Author: Frederick A. de Armas Publisher: University Press of Kentucky ISBN: 0813181933 Category : Literary Criticism Languages : en Pages : 395
Book Description
In classical mythology Astraea, the goddess of justice, chastity, and truth, was the last of the immortals to leave Earth with the decline of the ages. Her return was to signal the dawn of a new Golden Age. This myth not only survived the Christian Middle Ages but also became a commonplace in the Renaissance when courtly poets praised their patrons and princes by claiming that Astraea guided them. The literary cult of Astraea persisted in the sixteenth century as writers saw in Elizabeth I of England the imperial Astraea who would lead mankind to peace through universal rule. This and other late flowerings of the Astraea myth should not be taken as the final phases of her history. Frederick A. de Armas documents in this book what may well be the last great rebirth of Astraea, one that is probably of greater political, religious, and literary significance than others previously described by historians and literary critics. The Return of Astraea focuses on the seventeenth-century Spanish playwright Pedro Calderón de la Barca, and analyzes the deity's presence in thirteen of his plays, including his masterpiece, La Vida es Sueho. Her popularity in this period is partially attributed to political motives, reflecting the aspirations and fears of the Spanish monarch Philip IV. In this broad study, grounded on such diverse fields as astrology, iconography, history, mythology, and philosophy, de Armas explains that Astraea adopts many guises in Calderón's dramas. Ranging from the Kabbalah to Platonic thought and from satires on Olivares to cosmogonic myths, he analyzes and reinterprets Calderón's theater from a wide range of perspectives centered on the playwright's utilization of the myth of Astraea. The book thus represents a new view of Calderón's dramaturgy and also documents the popularity and significance of this astral-imperial myth during the Spanish Golden Age.
Author: Frederick A. de Armas Publisher: University Press of Kentucky ISBN: 0813162793 Category : Literary Criticism Languages : en Pages : 272
Book Description
In classical mythology Astraea, the goddess of justice, chastity, and truth, was the last of the immortals to leave Earth with the decline of the ages. Her return was to signal the dawn of a new Golden Age. This myth not only survived the Christian Middle Ages but also became a commonplace in the Renaissance when courtly poets praised their patrons and princes by claiming that Astraea guided them. The literary cult of Astraea persisted in the sixteenth century as writers saw in Elizabeth I of England the imperial Astraea who would lead mankind to peace through universal rule. This and other late flowerings of the Astraea myth should not be taken as the final phases of her history. Frederick A. de Armas documents in this book what may well be the last great rebirth of Astraea, one that is probably of greater political, religious, and literary significance than others previously described by historians and literary critics. The Return of Astraea focuses on the seventeenth-century Spanish playwright Pedro Calderón de la Barca, and analyzes the deity's presence in thirteen of his plays, including his masterpiece, La Vida es Sueho. Her popularity in this period is partially attributed to political motives, reflecting the aspirations and fears of the Spanish monarch Philip IV. In this broad study, grounded on such diverse fields as astrology, iconography, history, mythology, and philosophy, de Armas explains that Astraea adopts many guises in Calderón's dramas. Ranging from the Kabbalah to Platonic thought and from satires on Olivares to cosmogonic myths, he analyzes and reinterprets Calderón's theater from a wide range of perspectives centered on the playwright's utilization of the myth of Astraea. The book thus represents a new view of Calderón's dramaturgy and also documents the popularity and significance of this astral-imperial myth during the Spanish Golden Age.
Author: Frances A. Yates Publisher: Routledge ISBN: 113455463X Category : History Languages : en Pages : 299
Book Description
This is Volume V of selected works of Frances A. Yates. Astraea looks at the Imperial theme in the sixteenth century and includes Charles V and the idea of Empire to the Tudor Imperial Reform and the French Monarchy.
Author: Michelle Finnegan Publisher: Xlibris Corporation ISBN: 1462823955 Category : Fiction Languages : en Pages : 161
Book Description
Hung Jury tells the story about Astraea, whose name was borrowed from the Greek goddess of Truth. It is Atraea's quest for truth, justice and unconditional love in a world full of land mines, manipulative individuals, growing concerns and dwindling hope. Pray for Help and change
Author: Clive Reznor Publisher: AOE Studios ISBN: 0982953364 Category : Fiction Languages : en Pages : 391
Book Description
"It's like Black Mirror with a Paranormal edge." It's the fear we all have using the internet: Who is watching? What have I left out there? David Clegg ignored that fear, posted his musings on the Dark Web, and paid the price. When a mysterious hacker hijacks his computer, Clegg is shown a series of real-time videos, each one a story of mankind's dark dealings with technology and the paranormal. As a voyeur, he is given one chance -- and only one chance -- to help those he's watching, unknowingly sealing his own fate in the process. Told in six twisted stories, The Immanent World: 404 is a wickedly imaginative collection of dark sci fi and the paranormal. For fans of horror anthologies like Stephen King's Night Shift or Clive Barker's Books Of Blood, movies like V/H/S or The ABC's Of Death, or TV shows like Black Mirror or Supernatural, weaving the familiar with the disturbingly dark. Immanent - remaining within; indwelling; inherent. Horror fans will enjoy this journey into the dark corners of the immanent world - a reality where the divine and demonic are not outside our natural world, but very much a part of it. Your Lying Eyes: A domestic dispute between his next door neighbors puts Kendrick, a bachelor who loves gaming and tech, in a dangerous situation when the wife hides out in his house. She has a codex tattoo — an implant that records all five sense and can play those experiences back through specific devices, which shows Kendrick the difference between what his neighbors want him to see and who they really are. The Politics of Flesh and Metal: When two friends go on a road trip to interview the head of a cutting edge tech company who claims to have the key to quantum communication, they find the consequences of gaining that technology are more costly than they could imagine. Hamir Can Do Anything: Hamir is an average Indian American. Hamir is also bullied at his office job, under-appreciated by his wife and her Auntie, and ridiculed for his accent by the general public. All he wants is respect. Today, through an unexpected gift in the mail, he gets everything he wants, including revenge. The Viral Gods:“LIke It Or Lose It” is a popular television game show where contestant have one week to gain 5,000 likes on their LIOLI profile, a task that’s harder than it seems. Needing the money for his daughter’s surgery, Chip Tittle tries to subvert the system by exposing the truth about the State, putting much more at risk than he realizes. Invincible: An android named Astraea, who has been passed down generation after generation by the Thornsmith family as either an experiment or sex slave, attempts one last time to free herself. Can she convince the only surviving descendant of the family, a teenage boy, to help her become a Super AI, or will an mob of anti-technology zealots destroy her, the last of her kind? *** SPOILER ****
Author: John Dryden Publisher: Univ of California Press ISBN: 0520904834 Category : Literary Criticism Languages : en Pages : 436
Book Description
This volume contains the poems of Dryden extending from 1649 to 1680. Along with the poems of Dryden and associated extensive commentaries and textual notes from the editors, this volume contains the dramatic prologues and epilogues Dryden wrote for the plays of other writers from this period of time.