Author: Erica Weitzman
Publisher: Northwestern University Press
ISBN: 0810143186
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
At the Limit of the Obscene
Author: Erica Weitzman
Publisher: Northwestern University Press
ISBN: 0810143186
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
Publisher: Northwestern University Press
ISBN: 0810143186
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
Irony's Antics
Author: Erica Weitzman
Publisher: Northwestern University Press
ISBN: 0810129833
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
Irony's Antics marks a major intervention into the underexplored role of the comic in German letters. At the book's heart is the relationship between the comic and irony. Weitzman argues that in the early twentieth century, irony, a key figure for the German Romantics, reemerged from its relegation to "nonsense" in a way that both rethought Romantic irony and dramatically extended its reach.
Publisher: Northwestern University Press
ISBN: 0810129833
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
Irony's Antics marks a major intervention into the underexplored role of the comic in German letters. At the book's heart is the relationship between the comic and irony. Weitzman argues that in the early twentieth century, irony, a key figure for the German Romantics, reemerged from its relegation to "nonsense" in a way that both rethought Romantic irony and dramatically extended its reach.
Henry Miller
Author: James M. Decker
Publisher: Bloomsbury Publishing USA
ISBN: 1501326465
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Scholarly responses to Henry Miller's works have never been numerous and for many years Miller was not a fashionable writer for literary studies. In fact, there exist only three collections of essays concerning Henry Miller's oeuvre. Since these books appeared, a new generation of international Miller scholars has emerged, one that is re-energizing critical readings of this important American Modernist. Henry Miller: New Perspectives presents new essays on carefully chosen themes within Miller and his intellectual heritage to form the most authoritative collection ever published on this author.
Publisher: Bloomsbury Publishing USA
ISBN: 1501326465
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Scholarly responses to Henry Miller's works have never been numerous and for many years Miller was not a fashionable writer for literary studies. In fact, there exist only three collections of essays concerning Henry Miller's oeuvre. Since these books appeared, a new generation of international Miller scholars has emerged, one that is re-energizing critical readings of this important American Modernist. Henry Miller: New Perspectives presents new essays on carefully chosen themes within Miller and his intellectual heritage to form the most authoritative collection ever published on this author.
A Concept of Limits
Author: Donald W. Hight
Publisher: Courier Corporation
ISBN: 0486153126
Category : Mathematics
Languages : en
Pages : 164
Book Description
An exploration of conceptual foundations and the practical applications of limits in mathematics, this text offers a concise introduction to the theoretical study of calculus. Many exercises with solutions. 1966 edition.
Publisher: Courier Corporation
ISBN: 0486153126
Category : Mathematics
Languages : en
Pages : 164
Book Description
An exploration of conceptual foundations and the practical applications of limits in mathematics, this text offers a concise introduction to the theoretical study of calculus. Many exercises with solutions. 1966 edition.
The Hateful and the Obscene
Author: L. W. Sumner
Publisher: University of Toronto Press
ISBN: 9780802080837
Category : Philosophy
Languages : en
Pages : 292
Book Description
In a series of landmark decisions since 1990, Canadian courts have shaped a distinctive approach to the regulation of obscenity, hate literature, and child pornography. Missing from the debate, however, has been any attempt to determine whether the legal status quo can be justified by reference to a framework of moral/political principles. The Hateful and the Obscene is intended to fill that gap. The Hateful and the Obscene is an interpretation of freedom of expression that combines serious philosophical thought with a focus on Canadian law, thus offering the breadth capable of dealing with both obscenity and hate literature
Publisher: University of Toronto Press
ISBN: 9780802080837
Category : Philosophy
Languages : en
Pages : 292
Book Description
In a series of landmark decisions since 1990, Canadian courts have shaped a distinctive approach to the regulation of obscenity, hate literature, and child pornography. Missing from the debate, however, has been any attempt to determine whether the legal status quo can be justified by reference to a framework of moral/political principles. The Hateful and the Obscene is intended to fill that gap. The Hateful and the Obscene is an interpretation of freedom of expression that combines serious philosophical thought with a focus on Canadian law, thus offering the breadth capable of dealing with both obscenity and hate literature
Control of Obscene Material
Author: United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Constitutional Amendments
Publisher:
ISBN:
Category : Juvenile delinquency
Languages : en
Pages : 178
Book Description
Publisher:
ISBN:
Category : Juvenile delinquency
Languages : en
Pages : 178
Book Description
Pornography on Trial
Author: Thomas C. Mackey
Publisher: Bloomsbury Publishing USA
ISBN: 1576077276
Category : Social Science
Languages : en
Pages : 352
Book Description
A survey of the changing and charged relationship between pornography and legislation in 20th century America. Groups battling pornography must demonstrate that the products they seek to ban are truly obscene and not legitimately protected by the First Amendment—a requirement that often leads to public debate and controversy. Author Thomas C. Mackey thoroughly examines the problems and issues in public policymaking, legal precedents, and the people behind them. After a brief historical background, Pornography on Trial surveys and analyzes the leading issues and case law on obscenity from l957 to the present. Half the book consists of documents—judicial opinions—from key cases. There are biographical sketches of key people, laws, and concepts from Judge Learned Hand and the Hicklin test to Chief Justice Sir Alexander James Edmund Cockburn's judicial definition of obscenity from l868. The book also includes a chronology, a table of cases, and an annotated bibliography.
