Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Autobiographical Voices PDF full book. Access full book title Autobiographical Voices by Françoise Lionnet. Download full books in PDF and EPUB format.
Author: Françoise Lionnet Publisher: Cornell University Press ISBN: 1501723111 Category : Literary Criticism Languages : en Pages : 309
Book Description
Adopting a boldly innovative approach to women’s autobiographical writing, Françoise Lionnet here examines the rhetoric of self-portraiture in works by authors who are bilingual or multilingual or of mixed races or cultures. Autobiographical Voices offers incisive readings of texts by Zora Neale Hurston, Maya Angelou, Marie Cardinal, Maryse Condé, Marie-Thérèse Humbert, Augustine, and Nietzsche.
Author: Françoise Lionnet Publisher: Cornell University Press ISBN: 1501723111 Category : Literary Criticism Languages : en Pages : 309
Book Description
Adopting a boldly innovative approach to women’s autobiographical writing, Françoise Lionnet here examines the rhetoric of self-portraiture in works by authors who are bilingual or multilingual or of mixed races or cultures. Autobiographical Voices offers incisive readings of texts by Zora Neale Hurston, Maya Angelou, Marie Cardinal, Maryse Condé, Marie-Thérèse Humbert, Augustine, and Nietzsche.
Author: Lynn C. Miller Publisher: Univ of Wisconsin Press ISBN: 9780299184247 Category : Biography & Autobiography Languages : en Pages : 348
Book Description
Fourteen bold, dynamic, and daring women take the stage in this collection of women's lives and stories. Individually and collectively, these writers and performers speak the unspoken and perform the heretofore unperformed. The first section includes scripts and essays about performances of the lives of Gertrude Stein, Georgia O'Keeffe, Mary Church Terrell, Charlotte Cushman, Anaïs Nin, Calamity Jane, and Mary Martin. The essays consider intriguing interpretive issues that arise when a woman performer represents another woman's life. In the second section, seven performers--Tami Spry, Jacqueline Taylor, Linda Park-Fuller, Joni Jones, Terri Galloway, Linda M. Montano, and Laila Farah--tell their own stories. Ranging from narrrative lectures (sometimes aided by slides and props) to theatrical performances, their works wrest comic and dramatic meaning from a world too often chaotic and painful. Their performances engage issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death, and war and peace. The volume as a whole highlights issues of representation, identity, and staging in autobiographical performance. It examines the links among theory and criticism of women's autobiography, feminist performance theory, and performance practice.
Author: Leah D. Hewitt Publisher: U of Nebraska Press ISBN: 9780803272583 Category : Literary Criticism Languages : en Pages : 276
Book Description
"In order to write" said Simone de Beauvoir, "the first essential condition is that reality can no longer be taken for granted." She and four other French women writers of the second half of the twentieth century—Nathalie Sarraute, Marguerite Duras, Monique Wittig, and Maryse Condé—illustrate that producing autobiography is like performing a tightrope act on the slippery line between fact and fiction. Autobiographical Tightropes emphasizes the tension in the works of these major writers as they move in and out of "experience" and "literature," violating the neat boundaries between genres and confusing the distinctions between remembering and creating. Focusing on selected works, Leah D. Hewitt for the first time anywhere explores the connections among the authors. In doing so she shows how contemporary women's autobiography in France links with feminist issues, literary tradition and trends, and postmodern theories of writing. In light of these theories Hewitt offers a new reading of de Beauvoir's memoirs and reveals how her attempt to represent the past faithfully is undone by irony, by literary and "feminine" detours. Other analysts of Nathalie Sarraute's writing have dwelt mainly on formal considerations of the New Novel, but Hewitt exposes a repressed, forbidden feminine aspect in her literary innovations. Unlike Sarraute, Duras cannot be connected with just one literary movement, political stance, style, or kind of feminism because her writing, largely autobiographical, is marked by chameleon like transformations. The chapters on Wittig and Condé show how, within the bounds of feminism, lesbians and women of color challenge the individualistic premises of autobiography. Hewitt demonstrates that, despite vast differences among these five writers, all of them reveal in their autobiographical works the self's need of a fictive other.
