Author: Mark LedburyPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Asian Art Research in Australia and New Zealand
Author: Mark LedburyAustralian and New Zealand Journal of Art
Author: Australian and New Zealand Journal of Art Vol 12 2012
Author: Special Issue: War, Art and Visual Culture
Author: Art Association of Australia and New ZealandPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Special Issue: Australian Rock Art in the Expanded Field
Author: Art Association of Australia and New ZealandPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
AUSTRALIAN AND NEW ZEALAND JOURNAL OF PUBLIC ART, 1 (2), 2000
Author: A Companion to Australian Art
Author: Christopher AllenPublisher: John Wiley & Sons
ISBN: 1118767586
Category : Art
Languages : en
Pages : 564
Book Description
A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
Special Issue: Australian Rock Art in the Expanded Field
Author: Rethinking Australia’s Art History
Author: Susan LowishPublisher: Routledge
ISBN: 1351049976
Category : Art
Languages : en
Pages : 292
Book Description
This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.
The Making of Indigenous Australian Contemporary Art
Author: Marie GeisslerPublisher: Cambridge Scholars Publishing
ISBN: 1527564274
Category : Art
Languages : en
Pages : 228
Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.