Publisher: Bloomsbury Publishing USA
ISBN: 1576077276
Category : Social Science
Languages : en
Pages : 352
Book Description
A survey of the changing and charged relationship between pornography and legislation in 20th century America. Groups battling pornography must demonstrate that the products they seek to ban are truly obscene and not legitimately protected by the First Amendment—a requirement that often leads to public debate and controversy. Author Thomas C. Mackey thoroughly examines the problems and issues in public policymaking, legal precedents, and the people behind them. After a brief historical background, Pornography on Trial surveys and analyzes the leading issues and case law on obscenity from l957 to the present. Half the book consists of documents—judicial opinions—from key cases. There are biographical sketches of key people, laws, and concepts from Judge Learned Hand and the Hicklin test to Chief Justice Sir Alexander James Edmund Cockburn's judicial definition of obscenity from l868. The book also includes a chronology, a table of cases, and an annotated bibliography.
A Sourcebook of Canadian Media Law
Author: Robert Martin
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780886292317
Category : Law
Languages : en
Pages : 900
Book Description
This edition examines the Canadian Constitution and its effect on the principle of freedom of expression. The balance of the book directs attention to the laws that have been enacted that limit such freedom.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780886292317
Category : Law
Languages : en
Pages : 900
Book Description
This edition examines the Canadian Constitution and its effect on the principle of freedom of expression. The balance of the book directs attention to the laws that have been enacted that limit such freedom.
The FBI's Obscene File
Author: Douglas M. Charles
Publisher: University Press of Kansas
ISBN: 0700618252
Category : Law
Languages : en
Pages : 184
Book Description
What do pop artist Andy Warhol, sex researcher Alfred Kinsey, and cinematic comedians Abbott & Costello have in common? They all found a prominent place in the FBI's "Obscene File." In this startling new study Douglas Charles reveals how, for more than seventy years, FBI officials placed obscenity, pornography, and the politics of morality among their topmost concerns. Illuminating this largely neglected aspect of FBI history, Charles charts the evolution of the Bureau's efforts to combat the spread of obscenity and its perceived insidious effects. He contends that, especially during the five decades under J. Edgar Hoover, these efforts became a surprisingly high priority and at times were expressly wielded for political ends, even as Hoover hid the file from public view in order to preserve the Bureau's squeaky-clean image. Charles recounts how the "Obscene File" was conceived and organized by Hoover and describes its contents, which included magazines, films, and artwork in addition to dossiers on offenders. He examines the FBI's targeting of 1940s and '50s "race music" with its depictions of "lewd and licentious acts in obscene and foul language." He describes how the FBI collected photos of activities at gay bars and prosecuted businesses that published "obscene" pro-gay magazines, and how it participated in the "Lavender Scare" that targeted gays in the federal government. He also details the FBI's efforts to short-circuit the distribution of the film Deep Throat and disrupt the pornographic movie industry. On the political front, Charles tells how Hoover found a fellow crusader in Richard Nixon, who hijacked the obscenity issue to rally an electoral base weary of an "anything-goes" decade. But as changing mores and laws redefined obscenity, subsequent directors moved away from Hoover's approach and focused more on mob control of pornography, kiddie porn, and the war on drugs. Subsequently, the "Obscene File" mostly fell into disuse during the presidencies of Bill Clinton and George W. Bush, the latter president unable to gain any traction with his own obscenity initiatives. Taking in the whole scope of these operations, Charles's insightful history offers a previously unseen look at a major facet of FBI activities and contributes significantly to our understanding of Hoover and his legacy.
