Author: Publisher:
ISBN:
Category :
Languages : fr
Pages : 7
Book Description
Aux princes et aux peuples que l'Exposition universelle a réunis
Author: Études de Littérature Et Da̕rt: sér.] Somalize et la société précieuse. Le public et les écrivains au XVIIe siècle. Le XVIIIe siècle et la critique contemporaine. Adrienne Lecouvreur. Les origines françaises du romantisme. L'Académie des beaux-arts et les anciennes académies. La peinture française et les chefs d'école. Le centenaire de Scribe. Le prince Napoléon. M.F. Brunetière
![Études de Littérature Et Da̕rt: sér.] Somalize et la société précieuse. Le public et les écrivains au XVIIe siècle. Le XVIIIe siècle et la critique contemporaine. Adrienne Lecouvreur. Les origines françaises du romantisme. L'Académie des beaux-arts et les anciennes académies. La peinture française et les chefs d'école. Le centenaire de Scribe. Le prince Napoléon. M.F. Brunetière PDF](https://books.google.com/books/content/images/frontcover/G_PnAAAAMAAJ?fife=w80-h100)
Author: Gustave LarroumetPublisher:
ISBN:
Category : Art
Languages : en
Pages : 394
Book Description
Victoria Magazine
Author: The Studio
Author: Biographie Universelle Classique. Biographie Universelle, Ou Dictionnaire Historique, Etc
Author: Dictionnaire Critique Et Documentaire Des Peintres, Sculpteurs, Dessinateurs & Graveurs de Tous Les Temps Et de Tous Les Pays: L-Z
Author: Emmanuel BénézitPublisher:
ISBN:
Category : Artists
Languages : en
Pages : 1238
Book Description
The Victoria Magazine
Author: Emily FaithfullMexico at the World's Fairs
Author: Mauricio Tenorio-TrilloPublisher: Univ of California Press
ISBN: 0520378091
Category : History
Languages : en
Pages : 391
Book Description
This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
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