Authors and Aquafortistes PDF Download

Author: Rachel Athena Skokowski
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

View

Book Description

Author: Emma Chambers
Publisher: Routledge
ISBN: 0429852827
Category : Social Science
Languages : en
Pages : 294

View

Book Description
First published in 1999, Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and Blundering Art? Opens with a description of the use of language and art criticism to redefine etching

Author: Benita Eisler
Publisher: W. W. Norton & Company
ISBN: 0393066169
Category : Art
Languages : en
Pages : 497

View

Book Description
Highlights the life and work of the American painter, author, and traveler who specialized in images of Native Americans and who advocated for them before ultimately exploiting them in a live show that brought tragedy to both the artist and his performers.

Author: Émile Zola
Publisher: Getty Publications
ISBN: 1606065661
Category : Biography & Autobiography
Languages : en
Pages : 146

View

Book Description
When Édouard Manet’s early paintings were greeted with outrage and derision in the 1860s, Émile Zola sprang to his defense, initiating a friendship that would last until Manet’s death in 1881. Then a young journalist with an eye for controversial causes, Zola was also seeking to launch his own literary career, which would eventually secure for him the reputation as the greatest French novelist of the late nineteenth century. Zola quickly became Manet’s staunchest champion, defending the painter in a series of impassioned essays and polemics against the aesthetic tyranny of the Paris Salons and the philistinism of the general public. The first of these was an extended study of Manet that, when it appeared in 1867, staked the initial claim for the painter’s modernity; it has come to be regarded as one of the seminal writings on nineteenth-century art. Zola then wrote about his experience of posing for the portrait Manet painted of him. Finally, after the painter’s early death at the age of 51, Zola’s moving summation of his work and legacy appeared in the catalogue of the memorial exhibition. All are reproduced in this volume, along with an informative introduction by the Zola scholar Robert Lethbridge sketching in the broader cultural and political scene of late nineteenth-century France.

Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 616

View

Book Description
Includes entries for maps and atlases.

Author: James Henry Rubin
Publisher: Harvard University Press
ISBN: 9780674548022
Category : Art
Languages : en
Pages : 268

View

Book Description
Rubin also examines Manet's relationship to three of the leading critics of his day - Baudelaire, Zola, and Mallarme - giving special attention to Mallarme's appreciation, and eventual use in his own poetry, of the paradox between immersion and externality in Manet's oeuvre. Finally, the book uses the image of the bouquet to exemplify Manet's creative poetics through an exploration of his still life.

Author: Colta Feller Ives
Publisher: Metropolitan Museum of Art
ISBN: 0870992287
Category : Electronic books
Languages : en
Pages : 114

View

Book Description
After Admiral Perry broke through Japan's isolation in 1854, the current of Japanese trade flowed west again, bearing with it the colored woodcuts of Hokusai, Hiroshige, and their contemporaries. Some of the most avid collectors of these prints were the French Impressionists and Nabis, who found in them new ways to treat their own prints. In The Great Wave, Colta Feller Ives, Curator in Charge, Department of Prints and Photographs, The Metropolitan Museum of Art, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin.

Author: Therese Dolan
Publisher: Routledge
ISBN: 1351559338
Category : Literary Criticism
Languages : en
Pages : 288

View

Book Description
How did the tumult caused by German composer Richard Wagner result in the first modernist painting? In the first full-length book dedicated to the study of Edouard Manet and music, art historian Therese Dolan demonstrates that the 1862 painting Music in the Tuileries represents the progressive musical culture of his time, heretofore read by scholars predominantly through the words of Charles Baudelaire. Dolan sees in this painting's radical style the conceptual shift to modernism in both painting and music, a transition that, she convincingly argues, received a strong impetus from Manet's Music in the Tuileries and Wagner's controversial Tannh?er, which premiered the previous year. Supplemental to analysis of the painting, Dolan incorporates discussion of texts by Theophile Gautier, Champfleury, and Baudelaire who are represented in the painting. This book incorporates studies of the major artistic, literary, and musical figures of nineteenth-century France. It represents an important contribution to an understanding of French culture in the third quarter of the nineteenth century, a period of intense literary, artistic, and musical activity that formed the crucible for modernism.

Author: Peter W. Parshall
Publisher: Gower Publishing Company, Limited
ISBN:
Category : Art
Languages : en
Pages : 198

View

Book Description
For many today, the art of the late nineteenth century is dominated by Impressionism and Post-impressionism. By explicating a range of highly engaging, often mysterious and beautiful prints, drawings and small sculptures, The Darker Side of Light evokes the shadowed interiors and private introspections that compose a far less familiar history of late nineteenth century art.

Author: Carla Esposito
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248

View

Book Description
The monotype is a wholly unique work comparable to a painting, drawing or mixed technique. Due to its historical development, it maintains a link with the original art print solely in terms of their shared use of tools such as presses, inks, plates, rollers and paper.