Autograph Letter Signed from Edmond Malone, Sunning Hill, to George Steevens, London PDF Download
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Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Asks if Steevens has printed his preface yet. Malone is unsure as to whether he will ever under take Beaumont and Fletcher and therefore requests that Steevens expurge whatever relates to those authors.
Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Asks if Steevens has printed his preface yet. Malone is unsure as to whether he will ever under take Beaumont and Fletcher and therefore requests that Steevens expurge whatever relates to those authors.
Author: Publisher: ISBN: Category : Languages : en Pages : 2
Book Description
Thanks the recipient for the two volumes that accompanied the last letter and critiques them. Mentions a line from the Spanish tragedy which Malone had thought was borrowed by Nashe from King John. Also discusses Troilus and Cressida, and notes that he wrote for Coriolanus and Antony and Cleopatra.
Author: Publisher: ISBN: Category : Languages : en Pages :
Book Description
Concerning the engraved portrait of Shakespeare for The works then being printed under the care of Mr. Reed (i.e., ed. Johnson and Steevens, 1785).
Author: Publisher: ISBN: Category : Languages : en Pages : 2
Book Description
Malone is busy working on his Life of Shakespeare and adding new notes to Boswell''s Life of Johnson. Mentions a portrait of [Edmund?] Spenser.
Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Addressed to "Sir." Points out a mistake concerning a note for the portrait of Shakespeare in a large octavo edition. Also contains a typed transcription.
Author: Publisher: ISBN: Category : Languages : en Pages : 2
Book Description
Informs the recipient that the story of Davenant, Shakespeare's supposed illegitimate son, is mentioned in his edition twice. Addressed to "Sir."
Author: Publisher: ISBN: Category : Languages : en Pages : 4
Book Description
Discusses a miniature Milton portrait, which Cooper may himself have painted. He also discusses a quotation from Shakespeare, "a captious and unteemable sieve."
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