Autobiografía del esclavo poeta y otros escritos PDF Download

Author: Juan Francisco Manzano
Publisher:
ISBN:
Category : History
Languages : es
Pages : 356

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Author: Juan Francisco Manzano
Publisher:
ISBN: 9780945179320
Category :
Languages : es
Pages : 352

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Book Description

Author: Juan Francisco Manzano
Publisher: Lebooks Editora
ISBN: 655894569X
Category : Biography & Autobiography
Languages : es
Pages : 83

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Book Description
"Autobiografía de un Esclavo" fue una de las varias obras escritas por Juan Francisco Manzano en su vida y fue publicada en 1840. Esta obra es una autobiografía poderosa y reveladora, donde Manzano narra su viaje desde la esclavitud hacia la libertad, ofreciendo una visión íntima y profunda de su vida y de las condiciones que enfrentaban los esclavizados en Cuba. A lo largo del tiempo, se han escrito y continúan escribiéndose varias biografías sobre este icónico poeta y ex esclavo, con una calidad y amplitud cada vez mayores. Sin embargo, para conocer el pensamiento y el modo de ser de una persona real, no hay nada mejor que escuchar la historia con todas sus circunstancias, errores y aciertos contada por quien las vivió en primera persona. Este es el propósito de esta autobiografía de Juan Francisco Manzano: llevar al público al hombre valiente y visionario, que, a través de su perseverancia e inteligencia, se convirtió en una de las voces más influyentes en la lucha por la libertad y los derechos de los afrodescendientes en América Latina. Esta obra forma parte de la colección "Voces hispánicas", que tiene como objetivo destacar las historias de vida de figuras importantes en la historia hispanoamericana, contadas por ellos mismos.

Author: Juan Francisco Manzano
Publisher: Editorial Verbum
ISBN: 841337278X
Category : Literary Collections
Languages : es
Pages : 56

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Book Description
Autobiografía de un esclavo es el primer testimonio en castellano de la esclavitud sufrida en las colonias españolas del Nuevo Mundo. Por tanto, tiene un gran valor histórico, a pesar de estar inacabada porque la segunda parte -Apuntes autobiográficos- no se conserva, por ser considerada una obra clave de la narrativa antiesclavista y del periodo colonial. Salió a la luz en 1937, una centuria después de que se comenzara a escribir en 1835 por Juan Francisco Manzano. En esta Autobiografía, Manzano relata su vida en la esclavitud y todo lo que ello supone cuando sirve a su primera ama, Beatriz de Jústiz de Santa, quien gracias a su aperturismo consigue leer numerosas obras y aprender a escribir; o cuando sirve en casa de la marquesa de Prado Ameno, una señora autoritaria que provoca su huida.

Author: J. Manzano
Publisher: Springer
ISBN: 1137481382
Category : Literary Criticism
Languages : en
Pages : 325

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Book Description
This is a revised second edition of Edward Mullen's landmark scholarly presentation of Juan Francisco Manazo's autobiography and poetry. Taking into account the extensive scholarship that has accrued in the intervening decades, this is an accessible, essential resource for scholars and students of Caribbean literatures.

Author: Juan Francisco Manzano
Publisher: Wayne State University Press
ISBN: 9780814325384
Category : Biography & Autobiography
Languages : en
Pages : 140

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Book Description
The proceedings of ISCV'95, the successor to previous Workshops on Computer Vision, comprise 104 refereed papers on topics in optical flow, matching/stereo, motion, object recognition, low-level vision, CAD-based vision, stereo, deformable models, systems and applications, tracking, segmentation and grouping, active vision, aerial image analysis, and integration/texture. No index. Annotation copyright by Book News, Inc., Portland, OR

Author: Dannelle Gutarra Cordero
Publisher: Cambridge University Press
ISBN: 1316512207
Category : History
Languages : en
Pages : 291

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Book Description
A new understanding of the rise, expansion and perpetuation of slavery in the Atlantic World.

