Aspects of Seventeenth-Century French Drama and Thought PDF Download

Author: Robert McBride
Publisher: Springer
ISBN: 1349036005
Category : Literary Criticism
Languages : en
Pages : 198

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Publisher: BRILL
ISBN: 9401201579
Category : Literary Criticism
Languages : en
Pages : 294

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This volume, prompted by the publication in 1999 of Moya Longstaffe's remarkable study, Metamorphoses of Passion and the Heroic in French Literature: Corneille, Stendhal, Claudel, further investigates and analyses the multiple appearances of Passion and Heroism in literature. It pursues the exploration of these themes in a variety of cultures (English, French, German, Spanish), genres, and critical approaches. In addition, the chronological span represented is extremely wide. Contributions range from La Fontaine, Molière and Voltaire to Rimbaud and Camus; from Baudelaire to Beckett; from Wagner to Goytisolo. This very diversity gives necessary context, providing scope for reflection and analysis. Although passion seems timeless, can heroism have any real meaning - apart from an individual and existential one - in our postmodern age? Has a notion at the centre of European culture for so many centuries really disappeared from our intellectual and cultural universe? This volume will be of interest to all students of literature, whatever their critical or linguistic allegiance, since it focuses on the varying manifestations of two vital ingredients of all societies and cultures.

Author: Jean-Baptiste Moliere
Publisher: Penguin UK
ISBN: 014191338X
Category : Drama
Languages : en
Pages : 311

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Molière combined all the traditional elements of comedy - wit, slapstick, spectacle and satire - to create richly sophisticated and enduringly popular dramas. The Miser is the story of Harpagon, a mean-spirited old man who becomes obsessed with making money out of the marriage of his children, while The Hypochondriac, another study in obsession, is a brilliant satire on the medical profession. The School for Wives, in which an ageing domestic tyrant is foiled in his plans to marry his young ward, provoked such an outcry that Molière followed it with The School for Wives Criticized - a witty retort to those who disapproved of the play's supposed immorality. And while Don Juan is the darkest and most tragic of all the plays in this collection, it still mocks the soullessness of the skinflint with scathing irony.

Author: Graham Tomlin
Publisher: Wipf and Stock Publishers
ISBN: 1597527386
Category : Religion
Languages : en
Pages : 375

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In a postmodern world the church cannot escape the question of power. The contemporary critique of the church suggests that it reigned for so long in Western society not because it was more true than its rivals, but because it was more powerful. Is the Christian claim to truth merely a veiled bid for power? Has not the church regularly abused its power during the years of Christendom? Does Christian theology have the resources to answer these charges? This book argues that it does, in the quiet but recurrent theme of the theology of the cross. It explores the origins and contours of this kind of theology in three of its major exponents -- St. Paul, Martin Luther, and Blaise Pascal -- showing how each of them turned to a theology of the cross to combat the abuse of power within the church. It concludes by considering how such theology might do the same in the postmodern context. Of interest to anyone concerned with the role of the church in a postmodern world, or in the theology of the cross itself, this book explores vital themes for the church's life and thought both today and in the future.

Author: Jean-Baptiste Moliere
Publisher: Penguin UK
ISBN: 0141913231
Category : Drama
Languages : en
Pages : 495

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In the seventeenth century, Molière raised comedy to the pitch of great art and, three centuries later, his plays are still a source of delight. He created a new synthesis from the major comic traditions at his disposal. This collection demonstrates the range of Molière's comic vision, his ability to move between the broad and basic ploys of farce to the more subtle and sophisticated level of high comedy. The Misanthrope appears along with Such Preposterously Precious Ladies, Tartuffe, A Doctor Despite Himself, The Would-Be Gentleman, and Those Learned Ladies.

Author: Andrew Calder
Publisher: Bloomsbury Publishing
ISBN: 0567042782
Category : Literary Criticism
Languages : en
Pages : 257

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The history of ideas provides an important means of understanding and reinterpreting the literature of the past; and in this study Dr. Calder demonstrates the illumination that this informed approach brings to the comedies of MoliFre. In the course of this study, the author outlines a fresh theory of classical comedy which applies to the works of other French writers of the 17th century; and the historical reinterpretations of MoliFre's two most difficult plays -- Le Tartuffe and Dom Juan -- break entirely new ground.Although this is a work which specialists will admire, it is also intended to serve as an introduction to MoliFre and French classical comedy at large and will be of considerable value to younger students and readers of MoliFre in general.

Author: Richard G. Hodgson
Publisher: Purdue University Press
ISBN: 9781557532183
Category : Literary Criticism
Languages : en
Pages : 196

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Through close textual analysis of La Rochefoucauld's writings, Richard Hodgson studies the moralist's use of metaphors such as the mask as well as his very personal concept of what constitutes an etre vrai, or genuine person. The study then traces the impact of La Rochefoucauld's ideas on thinkers from Vauvenargues and Chamfort to Nietzsche, Lautreamont, and Lacan. It concludes by suggesting reasons why La Rochefoucauld's concept of truth continues to have such enormous appeal to the modern reader.

Author: Mechele Leon
Publisher: University of Iowa Press
ISBN: 1587298910
Category : Drama
Languages : en
Pages : 198

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From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière’s works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of honor in the nation’s new cultural memory. Leon begins by analyzing the performance of Molière’s plays during the Revolution, showing how his privileged position as royal servant was disrupted by the practical conditions of the revolutionary theatre. Next she explores Molière’s relationship to Louis XIV, Tartuffe, and the social function of his comedy, using Rousseau’s famous critique of Molière as well as appropriations of George Dandin in revolutionary iconography to discuss how Moliérean laughter was retooled to serve republican interests. After examining the profusion of plays dealing with his life in the latter years of the Revolution, she looks at the exhumation of his remains and their reentombment as the tangible manifestation of his passage from Ancien Régime favorite to new national icon. The great Molière is appreciated by theatre artists and audiences worldwide, but for the French people it is no exaggeration to say that the Father of French Comedy is part of their national soul. By showing how he was represented, reborn, and reburied in the new France—how the revolutionaries asserted his relevance for their tumultuous time in ways that were audacious, irreverent, imaginative, and extreme—Leon clarifies the important role of theatrical figures in preserving and portraying a nation’s history.

Author: Sir George Norman Clark
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 172

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Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1526

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