Aubrey Beardsley's erotic universe. With an introduction and illustrations selected by Derek Stanford PDF Download

Author: Aubrey Beardsley
Publisher:
ISBN:
Category :
Languages : en
Pages : 130

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Author: Aubrey Beardsley
Publisher:
ISBN:
Category : Erotic art
Languages : en
Pages : 31

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Author: Derek Stanford
Publisher: Redcliffe Press Limited
ISBN:
Category : Literary Criticism
Languages : en
Pages : 70

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Author: Ian Fletcher
Publisher: Boston : Twayne Publishers
ISBN:
Category : Art
Languages : en
Pages : 232

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Book Description
As part of an online project on the Symbolist artists and poets of the late 19th century, Alex Goluszko profiles the English artist and illustrator Aubrey Vincent Beardsley (1872-1898). Beardsley's art work was influenced by Japanese woodblock prints and was characterized by abstract arrangements of sensuous figures. In 1893 Beardsley was appointed as art director of "Yellow Book," a quarterly journal focusing on literature and art. He is remembered for his illustrations of "Morte d'Arthur" by the English writer Thomas Malory (fl. 1470) and for his illustrations of the English translation by the Irish playwright and poet Oscar Wilde (1854-1900) of the drama "Salome." Beardsley died at the age of 26 of tuberculosis. Selected images of Beardsley's illustrations are available online.

Author: C. Colligan
Publisher: Springer
ISBN: 0230595855
Category : Literary Criticism
Languages : en
Pages : 250

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Colligan argues that Nineteenth-century obscenity was caught up in the global cultural traffic of print technology, international trade and exoticism. She reveals that obscenity intersected majority and minority culture, searched out new print and visual media, and built commercial and fantasmatic global networks for its continuation and survival.

Author: Milly Heyd
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 288

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The significance of Aubrey Beardsley's illustrations and their modernity lies in the discord between ornamental elegance («surface») and their inner human content («symbol»). Pierrot, the embryo-dwarf, the hermaphrodite, the image of the woman, Pan are symbols through which the artist reveals himself. And yet, simultaneously, the meaning of the symbol is neutralized by the use of irony which serves as a mechanism of self-defence. Though much of Beardsley's art derives from secondary sources (literature, theatre, music and opera), Beardsley's book illustrations are not merely literary but are autonomous works of art. They convey a competitive tension between words and lines - books and drawings, the artist's versus the author's personality. Beardsley, the fin-de-siècle artist, belonged to the same Zeitgeist as Freud and expressed visually certain themes Freud was then articulating. In this sense his artistic creations anticipated twentieth-century art.

Author: Brigid Brophy
Publisher: Faber & Faber
ISBN: 0571304656
Category : Art
Languages : en
Pages : 103

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'[Beardsley's] vision is permanently that of a child lying in bed watching his mother dress for a dinner-party. His fantasy hangs this here, tries the effect of that there: everything is a jewel, and everything is a sexual organ. He is allured, yet afraid to touch: driven back on a cold minuteness of detailed attention, and yet passionately curious, with the emotional and involved curiosity children give to sex.' Brigid Brophy first published her study of 'the most intensely and electrically erotic artist in the world' in 1968, at the height of her own powers and in the moment of a notable revival of interest - both scholarly and pop-cultural (amid 'the dandified realm of Carnavy Street') - in Beardsley's work. An infant prodigy, Beardsley retained through the brief years of his adult life the peculiar genius of a precocious child, and Brophy, well-versed in Freudian analyses, adroitly points out the polymorphous perversity of his pictures - that perversity, coupled with his inimitable graphic/monochromatic signature, accounting for why Beardsley, however 'high-baroque rococo' his style, has remained endlessly modern. Black and White is illustrated by 44 reproductions and augmented by a detailed chronology.

Author: Ghislaine Wood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104

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This provocative book shows how Art Nouveau artists & designers explored & exploited the idea of the erotic in their creative endeavors.

Author: Laura Findlay
Publisher: Cambridge Scholars Publishing
ISBN: 1527553256
Category : Performing Arts
Languages : en
Pages : 305

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Book Description
This collection draws together recent work by new and emerging scholars which examines the representation of alienation and resistance in texts and images, both modern and traditional. The essays collected here incorporate both “high” and “low” culture, covering a wide range of disciplines from traditional literary sources to the more modern mediums of film and comic. Informing each of the contributions is one overriding question: what are the roles, forms, and conditions of alienation and resistance in our culture and its diverse media? The contributors to this collection find examples of both alienation and resistance everywhere, from sixteenth century drama to contemporary fiction, from American comics to Eastern European cinema, from representations of the body to the site of the body itself. In seeking out these representations of alienation and resistance, the essays begin also to probe the limits and limitations of such terms. As such, the collection as a whole offers both a broad overview of the field of play as it stands today and makes tentative suggestions as to potential paths of future inquiry.

Author: Aubrey Beardsley
Publisher: Random House Value Publishing
ISBN:
Category : Art
Languages : en
Pages : 232

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