Publisher: University Press of Kansas
ISBN: 0700618252
Category : Law
Languages : en
Pages : 184
Book Description
What do pop artist Andy Warhol, sex researcher Alfred Kinsey, and cinematic comedians Abbott & Costello have in common? They all found a prominent place in the FBI's "Obscene File." In this startling new study Douglas Charles reveals how, for more than seventy years, FBI officials placed obscenity, pornography, and the politics of morality among their topmost concerns. Illuminating this largely neglected aspect of FBI history, Charles charts the evolution of the Bureau's efforts to combat the spread of obscenity and its perceived insidious effects. He contends that, especially during the five decades under J. Edgar Hoover, these efforts became a surprisingly high priority and at times were expressly wielded for political ends, even as Hoover hid the file from public view in order to preserve the Bureau's squeaky-clean image. Charles recounts how the "Obscene File" was conceived and organized by Hoover and describes its contents, which included magazines, films, and artwork in addition to dossiers on offenders. He examines the FBI's targeting of 1940s and '50s "race music" with its depictions of "lewd and licentious acts in obscene and foul language." He describes how the FBI collected photos of activities at gay bars and prosecuted businesses that published "obscene" pro-gay magazines, and how it participated in the "Lavender Scare" that targeted gays in the federal government. He also details the FBI's efforts to short-circuit the distribution of the film Deep Throat and disrupt the pornographic movie industry. On the political front, Charles tells how Hoover found a fellow crusader in Richard Nixon, who hijacked the obscenity issue to rally an electoral base weary of an "anything-goes" decade. But as changing mores and laws redefined obscenity, subsequent directors moved away from Hoover's approach and focused more on mob control of pornography, kiddie porn, and the war on drugs. Subsequently, the "Obscene File" mostly fell into disuse during the presidencies of Bill Clinton and George W. Bush, the latter president unable to gain any traction with his own obscenity initiatives. Taking in the whole scope of these operations, Charles's insightful history offers a previously unseen look at a major facet of FBI activities and contributes significantly to our understanding of Hoover and his legacy.
Modernism, Mass Culture, and the Aesthetics of Obscenity
Author: Allison Pease
Publisher: Cambridge University Press
ISBN: 9780521780766
Category : Art
Languages : en
Pages : 268
Book Description
How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, highlighting the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. Pease explores how artists such as Swinburne, Aubrey Beardsley, James Joyce and D. H. Lawrence were responsible for shifting the boundaries between aesthetics and pornography that first became of intellectual interest in the eighteenth century and reinforced class distinctions. Her analysis of canonical works, such as Joyce's Ulysses and Lawrence's Lady Chatterley's Lover, is framed by a wide-ranging examination of the changing conceptions of aesthetics from Shaftesbury, Hutcheson and Kant to F. R. Leavis, I. A. Richards and T. S. Eliot. Based on extensive archival work, the book includes examples of period art and illustrations which eloquently demonstrate the shift in public taste and tolerance.
Publisher: Cambridge University Press
ISBN: 9780521780766
Category : Art
Languages : en
Pages : 268
Book Description
How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, highlighting the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. Pease explores how artists such as Swinburne, Aubrey Beardsley, James Joyce and D. H. Lawrence were responsible for shifting the boundaries between aesthetics and pornography that first became of intellectual interest in the eighteenth century and reinforced class distinctions. Her analysis of canonical works, such as Joyce's Ulysses and Lawrence's Lady Chatterley's Lover, is framed by a wide-ranging examination of the changing conceptions of aesthetics from Shaftesbury, Hutcheson and Kant to F. R. Leavis, I. A. Richards and T. S. Eliot. Based on extensive archival work, the book includes examples of period art and illustrations which eloquently demonstrate the shift in public taste and tolerance.