Author: Sidonie Smith Publisher: U of Minnesota Press ISBN: 145297201X Category : Literary Criticism Languages : en Pages : 374
Book Description
A user-friendly guide to reading, writing, and theorizing autobiographical texts and practices for students, scholars, and practitioners of life narrative The boom in autobiographical narratives continues apace. It now encompasses a global spectrum of texts and practices in such media as graphic memoir, auto-photography, performance and plastic arts, film and video, and online platforms. Reading Autobiography Now offers both a critical engagement with life narrative in historical perspective and a theoretical framework for interpreting texts and practices in this wide-ranging field. Hailed upon its initial publication as “the Whole Earth Catalog of autobiography studies,” this essential book has been updated, reorganized, and expanded in scope to serve as an accessible and contemporary guide for scholars, students, and practitioners. Sidonie Smith and Julia Watson explore definitions of life narrative, probe issues of subjectivity, and outline salient features of autobiographical acts and practices. In this updated edition, they address emergent topics such as autotheory, autofiction, and autoethnography; expand the discussions of identity, relationality, and agency; and introduce new material on autobiographical archives and the profusion of “I”s in contemporary works. Smith and Watson also provide a helpful toolkit of strategies for reading life narrative and an extensive glossary of mini-essays analyzing key theoretical concepts and dozens of autobiographical genres. An indispensable exploration of this expansive, transnational, multimedia field, Reading Autobiography Now meticulously unpacks the heterogeneous modes of life narratives through which people tell their stories, from traditional memoirs and trauma narratives to collaborative life narrative and autobiographical comics.
Author: Diane P. Freedman Publisher: Duke University Press ISBN: 9780822312925 Category : Literary Criticism Languages : en Pages : 324
Book Description
For a long time now, readers and scholars have strained against the limits of traditional literary criticism, whose precepts--above all, "objectivity"--seem to have so little to do with the highly personal and deeply felt experience of literature. The Intimate Critique marks a movement away from this tradition. With their rich spectrum of personal and passionate voices, these essays challenge and ultimately breach the boundaries between criticism and narrative, experience and expression, literature and life. Grounded in feminism and connected to the race, class, and gender paradigms in cultural studies, the twenty-six contributors to this volume--including Jane Tompkins, Henry Louis Gates, Jr., Shirley Nelson Garner, and Shirley Goek-Lin Lim--respond in new, refreshing ways to literary subjects ranging from Homer to Freud, Middlemarch to The Woman Warrior, Shiva Naipaul to Frederick Douglass. Revealing the beliefs and formative life experiences that inform their essays, these writers characteristically recount the process by which their opinions took shape--a process as conducive to self-discovery as it is to critical insight. The result--which has been referred to as "personal writing," "experimental critical writing," or "intellectual autobiography"--maps a dramatic change in the direction of literary criticism. Contributors. Julia Balen, Dana Beckelman, Ellen Brown, Sandra M. Brown, Rosanne Kanhai-Brunton, Suzanne Bunkers, Peter Carlton, Brenda Daly, Victoria Ekanger, Diane P. Freedman, Olivia Frey, Shirley Nelson Garner, Henry Louis Gates, Jr., Melody Graulich, Gail Griffin, Dolan Hubbard, Kendall, Susan Koppelman, Shirley Geok-Lin Lim, Linda Robertson, Carol Taylor, Jane Tompkins, Cheryl Torsney, Trace Yamamoto, Frances Murphy Zauhar
Author: Ariel M. Sheetrit Publisher: Routledge ISBN: 1000052435 Category : Literary Criticism Languages : en Pages : 208
Book Description
This book examines the poetics of autobiographical masterpieces written in Arabic by Leila Abouzeid, Hanan al-Shaykh, Samuel Shimon, Abd al-Rahman Munif, Salim Barakat, Mohamed Choukri and Hanna Abu Hanna. These literary works articulate the life story of each author in ways that undermine the expectation that the "self"—the "auto" of autobiography—would be the dominant narrative focus. Although every autobiography naturally includes and relates to others to one degree or another, these autobiographies tend to foreground other characters, voices, places and texts to the extent that at times it appears as though the autobiographical subject has dropped out of sight, even to the point of raising the question: is this an autobiography? These are indeed autobiographies, Sheetrit argues, albeit articulating the story of the self in unconventional ways. Sheetrit offers in-depth literary studies that expose each text’s distinct strategy for life narrative. Crucial to this book’s approach is the innovative theoretical foundation of relational autobiography that reveals the grounding of the self within the collective—not as symbolic of it. This framework exposes the intersection of the story of the autobiographical subject with the stories of others and the tensions between personal and communal discourse. Relational strategies for self-representation expose a movement between two seemingly opposing desires—the desire to separate and dissociate from others, and the desire to engage and integrate within a particular relationship, community, culture or milieu. This interplay between disentangling and conscious entangling constitutes the leitmotif that unites the studies in this book.
Author: Françoise Lionnet
Author: Françoise Lionnet
Author: Françoise Lionnet
Author: Gabriela Brimmer
Author: Sidonie Smith
Author: Lynn C. Miller
Author: Leah D. Hewitt
Author: Sidonie Smith
Author: Diane P. Freedman
Author: Ariel M. Sheetrit
Author: Michael M. J. Fischer