A.S.K. Theater Projects Play Collection PDF Download

Author: Audrey Skirball-Kenis Theatre Southern California Unpublished Play Collection
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 53

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Author: Audrey Skirball-Kenis Theatre Southern California Unpublished Play Collection
Publisher:
ISBN:
Category : American drama
Languages : en
Pages :

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Author: Library of Congress. Manuscript Division
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 332

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Author: Moises Kaufman
Publisher: Vintage
ISBN: 1101971789
Category : Performing Arts
Languages : en
Pages : 338

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A detailed guide to the collaborative method developed by the acclaimed creators of The Laramie Project and Gross Indecency--destined to become a classic. A Vintage Original. By Moisés Kaufman and Barbara Pitts McAdams with Leigh Fondakowski, Andy Paris, Greg Pierotti, Kelli Simpkins, Jimmy Maize, and Scott Barrow. For more than two decades, the members of Tectonic Theater Project have been rigorously experimenting with the process of theatrical creation. Here they set forth a detailed manual of their devising method and a thorough chronicle of how they wrote some of their best-known works. This book is for all theater artists—actors, writers, designers, and directors—who wish to create work that embraces the unbridled potential of the stage.

Author: Rob Urbinati
Publisher: CRC Press
ISBN: 1317554647
Category : Performing Arts
Languages : en
Pages : 238

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Play Readings: A Complete Guide for Theatre Practitioners demystifies the standards and protocols of a play reading, demonstrating how to create effective and evocative readings for those new to or inexperienced with the genre. It examines all of the essential considerations involved in readings, including the use of the venue, pre-reading preparations, playwright/director communication, editing/adapting stage directions, casting, using the limited rehearsal time effectively, simple "staging" suggestions, working with actors, handling complex stage directions, talkbacks, and limiting the use of props, costumes, and music. A variety of readings are covered, including readings of musicals, operas, and period plays, for comprehensive coverage of this increasingly prevalent production form.

Author: Theater Communications Group
Publisher:
ISBN: 9781559362177
Category : Drama
Languages : en
Pages : 364

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Now in its 22nd year, Dramatists Sourcebook-the bestselling guide for opportunities for stage writers-is completely revised annually, with more than 1,100 opportunities for playwrights, translators, composers, lyricists, and librettists, as well as opportunities for screen, radio, and television writers. In an easy-to-use format, the Sourcebook details script-submission procedures for more than 350 theatres seeking new plays; more than 150 prizes and sections on submission guidelines, fellowships and grants, organizations, script preparation, agents, colonies and residencies, workshops, publishing opportunities, and submission calendars. Thoroughly indexed, with an invaluable calendar of submission deadlines, this is an indispensable reference work for any playwright.

Author: Todd London
Publisher: Theatre Communications Group
ISBN: 1559364254
Category : Performing Arts
Languages : en
Pages : 599

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An Ideal Theater is a wide-ranging, inspiring documentary history of the American theatre movement as told by the visionaries who goaded it into being. This anthology collects over forty essays, manifestos, letters and speeches that are each introduced and placed in historical context by the noted writer and arts commentator, Todd London, who spent nearly a decade assembling this collection. This celebration of the artists who came before is an exhilarating look backward, as well as toward the future, and includes contributions from: Jane Addams • William Ball • Julian Beck • Herbert Blau • Angus Bowmer • Bernard Bragg • Maurice Browne • Robert Brustein • Alison Carey • Joseph Chaikin • Harold Clurman • Dudley Cocke • Alice Lewisohn Crowley • Gordon Davidson • R. G. Davis • Doris Derby • W. E. B. Du Bois • Zelda Fichandler • Hallie Flanagan • Eva Le Gallienne • Robert E. Gard • Susan Glaspell • André Gregory • Tyrone Guthrie • John Houseman • Jules Irving • Margo Jones • Frederick H. Koch • Lawrence Langner • W. McNeil Lowry • Charles Ludlam • Judith Malina • Theodore Mann • Gilbert Moses • Michaela O’Harra • John O’Neal • Joseph Papp • Robert Porterfield • José Quintero • Bill Rauch • Bernard Sahlins • Richard Schechner • Peter Schumann • Maurice Schwartz • Gary Sinise • Ellen Stewart • Lee Strasberg • Luis Miguel Valdez • Nina Vance • Douglas Turner Ward As well as the founding visions of theatres from across the country: The Actors Studio • The Actor's Workshop • Alley Theatre • American Conservatory Theater • American Repetory Theater • Arena Stage • Barter Theatre • Bread and Puppet Theater • The Carolina Playmakers • The Chicago Little Theater • Circle in the Square Theatre • The Civic Repertory Theatre • Cornerstone Theater Company • The Federal Theatre Project • Ford Foundation Program in Humanities and the Arts • The Free Southern Theater • The Group Theatre • The Hull-House Dramatic Association • KRIGWA Players • The Living Theatre • La MaMa Experimental Theatre Club • The Mark Taper Forum • The Mercury Theatre • Minnesota Theater Company (Guthrie Theater) • The National Theatre of the Deaf • The Negro Ensemble Company • The Negro Theatre Project, Federal Theatre Project • The Neighborhood Playhouse • New Dramatists • The New York Shakespeare Festival • The Open Theater • Oregon Shakespeare Festival • The Performance Group • The Provincetown Players • The Repertory Theater of Lincoln Center • The Ridiculous Theatrical Company • Roadside Theater • The San Francisco Mime Troupe • The Second City • Steppenwolf Theatre Company • El Teatro Campesino • Theater '47 • The Theatre Guild • The Theatre of the Living Arts • The Washington Square Players • The Wisconsin Idea Theater • Yale Repertory Theatre • The Yiddish Art Theatre Todd London is in his 18th season as artistic director of New Dramatists, the nation’s oldest center for the creative and professional development of American playwrights. In 2009 Todd became the first recipient of Theatre Communications Group’s (TCG) Visionary Leadership Award for “an individual who has gone above and beyond the call of duty to advance the theater field as a whole, nationally and/or internationally.” He’s the author of The Importance of Staying Earnest: Writings from Inside the American Theatre, 1988-2013 (NoPassport Press), Outrageous Fortune: The Life and Times of the New American Play (with Ben Pesner, Theatre Development Fund), The Artistic Home (TCG), and The World’s Room, a novel (Steerforth Press), among others. His column, “A Lover’s Guide to American Playwrights,” tributes to contemporary

