Asger Jorn, the Crucial Years 1954-1964 PDF Download

Author: Guy Atkins
Publisher: George Wittenborn Incorporated
ISBN:
Category : Painters
Languages : en
Pages : 414

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Author: Asger Jorn
Publisher:
ISBN:
Category : Painting, Modern
Languages : en
Pages : 32

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Author: Guy Atkins
Publisher:
ISBN: 9782700400212
Category :
Languages : en
Pages : 396

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Author: Guy Atkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 396

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Author: Karen Kurczynski
Publisher: Routledge
ISBN: 135154652X
Category : Art
Languages : en
Pages : 292

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A leading figure of the postwar avant-garde, Danish artist Asger Jorn has long been recognized for his founding contributions to the Cobra and Situationist International movements - yet art historical scholarship on Jorn has been sparse, particularly in English. This study corrects that imbalance, offering a synthetic account of the essential phases of this prolific artist?s career. It addresses his works in various media alongside his extensive writings and his collaborations with various artists' groups from the 1940s through the mid-1960s. Situating Jorn's work in an international, post-Second World War context, Karen Kurczynski reframes our understanding of the 1950s, away from the Abstract-Expressionist focus on individual expression, toward a more open-ended conception of art as a public engagement with contemporary culture and politics. Kurczynski engages with issues of interest to twenty-first-century artists and scholars, highlighting Jorn's proposition that the sensory address of art and its complex relationship to popular media can have a direct social impact. Perhaps most significantly, this study foregrounds Jorn's assertion that creativity is crucial to subjectivity itself in our increasingly mediated 'Society of the Spectacle.'

Author: Guy Atkins
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Helle Brøns
Publisher:
ISBN:
Category :
Languages : en
Pages : 170

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"The second publication in the Louisiana Library series, from Denmark's Louisiana Museum of Modern Art, is an in-depth look at that institution's impressive Asger Jorn collection. Jorn, a founding member of COBRA (an acronym for Copenhagen, Brussels and Amsterdam), remains one of Denmark's most influential painters. He was also a founding member, with Guy Debord, of the Situationist International (SI). There has been a tendency to view Debord as the sole motivating figure behind the SI, but while Debord's role was indisputably central, Jorn's influence should not be underestimated. In his four years of activity with the group (1957-1961), Jorn not only continued to make some of his best paintings, he also assisted in the editing of the movement's journal, Internationale Situationniste. This volume provides an introduction to the life and work of this key figure of the European postwar art scene and is illustrated with color reproductions of the museum's entire Jorn collection." --Book Jacket.

Author: James Trier
Publisher: BRILL
ISBN: 9004402012
Category : Education
Languages : en
Pages : 461

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Winner of the 2020 Choice Outstanding Academic Title Award Guy Debord, the Situationist International, and the Revolutionary Spirit presents a history of the two avant-garde groups that French filmmaker and subversive strategist Guy Debord founded and led: the Lettrist International (1952–1957) and the Situationist International (1957–1972). Debord is popularly known for his classic book The Society of the Spectacle (1967), but his masterwork is the Situationist International (SI), which he fashioned into an international revolutionary avant-garde group that orchestrated student protests at the University of Strasbourg in 1966, contributed to student unrest at the University of Nanterre in 1967–1968, and played an important role in the occupations movement that brought French society to a standstill in May of 1968. The book begins with a brief history of the Lettrist International that explores the group’s conceptualization and practice of the critical anti-art practice of détournement, as well as the subversive spatial practices of the dérive, psychogeography, and unitary urbanism. These practices, which became central to the Situationist International, anticipated many contemporary cultural practices, including culture jamming, critical media literacy, and critical public pedagogy. This book follows up the edited book Détournement as Pedagogical Praxis (Sense Publishers, 2014), and together they offer readers, particularly those in the field of Education, an introduction to the history, concepts, and critical practices of a group whose revolutionary spirit permeates contemporary culture, as can be seen in the political actions of Pussy Riot in Russia, the “yellow vest” protesters in France, the #BlackLivesMatter movement, and the striking teachers and student protesters on campuses throughout the U.S. See inside the book.

Author: Tom McDonough
Publisher: MIT Press
ISBN: 9780262633000
Category : Art
Languages : en
Pages : 524

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Book Description
Critical texts, translations, documents, and photographs on the work of the Situationist International. This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith. Guy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI's writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI's reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932-1994), the impresario of the SI, especially known for his book The Society of the Spectacle.

Author: McKenzie Wark
Publisher: Verso Books
ISBN: 1804294888
Category : Philosophy
Languages : en
Pages : 417

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The acclaimed history of the groundbreaking Situationist movement The Situationist International, which leaped to the fore during the Paris tumult of 1968, has extended its revolutionary influence right up to the present day. In Leaving the Twentieth Century, the movement is captured for the first time in its full range and diversity. McKenzie Wark traces the group’s development from the bohemian Paris of the ’50s to the explosive days of May ’68. She introduces the group as an ensemble, revealing the work and activities of thinkers previously obscured by the reputation of founding member Guy Debord. Roaming through Europe and exploring the vital lives its members—including Constant, Asger Jorn, Michèle Bernstein, Alexander Trocchi, and Jacqueline de Jong—Wark uncovers a group riven with conflicting passions. She follows the narrative beyond 1968, to the Situationists International’s disintegration and beyond: the ideas of T. J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet’s earthy situationist cinema, Gianfranco Sanguinetti’s pranking of the Italian ruling class, Alice Becker-Ho’s account of the anonymous language of the Romany, and Debord’s late films and his surprising work as a game designer.