Contemporary Australian Drama PDF Download

Author: Peter Holloway
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 714

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Book Description
Historical perspectives - Critical perspectives.

Author: Dennis Carroll
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 460

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Book Description
Analyses major playwrights of this century studying theme, structure and style - Aboriginal drama - Vance Palmer - Sumner Locke Elliott - Douglas Stewart - Patrick White - Thomas Keneally - David Williamson - Michael Gow.

Author: Leonard Radic
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 372

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Book Description
In the late 1960s, new theatre companies who had a passion for Australianess, were created in opposition to stuffy, mostly imported theatre of no relevance to themselves. This work gives insights on how the new drama explored Australian themes and issues, in a theatre where the playwright had pride of place.

Author: Helen Gilbert
Publisher: University of Michigan Press
ISBN: 9780472066773
Category : Drama
Languages : en
Pages : 292

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Book Description
SIGHTLINES explores Australian drama for its complex negotiations of race, gender, and postcolonialism. Drama scholar Helen Gilbert discusses an exciting variety of plays. Although focused mainly on performance, her insistent interest in historical and political contexts also speaks to the broader concerns of cultural studies. 23 illustrations.

Author: Joanne Tompkins
Publisher: Springer
ISBN: 0230286240
Category : Performing Arts
Languages : en
Pages : 217

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Book Description
This study investigates contestations over spatiality in one culturally composite nation, Australia, where contemporary theatre stages competing cultural and political agendas through space and place. Covering a wide range of plays it will have wide appeal for issues of space, spatiality and territory in all forms of theatre, in all nations.

Author: Chris Hay
Publisher: Taylor & Francis
ISBN: 1000784568
Category : Drama
Languages : en
Pages : 259

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Book Description
Contemporary Australian Playwriting provides a thorough and accessible overview of the diverse and exciting new directions that Australian Playwriting is taking in the twenty-first century. In 2007, the most produced playwright on the Australian mainstage was William Shakespeare. In 2019, the most produced playwright on the Australian mainstage was Nakkiah Lui, a Gamilaroi and Torres Strait Islander woman. This book explores what has happened both on stage and off to generate this remarkable change. As writers of colour, queer writers, and gender diverse writers are produced on the mainstage in larger numbers, they bring new critical directions to the twenty-first century Australian stage. At a politically turbulent time when national identity is fractured, this book examines the ways in which Australia’s leading playwrights have interrogated, problematised, and tried to make sense of the nation. Tracing contemporary trends, the book takes a thematic approach to the re-evaluation of the nation that is dramatized in key Australian plays. Each chapter is accompanied by a duologue between two of the playwrights whose work has been analysed, to provide a dual perspective of theory and practice.

Author: Geoffrey Milne
Publisher: BRILL
ISBN: 900448583X
Category : Literary Criticism
Languages : en
Pages : 472

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Book Description
Theatre Australia (Un)limited tells a truly national story of the structures of post-war Australian theatre: its artists, companies, financial and policy underpinnings. It gives an inclusive analysis of three ‘waves’ of Australian theatrical activity after 1953, and the types of organisations which grew up to support and maintain them. Subsidy, repertoire patterns, finances and administration, theatre buildings, companies, festivals and notable productions of the commercial, mainstream and alternative Australian theatre are examined state by state, and changes to governmental policy analysed. Theatrical forms comprise not only spoken-word drama, but also music theatre, comedy, theatre-restaurant, circus, puppetry, community theatre in several forms and new mixed-media genres: physical theatre, circus, visual theatre and contemporary performance. Theatre Australia (Un)limited is the first comprehensive overview of the fortunes of Australian theatre as a national enterprise, providing the industrial analysis of the ‘three waves’ essential for the understanding of the New Wave and of contemporary drama.

Author: Dennis Carroll
Publisher:
ISBN: 9780318045788
Category : Australian drama
Languages : en
Pages : 271

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Book Description

Author: Jonathan Bollen
Publisher: Rodopi
ISBN: 9042023570
Category : Literary Criticism
Languages : en
Pages : 215

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Book Description
How are masculinities enacted in Australian theatre? How do Australian playwrights depict masculinities in the present and the past, in the bush and on the beach, in the city and in the suburbs? How do Australian plays dramatise gender issues like father-son relations, romance and intimacy, violence and bullying, mateship and homosexuality, race relations between men, and men's experiences of war and migration? Men at Play explores theatre's role in presenting and contesting images of masculinity in Australia. It ranges from often-produced plays of the 1950s to successful contemporary plays - from Dick Diamond's Reedy River, Ray Lawler's Summer of the Seventeenth Doll, Richard Beynon's The Shifting Heart and Alan Seymour's The One Day of the Year to David Williamson's Sons of Cain, Richard Barrett's The Heartbreak Kid, Gordon Graham's The Boys and Nick Enright's Blackrock. The book looks at plays as they are produced in the theatre and masculinity as it is enacted on the stage. It is written in an accessible style for students and teachers in drama at university and senior high school. The book's contribution to contemporary debates about masculinity will also interest scholars in gender, race and sexuality studies, literary studies and Australian history.

Author: Dennis Carroll
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 292

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Book Description
The book is the first to provide in one volume a cogent introduction to contemporary Australian drama from its faltering beginnings in 1909 to the mature achievements of the early 1980s. The work of the major playwrights Ray Lawler, Douglas Stewart, David Williamson, Alexander Buzo and Patrick White is analysed, as well as the work of other important but lesser known playwrights. Matters of structure, theme and style in these works are given particular attention, and the author outlines the historical and cultural milieu in the 19th century in which Australian theatre originated, and presents its development up through the modern «experimental» phase. This study is aimed at the non-Australian reader.