Asian Art in the Birmingham Museum of Art PDF Download

Author: Birmingham Museum of Art (Birmingham, Ala.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216

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Author: John Stevenson
Publisher:
ISBN: 9780295991627
Category : Art
Languages : en
Pages : 263

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Vietnam created the most sophisticated ceramics in Southeast Asia. Though they borrowed from China, Vietnamese potters explored their own indigenous tastes and developed their own production techniques. Blessed with the smooth gray-white clays of the Red River Valley, they created pieces that are amazingly light and thin-walled, with skillfully painted, incised, and carved decoration. Two particularly popular decorative themes were dragons (from whom the Vietnamese believed they were descended) and lotuses (considered archetypal symbols of Buddhist purity, because the flower emerges unsullied from the mud). Through a series of judicious purchases that began in the 1970s, the Birmingham Museum of Art, Alabama, has created an extraordinary collection of Vietnamese ceramic art. Essays by three noted experts introduce the collection. John Stevenson, co-author of Vietnamese Ceramics: A Separate Tradition, describes the evolution of Vietnamese ceramics and the contexts in which they were produced, and analyzes their aesthetic attraction. The Museum's senior curator, Donald A. Wood, explains the rich symbolism of decorative motifs found on Vietnamese ceramics. Independent scholar Philippe Truong, of Paris and Saigon, assesses the current state of the field.

Author: Allysa B. Peyton
Publisher: University Press of Florida
ISBN: 9781683400479
Category : Art
Languages : en
Pages : 0

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The volume looks at how South Asian art was sourced for external appreciation at a variety of institutions in Europe, North America, and Asia from the mid-19th century onward. These essays speak to the colonial legacies that created such collections but that now must be viewed though a post-colonial lens. The volume also addresses contemporary concerns for todays's museums: collecting, building and practices, provenance, and repatriation.

Author: James C. Y. Watt
Publisher: Metropolitan Museum of Art
ISBN: 0300166567
Category : Art and society
Languages : en
Pages : 362

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Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2010-Jan. 2, 2011.

Author: Dallas Museum of Art
Publisher:
ISBN: 9780300149883
Category : Art
Languages : en
Pages : 0

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In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art

Author: Eleanor Jones Harvey
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353

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Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

Author: Darsie Alexander
Publisher:
ISBN: 9780300250701
Category : Art
Languages : en
Pages : 280

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A strikingly original exploration of the profound impact of World War II on how we understand the art that survived it By the end of World War II an estimated one million artworks and 2.5 million books had been seized from their owners by Nazi forces; many were destroyed. The artworks and cultural artifacts that survived have traumatic, layered histories. This book traces the biographies of these objects--including paintings, sculpture, and Judaica--their rescue in the aftermath of the war, and their afterlives in museums and private collections and in our cultural understanding. In examining how this history affects the way we view these works, scholars discuss the moral and aesthetic implications of maintaining the association between the works and their place within the brutality of the Holocaust--or, conversely, the implications of ignoring this history. Afterlives offers a thought-provoking investigation of the unique ability of art and artifacts to bear witness to historical events. With rarely seen archival photographs and with contributions by the contemporary artists Maria Eichhorn, Hadar Gad, Dor Guez, and Lisa Oppenheim, this catalogue illuminates the study of a difficult and still-urgent subject, with many parallels to today's crises of art in war.

Author: Donald Alan Wood
Publisher:
ISBN:
Category : Art, Asian
Languages : en
Pages : 556

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Author: Joan Mitchell
Publisher: Kunsthaus Bregenz
ISBN: 9783863357948
Category : Abstract expressionism
Languages : en
Pages : 0

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"Lots of painters are obsessed with inventing something," American painter Joan Mitchell (1925-92) said in 1986. "When I was young, it never occurred to me to invent. All I wanted to do was paint." Throughout her life Mitchell remained committed to totally autonomous abstract painting, always driven by this fundamental love for the craft and technique of painting. In a career spanning more than four decades, Mitchell's painting style married the dynamic gesture of the Abstract Expressionists, her generational peers, to a keen sensitivity to natural phenomena such as light and water. Characterized by an intense color palette and fresh gestural energy, often applied on a very large scale, Mitchell's paintings both sensually seduce and intellectually stimulate viewers. Published to accompany a large-scale survey of Mitchell's painting, Joan Mitchell: Retrospective draws from Mitchell's entire oeuvre, from her early work of the 1950s to her late, multipart works painted in her last years. Both catalogue and exhibition insist on the importance of biography to any retrospective account of Mitchell's work, and a large part of the exhibition is dedicated to the first extensive public presentation of archival materials from the Joan Mitchell Foundation. Photographs, correspondence and ephemera from the archives are reproduced here, along with an illustrated timeline that relates Mitchell's life to her work. Born in Chicago in 1925, Joan Mitchell studied at Smith College before training at The Art Institute of Chicago. After a fellowship in Paris, Mitchell lived in New York, where she became part of the community of Abstract Expressionist painters. She spent increasing amounts of time in France, eventually moving to Paris in 1959, and remaining there until her death in 1992.

Author: Emily J. Sano
Publisher:
ISBN: 9781883502003
Category : Buddhist art
Languages : en
Pages : 135

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"Heaven and Hell: Salvation and Retribution in Pure Land Buddhism, will bring together approximately seventy paintings, sculpture, and works of decorative arts to survey the artistic expressions of the Pure Land faith. Pure Land Buddhism is based on belief in Amitabha, the Buddha of the Western Paradise, who promises salvation in his heavenly paradise after death to all those who will simply call upon his name. The appeal of easy salvation made faith in Amitabha one of the most popular forms of Buddhism throughout Asia, where it inspired the development of beautiful and diverse works of art. To introduce the subject, the exhibition will include a selection of works from the continent of Asia, such as the Gandhara region of India, Southeast Asia, China, Tibet, and Korea, which show the endurance of Pure Land motifs across continents for a thousand years. The majority of the show will be focused on Japanese works of art that illustrate how Amitabha will descend to earth from his heaven to greet a dying soul, scenes of hell, the numerous divine beings that are put on earth to guide the faithful and assist those who have fallen into hell escape that terrible fate"--