Author: Akiko Tsuchiya
Publisher: Vanderbilt University Press
ISBN: 0826503764
Category : History
Languages : en
Pages : 293

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The fall of the Spanish Empire: that period in the nineteenth century when it lost its colonies in Spanish America and the Philippines. How did it happen? What did the process of the "end of empire" look like? Empire's End considers the nation's imperial legacy beyond this period, all the way up to the present moment. In addition to scrutinizing the political, economic, and social implications of this "end," these chapters emphasize the cultural impact of this process through an analysis of a wide range of representations—literature, literary histories, periodical publications, scientific texts, national symbols, museums, architectural monuments, and tourist routes—that formed the basis of transnational connections and exchange. The book breaks new ground by addressing the ramifications of Spain's imperial project in relation to its former colonies, not only in Spanish America, but also in North Africa and the Philippines, thus generating new insights into the circuits of cultural exchange that link these four geographical areas that are rarely considered together. Empire's End showcases the work of scholars of literature, cultural studies, and history, centering on four interrelated issues crucial to understanding the end of the Spanish empire: the mappings of the Hispanic Atlantic, race, human rights, and the legacies of empire.

Author: Dylon Lamar Robbins
Publisher: Springer Nature
ISBN: 303010558X
Category : Social Science
Languages : en
Pages : 272

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Audible Geographies in Latin America examines the audibility of place as a racialized phenomenon. It argues that place is not just a geographical or political notion, but also a sensorial one, shaped by the specific profile of the senses engaged through different media. Through a series of cases, the book examines racialized listening criteria and practices in the formation of ideas about place at exemplary moments between the 1890s and the 1960s. Through a discussion of Louis Moreau Gottschalk’s last concerts in Rio de Janeiro, and a contemporary sound installation involving telegraphs by Otávio Schipper and Sérgio Krakowski, Chapter 1 proposes a link between a sensorial economy and a political economy for which the racialized and commodified body serves as an essential feature of its operation. Chapter 2 analyzes resonance as a racialized concept through an examination of phonograph demonstrations in Rio de Janeiro and research on dancing manias and hypnosis in Salvador da Bahia in the 1890s. Chapter 3 studies voice and speech as racialized movements, informed by criminology and the proscriptive norms defining “white” Spanish in Cuba. Chapter 4 unpacks conflicting listening criteria for an optics of blackness in “national” sounds, developed according to a gendered set of premises that moved freely between diaspora and empire, national territory and the fraught politics of recorded versus performed music in the early 1930s. Chapter 5, in the context of Cuban Revolutionary cinema of the 1960s, explores the different facets of noise—both as a racialized and socially relevant sense of sound and as a feature and consequence of different reproduction and transmission technologies. Overall, the book argues that these and related instances reveal how sound and listening have played more prominent roles than previously acknowledged in place-making in the specific multi-ethnic, colonial contexts characterized by diasporic populations in Latin America and the Caribbean.

Author: Monique-Adelle Callahan
Publisher: Oxford University Press
ISBN: 019987669X
Category : Literary Criticism
Languages : en
Pages : 198

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Between the Lines examines the role of three women poets of African descent--Frances Harper, Cristina Ayala, and Auta de Souza--in shaping the literary history of the Americas. Despite their different geographic locations, each shared common concerns and wrestled in their works with the sociopolitical predicaments of the late nineteenth century. Their verse vigorously examined slavery and confronted the existential struggle against boundaries imposed by race, nation, and gender. The writers each conceived of the poem as a dynamic forum where new concepts of individual and collective freedoms could be imagined. In their work readers encounter the poem as a site of cross-cultural exchange, a literary space in which the boundaries of nation can be redefined. Between the Lines places national poetics in a global economy of identities, histories and languages. It looks to poetry to demonstrate how people translate from one cultural or linguistic arena to another, how literary expression writes identities, and how language is used to conceptualize history. The book is the first to juxtapose Cuba, Brazil and the United States in a study of nineteenth-century women's poetry, and the first to include the Lusophone literary tradition in a comparative study of African descendants in Latin America, the U.S., and the Caribbean. With close readings and expertly rendered translations, Monique-Adelle Callahan situates the work of these three poets in a hemispheric context that opens up their writing to new interpretations and expands the definition of "African American" literature.