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Author: Nicholas Kenyon Publisher: Oxford ; New York : Oxford University Press ISBN: Category : Music Languages : en Pages : 246
Book Description
Nothing has more profoundly influenced the development of music making over the last two decades than the growth of the historical performance movement. Perceived by some as a threat, an indication of our loss of faith in our powers of musical creation, and by others as part of the evolution of modern attitudes towards performing styles, this trend towards "historically correct" interpretation has inspired lively debate among scholars and performers. Examining and questioning the prevailing basis for the so-called "authenticity" movement, this collection of papers deals with the conflict between approaching early music performance with respect for the composer's original intentions, and the shortcomings, according to many musicians, that this produces. The contributors include Gary Tomlinson, Will Crutchfield, Howard Mayer Brown, Robert Morgan, Philip Brett, and Richard Taruskin.
Author: Nicholas Kenyon Publisher: Oxford ; New York : Oxford University Press ISBN: Category : Music Languages : en Pages : 246
Book Description
Nothing has more profoundly influenced the development of music making over the last two decades than the growth of the historical performance movement. Perceived by some as a threat, an indication of our loss of faith in our powers of musical creation, and by others as part of the evolution of modern attitudes towards performing styles, this trend towards "historically correct" interpretation has inspired lively debate among scholars and performers. Examining and questioning the prevailing basis for the so-called "authenticity" movement, this collection of papers deals with the conflict between approaching early music performance with respect for the composer's original intentions, and the shortcomings, according to many musicians, that this produces. The contributors include Gary Tomlinson, Will Crutchfield, Howard Mayer Brown, Robert Morgan, Philip Brett, and Richard Taruskin.
Author: Richard Taruskin Publisher: Oxford University Press ISBN: 0195357434 Category : Music Languages : en Pages : 391
Book Description
Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin ranges from theoretical speculation to practical criticism, and covers a repertory spanning from Bach to Stravinsky. Including a newly written introduction, Text and Act collects the very best of one of our most incisive musical thinkers.
Author: Peter Kivy Publisher: Cornell University Press ISBN: 1501731637 Category : Music Languages : en Pages : 316
Book Description
"In his latest book on the aesthetics of music, Peter Kivy presents an argument not for authenticity but for authenticities of performance, including authenticities of intention, sound, practice, and the authenticity of personal interpretation in performance.... As usual, Kivy's work is beautifully written, well argued, and provocative."—Notes"Kivy has provided a sorely needed framework for all future discussion of the authenticity matter. This is his best book, a major contribution to performance studies and to musical aesthetics; likely it will be studied and cited for generations."—Choice"Written in lively prose, with a keen sense of reality, [this volume] ought to be of interest not only to philosophers and musicologists, but to all serious lovers of music."—Roger Scruton, Times Literary Supplement"The consistent theme running through Kivy's book is the need for interpretation as the personal authenticity and authority of the performer against the ideology both of the composer as genius and of the puritanical devotion to the authority of the text of the early music devotees.... This is a most valuable book, one which constantly surprises and delights through its philosophical insights and informed musical understanding."—British Journal of Aesthetics
Author: Hugh Barker Publisher: W. W. Norton & Company ISBN: 0393060780 Category : Music Languages : en Pages : 392
Book Description
Musicians strive to "keep it real"; listeners condemn "fakes"; but does great music really need to be authentic? By investigating this obsession in the last century, this title rethinks what makes popular music work.
Author: Richard A. Peterson Publisher: University of Chicago Press ISBN: 022611144X Category : Music Languages : en Pages : 341
Book Description
In Creating Country Music, Richard Peterson traces the development of country music and its institutionalization from Fiddlin' John Carson's pioneering recordings in Atlanta in 1923 to the posthumous success of Hank Williams. Peterson captures the free-wheeling entrepreneurial spirit of the era, detailing the activities of the key promoters who sculpted the emerging country music scene. More than just a history of the music and its performers, this book is the first to explore what it means to be authentic within popular culture. "[Peterson] restores to the music a sense of fun and diversity and possibility that more naive fans (and performers) miss. Like Buck Owens, Peterson knows there is no greater adventure or challenge than to 'act naturally.'"—Ken Emerson, Los Angeles Times Book Review "A triumphal history and theory of the country music industry between 1920 and 1953."—Robert Crowley, International Journal of Comparative Sociology "One of the most important books ever written about a popular music form."—Timothy White, Billboard Magazine
Author: Bernard D. Sherman Publisher: Oxford University Press ISBN: 9780195343656 Category : Music Languages : en Pages : 436
Book Description
The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important are historical period instruments for the performance of a piece? Why should musicians bother with historical information? Are they sacrificing art to scholarship? Now, in Inside Early Music, Bernard D. Sherman has invited many of the leading practitioners to speak out about their passion for early music--why they are attracted to this movement and how it shapes their work. Readers listen in on conversations with conductors Gardiner, William Christie, and Roger Norrington, Peter Phillips of the Tallis Scholars, vocalists Susan Hellauer of Anonymous 4, forte pianist Robert Levin, cellist Anner Bylsma, and many other leading artists. The book is divided into musical eras--Medieval, Renaissance, Baroque, and Classic and Romantic--with each interview focusing on particular composers or styles, touching on heated topics such as the debate over what is "authentic," the value of playing on period instruments, and how to interpret the composer's intentions. Whether debating how to perform Monteverdi's madrigals or comparing Andrew Lawrence-King's Renaissance harp playing to jazz, the performers convey not only a devotion to the spirit of period performance, but the joy of discovery as they struggle to bring the music most truthfully to life. Spurred on by Sherman's probing questions and immense knowledge of the subject, these conversations movingly document the aspirations, growing pains, and emerging maturity of the most exciting movement in contemporary classical performance, allowing each artist's personality and love for his or her craft to shine through. From medieval plainchant to Brahms' orchestral works, Inside Early Music takes readers-whether enthusiasts or detractors-behind the scenes to provide a masterful portrait of early music's controversies, challenges, and rewards.
Author: Harry Haskell Publisher: Courier Corporation ISBN: 9780486291628 Category : Music Languages : en Pages : 242
Book Description
First comprehensive historical study, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. "Well informed" -- Christopher Hogwood.
Author: Nick Wilson Publisher: Oxford University Press, USA ISBN: 0199939934 Category : Music Languages : en Pages : 314
Book Description
Historically informed performance (HIP) has provoked heated debate amongst musicologists, performers and cultural sociologists. In The Art of Re-enchantment: Making Early Music in the Modern Age, author Nick Wilson answers many salient questions surrounding HIP through an in-depth analysis of the early music movement in Britain from the 1960s to the present day.
Author: Nicholas Kenyon
Author: Nicholas Kenyon
Author: Richard Taruskin
Author: Peter Kivy
Author: Hugh Barker
Author: Richard A. Peterson
Author: Richard Taruskin
Author: Bernard D. Sherman
Author: Bruce Haynes
Author: Harry Haskell
Author: Nick Wilson