Author: Brighton Museum and Art Gallery (Brighton)Publisher:
ISBN:
Category :
Languages : en
Pages : 8
Book Description
Autumn Exhibition 1962
Author: Brighton Museum and Art Gallery (Brighton)Publisher:
ISBN:
Category :
Languages : en
Pages : 8
Book Description
Autumn Exhibition, 18th October - 1st December, 1962, the Reid Gallery
Author: Reid GalleryPublisher:
ISBN:
Category : Art, French
Languages : en
Pages :
Book Description
Autumn Exhibition 1962
Author: Zwemmer Gallery (London)Publisher:
ISBN:
Category :
Languages : en
Pages : 1
Book Description
Exhibition of Paintings, Sculpture & Pottery Autumn 1962
Author: Penwith Society (St. Ives)Publisher:
ISBN:
Category :
Languages : en
Pages : 2
Book Description
1962 Tenth Annual Autumn Exhibition Flemish, Dutch and Italian Old Masters
Author: Leonard Koetser GalleryPublisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 68
Book Description
1962 Tenth Annual Autumn Exhibition
Author: Autumn Exhibition [of 19th and 20th Century French Drawings, Watercolours, and Pastels] 18th October - 1st December 1962
![Autumn Exhibition [of 19th and 20th Century French Drawings, Watercolours, and Pastels] 18th October - 1st December 1962 PDF](https://books.google.com/books/content/images/frontcover/sdtkAQAACAAJ?fife=w80-h100)
Author: Reid Gallery, LondonPublisher:
ISBN:
Category : Drawing
Languages : en
Pages : 20
Book Description
Do-it-yourself
Author: National Book League (Great Britain)Publisher:
ISBN:
Category :
Languages : en
Pages : 9
Book Description
Exhibition of Paintings 1962-73
Author: Onnasch Gallery (New York)Publisher:
ISBN:
Category :
Languages : en
Pages : 2
Book Description
The Business of Watercolour
Author: Simon FenwickPublisher: Routledge
ISBN: 0429760620
Category : Art
Languages : en
Pages : 379
Book Description
First published in 1997, this volume will revolutionise the study of watercolour painting in Britain. The Royal Watercolour Society archive constitutes a major academic resource covering two hundred years of the history of watercolour painting in Britain. The rediscovery in 1980 of ‘the Jenkins Papers’, the early records of the Society, was a major find for the history of British art. The archives are substantial and remarkably comprehensive. Minutes of annual general meetings, Council and committees, are all intact; extraordinarily, the Society’s catalogues for its own exhibitions have also survived, with details of who bought the pictures and for how much. It contains biographical information on several hundred artists who practised throughout the United Kingdom from the end of the eighteenth century to the present day. Prepared by the archivist to the RWS, Simon Fenwick, this is not just a work of reference, but an absorbing book to dip into again and again. The Society of Painters in Water Colours, as it was then titled, was founded in 1804 to promote the interests of painters using watercolour and to provide a platform for members to sell their work. As such, its archives provide an excellent insight into the evolving debate on the status of the artists and their medium, and an authoritative account of the way in which watercolour paintings were sold, distributed and acquired. The substantial introduction by Greg Smith surveys some of the purposes and practices of watercolour from 1750 to the present day and highlights key issues, many yet to be examined, relating to the study of watercolour. His survey is arranged around a number of topics including the notion of watercolour as a British art, collecting and display, book illustration, architectural drawing, map-making and topography, antiquarian studies, decorative arts, printmaking, portrait miniatures and drawings, amateur practices and the changing status of the sketch.