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Author: Malcolm Torry Publisher: Wipf and Stock Publishers ISBN: 1725266768 Category : Religion Languages : en Pages : 233
Book Description
Two streams run through the Western philosophical stream: one characterized by Being, beings, the unchanging, the static, and the unitary; and the other by Action, actions, the changing, the dynamic, and the diverse. The former might be represented by Parmenides, Plato, and much of what followed; the latter by Heraclitus, and by rather less of what followed. The book explores the "Action" stream as it wound its way through history, through Heraclitus, Plato, Aristotle, Hegel, Maurice Blondel, Henri Bergson, Pierre Teilhard de Chardin, process philosophy and theology, Geoffrey Studdert Kennedy, Ludwig Wittgenstein, and John Boys Smith. The journey enables us to create the beginnings of an "actology": a way of seeing ourselves, the universe, and God in terms of actions in patterns rather than as beings that change. Such an actology offers a complete alternative narrative far more in tune with the diverse and rapidly changing world in which we live than the ontology that has shaped philosophy, theology, and much else for the past two thousand years.
Author: Malcolm Torry Publisher: Wipf and Stock Publishers ISBN: 1725266768 Category : Religion Languages : en Pages : 233
Book Description
Two streams run through the Western philosophical stream: one characterized by Being, beings, the unchanging, the static, and the unitary; and the other by Action, actions, the changing, the dynamic, and the diverse. The former might be represented by Parmenides, Plato, and much of what followed; the latter by Heraclitus, and by rather less of what followed. The book explores the "Action" stream as it wound its way through history, through Heraclitus, Plato, Aristotle, Hegel, Maurice Blondel, Henri Bergson, Pierre Teilhard de Chardin, process philosophy and theology, Geoffrey Studdert Kennedy, Ludwig Wittgenstein, and John Boys Smith. The journey enables us to create the beginnings of an "actology": a way of seeing ourselves, the universe, and God in terms of actions in patterns rather than as beings that change. Such an actology offers a complete alternative narrative far more in tune with the diverse and rapidly changing world in which we live than the ontology that has shaped philosophy, theology, and much else for the past two thousand years.
Author: Clive Erricker Publisher: A&C Black ISBN: 9780826449474 Category : Religion Languages : en Pages : 278
Book Description
Spirituality can be understood within both a religious and secular context. Fuelled by the controversy that surrounds different understandings of human identity and notions of progress, knowledge and truth in modernist and postmodernist contexts, the concept of spirituality is a hotly contested topic of debate as to its relevance within contemporary culture and its meaning within religious traditions. This book aims to inform readers on this debate and contextualize it within these different frames of reference. It approaches the topic of spirituality with an identification of the major influences on contemporary thinking and presents a coherent framework of understanding that links divergent thinking into a common goal. Writings range across different thinkers and practitioners within established religious tradition, contemporary movements and those who operate within psychological and 'secular' understandings. Focusing on the question 'what does it mean to be human?' this engaging study attempts to overcome the divide between secular and religious understandings of spirituality.
Author: Publisher: BRILL ISBN: 9004489738 Category : History Languages : en Pages : 338
Book Description
The volume is dedicated to the memory of the late Calvin S. Brown of the University of Georgia, author of the first systematically conceived survey - Music and Literature: A Comparison of the Arts (1948) - of the branch of interart studies now generally known as Melopoetics. Part One consists of six original contributions by experts from Austria, Belgium, France, and the United States. Authored by a novelist and a composer/scholar, respectively, the first two essays - Jean Libis's “Inspiration musicale et composition littéraire: Réflexions sur un roman schubertien” and David M. Hertz's “The Composer's Musico-Literary Experience: Reflections on Song Writing” - focus, not surprisingly, on the creative process. The third piece - Francis' Claudon's review of the pertinent research done between 1970 and 1990 - complements the honoree's analogous report on the preceding decades, reprinted in the present volume, whereas the fourth - Jean-Louis Cupers' “Métaphores de l'écho et de l'ombre: Regards sur l'évolution des études musico-littéraires” - surveys the plethora of metaphorical applications, in music and literature, of two significant natural phenomena, the one acoustic and the other optical. Linked to each other, the two remaining papers - Ulrich Weisstein's ”The Miracle of Interconnectedness: Calvin S. Brown, a Critical Biography” and Walter Bernhart's “A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar” - offer critical accounts of the honoree's theoretical and methodological stance as viewed, in the first case, from a biographical angle and, in the second, in the light of subsequent scholarly practice. Part Two bundles eleven of Professor Brown's previously uncollected articles, covering a period of nearly half a century of significant scholarly activity in the field. The selection demonstrates Brown's poignant interest in transpositions d'art exemplifying the “musicalization” of literature in the formal and structural, rather than thematic, domain as culminating in his trenchant critique of “music in poetry” as understood, somewhat naïvely, by Mallarmé and his critics, and, to a slightly lesser extent, by his translation of Josef Weinhebers' variations on Friedrich Hölderlin's ode “An die Parzen”. Just as Professor Brown's successive anatomies of melopoetic theory and practice illustrate his steadily growing sophistication and the maturing of his mind, so his Bloomington lecture “The Writing and Reading of Language and Music: Thoughts on Some Parallels Between two Artistic Media” reflects his unique ability to assemble, and organize, vast materials and comprehensive data in such a way as to reveal the underlying pattern.
Author: Malcolm Torry
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