Australian Music and Modernism, 1960-1975 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Australian Music and Modernism, 1960-1975 PDF full book. Access full book title Australian Music and Modernism, 1960-1975 by Michael Hooper. Download full books in PDF and EPUB format.
Author: Michael Hooper Publisher: Bloomsbury Publishing USA ISBN: 1501348191 Category : History Languages : en Pages : 430
Book Description
Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines "Australian Music" as an idea that emerged through the lens of the modernist discourse of the 1960s and 70s. At the same time that the new "Australian Music" was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. During the early stages of "Australian Music" there was disagreement about what the idea itself ought to represent and, indeed, whether the idea ought to apply at all. Michael Hooper considers various perspectives offered by such composers as Peter Sculthorpe, Richard Meale, and Nigel Butterley and analyzes some of the era's significant works to articulate a complex understanding of "Australian Music" at its inception.
Author: Michael Hooper Publisher: Bloomsbury Publishing USA ISBN: 1501348191 Category : History Languages : en Pages : 430
Book Description
Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines "Australian Music" as an idea that emerged through the lens of the modernist discourse of the 1960s and 70s. At the same time that the new "Australian Music" was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. During the early stages of "Australian Music" there was disagreement about what the idea itself ought to represent and, indeed, whether the idea ought to apply at all. Michael Hooper considers various perspectives offered by such composers as Peter Sculthorpe, Richard Meale, and Nigel Butterley and analyzes some of the era's significant works to articulate a complex understanding of "Australian Music" at its inception.
Author: Rhoderick McNeill Publisher: Taylor & Francis ISBN: 1000578623 Category : Music Languages : en Pages : 278
Book Description
The Symphony remained a major orchestral form in Australia between 1960 and 2020, with a body of diverse and interesting symphonies produced during the 1960s and 1970s that defied the widespread modernist trends of serialism, electronic music and indeterminism that seemed harbingers of the symphony’s demise. From the late 1970s onwards, many Australian composers chose to work in styles that admitted modal and tonal melodic and harmonic elements with regular pulse. Major cycles of symphonies by Carl Vine, Brenton Broadstock and Ross Edwards began to appear in the late 1980s. Other prolific symphonists like Paul Paviour (10 symphonies), David Morgan (15 symphonies), Philip Bracanin (11), Peter Tahourdin (5), John Polglase (5) and many others demonstrated a revived interest in the form. This trend continued into the first two decades of the present century with symphonies by Matthew Hindson, Katy Abbott, Stuart Greenbaum, Andrew Schultz, Mark Isaacs and Gordon Kerry. This renewed interest in the symphony reflects similar trends in Britain and the United States. Rhoderick McNeill provides a comprehensive introduction to this large body of music with the aim of making the music and its composers known to concert- goers, music educators and students, conductors and music entrepreneurs.
Author: Beatrice Dalov Publisher: Liverpool University Press ISBN: 1782847596 Category : Social Science Languages : en Pages : 258
Book Description
Entrenched until recently in Western aesthetics, Australian composers are now developing a functional cultural identity expressed through a distinctly nationalistic musical idiom. Its ongoing formation, inspired by Australias Aboriginal heritage and unique natural environment, seeks to distance the nations artistic developments from the geographically remote Occidental regions and emphasize its native cultures. Presently, however, mounting sociopolitical and ethical concerns surrounding the cultural borrowing between Indigenous and non-Indigenous peoples are problematizing the developing nationalistic idiom, as composers must determine whether the two groups share any legitimate connection beyond mere occupation of the same land, given their tense post-colonial history. Musicologist Beatrice Dalov traces the formation of the Southern Lands cultural identity while simultaneously considering its complex relationship with the nations First Peoples. She illuminates the origins, influences, and developments of Australian art music, from colonization (late eighteenth century) to the present day, interweaving the social, cultural, political, and economic forces that shaped (and often determined) its evolution. The history demonstrates that the complex processes of articulating a unique cultural identity began almost immediately after arrival of the first colonists and continues uninterrupted through today. Drawing on newly available archival material, key works, and personally conducted interviews with numerous contemporary composers, Dalov traces the history of the lands music, from scattered convict settlements and eventful contacts with Aboriginal peoples, to the formation of a national musical infrastructure, to todays thriving musical independence. She brings forward not only the most prominent composers and musicians of the last century, but also those who laid a crucial foundation and offered the first contributions toward a national idiom. A comprehensive history of the music of the Great Southern Land has been too long neglected by social historians and musicologists worldwide. Beatrice Dalov sets the record straight.
Author: Björn Heile Publisher: Cambridge University Press ISBN: 1009491687 Category : Music Languages : en Pages : 285
Book Description
In the first study of the global dimensions of musical modernism, Björn Heile proposes a novel theory according to which musical modernism is constituted by a global diasporic network of composers, musicians and institutions. In a series of historical and analytical case studies from different parts of the world, this book overcomes the respective limitations of both Eurocentric and postcolonial, revisionist accounts, focusing instead on the transnational entanglements between the West and other world regions. Key topics include migration, the transnational reception and transfer of musical works and ideas, institutions such as the International Society for Contemporary Music (ISCM) and composers who are rarely discussed in Western academia, such as the Nigerian-born Akin Euba and the Korean-German Younghi Pagh-Paan. Influenced by the interdisciplinary notion of 'entangled histories', Heile critiques established dichotomies, all the while highlighting the unequal power relations on which the existing global order is founded.
Author: Erling E. Guldbrandsen Publisher: Cambridge University Press ISBN: 1107127211 Category : Art Languages : en Pages : 369
Book Description
This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.
Author: Marshall Berman Publisher: Verso ISBN: 9780860917854 Category : History Languages : en Pages : 388
Book Description
The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.
Author: Antony Jeffrey Publisher: ISBN: 9780646816180 Category : Languages : en Pages :
Book Description
Roland Peelman is a book of 225 x 225 dimensions with soft cover in full colour lavishly illustrated with photographs by Anthony Browell and other photographers, with text of approximately 22,000 words by Antony Jeffrey. The text comprises eight essays on different aspects of Roland Peelman's life and musical career, together with observations about him from twenty-five colleagues, friends and family members. Roland Peelman himself was born and educated in Belgium, emigrated to Australia with his wife and children in 1984 and has since become one of Australia's leading musicians and conductors. For twenty-five years he was Artistic Director of Australia's leading vocal ensemble The Song Company and since 2015 has been Artistic Director of the Canberra International Music Festival. He has conducted many orchestras and ensembles in Australia and overseas, including for Opera Australia, Australian Chamber Orchestra, Sydney Metropolitan Opera, Opera Queensland, Hunter Orchestra, Ensemble Offspring and many others.
Author: Jonathan D. Kramer Publisher: Bloomsbury Publishing USA ISBN: 1501306022 Category : Music Languages : en Pages : 401
Book Description
Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
Author: Michael Hooper
Author: Michael Hooper
Author: Rhoderick McNeill
Author: Beatrice Dalov
Author: Björn Heile
Author: Alan H. True
Author: Erling E. Guldbrandsen
Author: Marshall Berman
Author: Graham Hair
Author: Antony Jeffrey
Author: Jonathan D. Kramer