declared that an attack on the territory of one ally was to be considered an attack on them all. However, Article 4 of the Treaty invites the allies to consult with each other on a less formal basis whenever their 'territorial integrity, political independence, or security' was threatened, without the automatic commitment to a shared response. During the Cold War, the allies consulted both formally and informally on issues beyond mutual defence in debates that were, more often than not, extremely contentious. After the Cold War, these out-of-area missions became the primary focus of NATO’s military missions. The allies had to debate the scope of co-operation for every mission they considered undertaking collectively. This book argues that NATO’s identity has changed from a Cold War mutual defence organization to a global alliance in the course of debates over how to respond to the changing circumstances of its security environment. This book will be of much interest to students of security studies, international organisations, contemporary history and IR in general.
Publisher: Routledge
ISBN: 1136955674
Category : History
Languages : en
Pages : 179
Book Description
This book examines NATO’s transition from a Cold War mutual defence organization into a global alliance, and puts the recent crisis over the Afghanistan mission in the context of long-standing debates over out-of-area interventions. Originally, NATO bound the western allies together for the purposes of mutual defence as defined by Article 5 of the North Atlantic Treaty, which declared that an attack on the territory of one ally was to be considered an attack on them all. However, Article 4 of the Treaty invites the allies to consult with each other on a less formal basis whenever their 'territorial integrity, political independence, or security' was threatened, without the automatic commitment to a shared response. During the Cold War, the allies consulted both formally and informally on issues beyond mutual defence in debates that were, more often than not, extremely contentious. After the Cold War, these out-of-area missions became the primary focus of NATO’s military missions. The allies had to debate the scope of co-operation for every mission they considered undertaking collectively. This book argues that NATO’s identity has changed from a Cold War mutual defence organization to a global alliance in the course of debates over how to respond to the changing circumstances of its security environment. This book will be of much interest to students of security studies, international organisations, contemporary history and IR in general.