Author: Anna Ziegler
Publisher: Bloomsbury Publishing
ISBN: 1350349704
Category : Performing Arts
Languages : en
Pages : 222

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"[Her] dialogue bristles with smart, eloquent talk...Ms. Ziegler's quietly lyrical language has a luminous beauty, and her talent for creating characters whose complicated depths are just visible on their surfaces is still more remarkable." (The New York Times) This second play collection from one of America's most successful theatre writers brings together four plays that offer differing perspectives on family and the human condition. Each play has enjoyed successful productions in cities across America, cementing Ziegler's position as one of the world's most exciting contemporary dramatists. The Wanderers: A funny, insightful, and mysterious new drama explores the hidden connections between seemingly disparate people, drawing audiences into an intriguing puzzle and a deeply sympathetic look at modern love. "As perfect a piece of theater as I've seen in many years. The script by Anna Ziegler is a revelation, touching on family truths, marriage, and personal histories...Go see this show. It's magnificent." (DC Theatre Scene) The Great Moment: A personal and poignant meditation on beginnings and endings, birth and age, and the moments of transition that mark our passage from life to death. "A reflection on family, love, life, expected loss, and the peculiarity of our relationship with time, The Great Moment blends moments of sweetness, sadness, nostalgia, delight, and humor to create a delightful evening of theater." (Seattle Pockets) Another Way Home: A funny, moving, and uplifting examination of what it means to be a family. "a laugh-packed serio-comedy that shoves family life under a microscope. The dialogue is ironic, sardonic, poignant, insightful and funny - with each sensation rapidly piling atop the next." (Marinscope) Actually: Investigates gender and race politics, our crippling desire to fit in, and the three sides to every story. “Gripping. Beautifully rendered and complex. Destined to trigger discussion.” (LA Times)

Author: Jacob Juntunen
Publisher: Routledge
ISBN: 131737651X
Category : Performing Arts
Languages : en
Pages : 203

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This book demonstrates the political potential of mainstream theatre in the US at the end of the twentieth century, tracing ideological change over time in the reception of US mainstream plays taking HIV/AIDS as their topic from 1985 to 2000. This is the first study to combine the topics of the politics of performance, LGBT theatre, and mainstream theatre’s political potential, a juxtaposition that shows how radical ideas become mainstream, that is, how the dominant ideology changes. Using materialist semiotics and extensive archival research, Juntunen delineates the cultural history of four pivotal productions from that period—Larry Kramer’s The Normal Heart (1985), Tony Kushner’s Angels in America (1992), Jonathan Larson’s Rent (1996), and Moises Kaufman’s The Laramie Project (2000). Examining the connection between AIDS, mainstream theatre, and the media reveals key systems at work in ideological change over time during a deadly epidemic whose effects changed the nation forever. Employing media theory alongside nationalism studies and utilizing dozens of reviews for each case study, the volume demonstrates that reviews are valuable evidence of how a production was hailed by society’s ideological gatekeepers. Mixing this new use of reviews alongside textual analysis and material study—such as the theaters’ locations, architectures, merchandise, program notes, and advertising—creates an uncommonly rich description of these productions and their ideological effects. This book will be of interest to scholars and students of theatre, politics, media studies, queer theory, and US history, and to those with an interest in gay civil rights, one of the most successful social movements of the late twentieth century.

Author: United States. Congress. House
Publisher:
ISBN:
Category :
Languages : en
Pages : 2054

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