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Aspects of Dramatic Form in the English and the Irish Renaissance

Aspects of Dramatic Form in the English and the Irish Renaissance PDF Author: Muriel Clara Bradbrook
Publisher: Brighton, Sussex : Harvester Press ; Totowa, N.J. : Barnes & Noble Books
ISBN: 9780710804068
Category : English drama
Languages : en
Pages : 186

Book Description


Aspects of Dramatic Form in the English and the Irish Renaissance

Aspects of Dramatic Form in the English and the Irish Renaissance PDF Author: Muriel Clara Bradbrook
Publisher: Brighton, Sussex : Harvester Press ; Totowa, N.J. : Barnes & Noble Books
ISBN: 9780710804068
Category : English drama
Languages : en
Pages : 186

Book Description


Aspects of Dramatic Form in the English and the Irish Renaissance

Aspects of Dramatic Form in the English and the Irish Renaissance PDF Author: Muriel Clara Bradbrook
Publisher: Brighton, Sussex : Harvester Press ; Totowa, N.J. : Barnes & Noble Books
ISBN:
Category : Drama
Languages : en
Pages : 216

Book Description
This final great volume of Professor Bradbrook's essays offers a fascinating juxtaposition of the drama of the English Renaissance with the New Irish Drama on this century. Analyzing the way in which the drama itself was to become the point of growth verbally, she then shows how, by the end of the 1590s, the best actors had evolved a set of genresóin a "market situation" where the plays were written in workshop conditions. She offers new insights into the relationship between Shakespeare, the other dramatists of his century and the great Irish dramatists of ours. Partial Contents: Peele's The Old Wives' Tale; Marlowe's Hero and Leander; Shakespeare's debt to Marlowe; Shakespeare and the Use of Disguise in Elizabethan Drama

The Collected Papers of Muriel Bradbrook: Aspects of dramatic form in the English and the Irish Renaissance

The Collected Papers of Muriel Bradbrook: Aspects of dramatic form in the English and the Irish Renaissance PDF Author: Bradbrook, M. C. Bradbrook
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


Medieval and Renaissance Drama in England

Medieval and Renaissance Drama in England PDF Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838640745
Category : Literary Criticism
Languages : en
Pages : 314

Book Description
Contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. This volume addresses the conditions of theatrical ownership and dramatic competitionto those exploring stage movement and theatrical space.

Renaissance Drama

Renaissance Drama PDF Author: Arthur F. Kinney
Publisher: John Wiley & Sons
ISBN: 1118823974
Category : Literary Criticism
Languages : en
Pages : 1172

Book Description
RENAISSANCE DRAMA Experience the best and most noteworthy works of Renaissance drama This Third Edition of Renaissance Drama: An Anthology of Plays and Entertainments is the latest installment of a groundbreaking collection of non-Shakespearean Renaissance drama. Covering not only the popular drama of the period, Renaissance Drama includes masques, Lord Mayor shows, royal performances, and the popular mystery plays of the time. The selections fairly represent the variety and quality of Renaissance drama and they include works of scholarly and literary interest. Each work included in this edition comes with an insightful and illuminating introduction that places the piece in its historical and cultural context, with accompanying text explaining the significance of each piece and the ways in which it interacts with other works. New to this edition are: The famous entertainment for Elizabeth at Kenilworth George Peele’s remarkably inventive The Old Wives’ Tale The oft-forgotten history of Thomas of Woodstock, predecessor to Shakespeare’s Richard II John Lyly’s Gallathea, a work which explores gender and love, written for the Children’s Company at Saint Paul’s Ben Johnson’s Volpone and the controversial Epicoene Perfect for scholars, teachers, and readers of the English Renaissance, Renaissance Drama: An Anthology of Plays and Entertainments belongs on the bookshelves of anyone with even a passing interest in the drama of its time.

Literature and Degree in Renaissance England

Literature and Degree in Renaissance England PDF Author: Peter Holbrook
Publisher: University of Delaware Press
ISBN: 9780874134742
Category : History
Languages : en
Pages : 216

Book Description
He argues that despite recent influential historicizations of English Renaissance literature, we still need a nuanced understanding of the ways in which "degree," the structure of social distinctions in Renaissance England, was symbolized in the period's literature.

The Dramatic Works of Samuel Beckett

The Dramatic Works of Samuel Beckett PDF Author: Charles A. Carpenter
Publisher: Bloomsbury Publishing
ISBN: 1441159746
Category : Reference
Languages : en
Pages : 525

Book Description
A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.

Shakespeare's Marlowe

Shakespeare's Marlowe PDF Author: Robert A. Logan
Publisher: Routledge
ISBN: 1317056078
Category : Literary Criticism
Languages : en
Pages : 269

Book Description
Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends.

Writing on the Renaissance Stage

Writing on the Renaissance Stage PDF Author: Frederick Kiefer
Publisher: University of Delaware Press
ISBN: 9780874135954
Category : Books and reading
Languages : en
Pages : 394

Book Description
Playwrights also made extraordinary use of metaphors involving the written and printed word to describe the workings of the mind and the interaction of people.

Yeats and the Noh

Yeats and the Noh PDF Author: Masaru Sekine
Publisher: Irish Literary Studies
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232

Book Description
W.B. Yeats wrote the plays in Four Plays for Dancers (1921) when he was strongly influenced by Japanese Noh theatre, and was searching for some breakthrough in his efforts to promote poetic drama. Since then, various books have been published on this topic but, with the notable exception of Richard Taylor, no scholar has been able to cope with both Yeats and Noh. Yeats and the Noh started in a small seminar room in University College Dublin, when both authors took part in productions of The Dreaming of the Bones and Nishikigi with their students. Masaru Sekine directed both plays and Christopher Murray performed in them: they were therefore equipped with live experience as well as their personal expertise in Irish literature and Noh drama. Professor Augustine Martin introduces the volume, and apart from the main section of the book, Colleen Hanrahan, one of the students who took part in both UCD productions, writes about acting in Yeats's play; Peter Davidson writes about Yeats, Pound, Rummel and Dulac; and Katharine Worth provides an essay on Yeats, Beckett and Noh. There are 16 pages of illustrations. This volume is unique in providing detailed analysis of contrasts in theatrical aims, as well as examining why man seeks to explore tragic drama as a means of extending the limits of reality.