Asger Jorn PDF Download

Author: Dorthe Aagesen
Publisher:
ISBN: 9788792023537
Category : Art, Abstract
Languages : da
Pages : 279

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Author: Peter Shield
Publisher: Routledge
ISBN: 0429828373
Category : Social Science
Languages : en
Pages : 400

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Book Description
First published in 1998, this volume is a study of Asger Jorn’s attempt to formulate the ‘first complete revision of the existing philosophical system’ from the standpoint of the artist in the period 1961-67. The Danish artist Asger Jorn (1914-73), painter, draughtsman, potter and sculptor, was one of the most prominent figures of his generation in Europe. His characteristic paintings were spontaneous, using energetic brushstrokes, splashing and spotting with a wide-ranging palette. Jorn’s eclectic intellect absorbed an astonishing range of influences and involved him in many causes, including an ambitious programme to re-publish, with commentary, material vital to Scandinavian cultural history. He was also a founder member of Cobra (1948-51) and subsequently several other international groupings, which coalesced in 1957 in the setting-up of the Situationist International with French and Italian writers and artists. Fascinated by the philosophical debate on the position of the artist in contemporary life and the artist’s relationship to the past, Jorn broke with the Situationist International in 1961 over the issue of whether an artist is an instigator of cultural change or only an instrument of political change. For the next four years, he committed himself to ‘a first complete revision of the existing philosophical system’ with the intention of placing the artist at the centre. Many of his ideas were first tried out in French in various Situationist publications and have since stirred considerable debate. His much more comprehensive texts in Danish of 1961-67 have never been made available in English. In Comparative Vandalism, Peter Shield offers the first detailed study of Jorn’s revision of modern philosophy, exploring the origins and formulation of his ideas. The book includes colour and black and white reproductions chosen from his mature work to illustrate the connection between his writing and painting.

Author: Ms Karen Kurczynski
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409431975
Category : Art
Languages : en
Pages : 277

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Book Description
Situating the Danish artist Asger Jorn’s work in an international, post-World War II context, Karen Kurczynski offers an account of the essential phases of this prolific artist’s career, and addresses his works in various media alongside his extensive writings and collaborations. The study reframes our understanding of the 1950s, and foregrounds the idea that the sensory address of art and its complex relationship to popular media can have a direct social and political impact.

Author: Axel Heil
Publisher:
ISBN: 9780986323072
Category : Art
Languages : en
Pages : 80

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Book Description
This book offers a concise overview of the diverse accomplishments of Danish artist Asger Jorn. The book comprises over 75 images of Jorn’s work, each with complete provenance, exhibition and literature history. A comprehensive biography of the artist is also included, along with photographs and other archival material.

Author: Asger Jorn
Publisher: Nai010 Publishers
ISBN: 9789064507601
Category : Aesthetics, Modern
Languages : en
Pages : 0

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Book Description
"The Danish artist Asger Jorn is primarily known as a painter who was active in the Hst, Cobra and the Situationist International groups. The numerous leaflets, exhibition catalogues, interviews, articles and books he wrote throughout his entire career attest to his vast literary output and his urge to provoke debate at all social levels."--Back cover.

Author: Asger Jorn
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 392

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Book Description
In The Natural Order and Other Texts, Peter Shield presents the first English translations of the artist Asger Jorn's three philosophical texts - The Natural Order, Value and Economy and Luck and Chance. Offering a unique insight into an artist's attempt to make sense of a contemporary world which would accommodate his practice, these texts present an important contribution to aesthetics for modern art and an attempt at philosophical reconciliation of modern science and modern art. In 1961 Jorn resigned from the Situationist International and took the ideas of thinkers in many fields and amalgamated them into 'the first complete revision of the existing philosophical system' from the point of view of an artist. He developed a theory of artistic value and the place of the creative elite and adapted his previous ideas of extreme aesthetics to fit into this 'natural order'. Including a comprehensive introduction, Peter Shield's translations of Asger Jorn's classic texts offer invaluable new perspectives to readers crossing the boundaries of philosophy, art history and theory, and cultural studies. Peter Shield is an art historian, whose book Comparative Vandalism on these and other works by Jorn is also published by Ashgate.

Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :

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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

Author: Axel Heil
Publisher: Petzel Gallery
ISBN: 9781733215589
Category : Art
Languages : en
Pages : 128

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Book Description
A comprehensive catalogue of the exhibition Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings on view at Petzel Gallery in New York from March 5th to April 13th, 2019. With texts written and edited by the curators as well as reprinted articles on the subjects of détournement, vandalism, and the relationship between modifications and appropriation art in the late 1970s. If you have old paintings, do not despair. Retain your memories but detourn them so that they correspond with your era. Why reject the old, if one can modernize it? —Asger Jorn Published on the occasion of the exhibition Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings at Petzel Gallery in New York (March 5 – April 13, 2019) – this historical group show of over 30 prominent international artists investigates multifarious appropriation methods situated in the context of the first thrift store paintings altered by Danish artist Asger Jorn. Spanning from the mid-1960s to the flourishing techniques of the 1980s, up to the present day. In Paris, 1959, Asger Jorn exhibits a group of paintings at the prominent Galerie Rive Gauche. Not only has he re-worked these found paintings with his own brush, modifying their respective surfaces, but he also writes a text describing his technique as a recovery of certain iconographic archetypes. Instead of making a mockery of these kitsch paintings, he articulates some of their inherent folk-art values. The exhibition is not well received. However, it has since become legendary. Jorn’s modifications have long been a neglected chapter in the Danish artist’s biography. Yet from today’s perspective these high/low hermaphrodites are recognized by keen-eyed viewers as mirrors reflecting the historicity of modern painting. Such “Modifications” are a painterly version of “détournement,” a Situationist technique, described in 1956 by Guy Debord and Gil Wolman as the systematic revaluation of “prefabricated aesthetic products.” For Jorn, who co-founded and financially supported the Situationist International, the 1959 Galerie Rive Gauche exhibition, showcased his implementation of a fundamental aesthetic critique in which he appropriates a relatively discredited artistic source as “his” own material, then applies his iconography, and his language to that particular prefabricated model. Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings features works by Enrico Baj, Marcel Duchamp, Max Ernst, Hans-Peter Feldmann, Vidya Gastaldon, Wade Guyton/Stephen Prina, Rachel Harrison, Ray Johnson, Jacqueline de Jong, Asger Jorn, Mike Kelley, Martin Kippenberger, Per Kirkeby, Lee Krasner, Albert Oehlen, Francis Picabia, Stephen Prina, R.H. Quaytman, Arnulf Rainer, Julian Schnabel, Jim Shaw, Gedi Sibony, Alexis Smith, Daniel Spoerri, John Stezaker, Betty Tompkins, and David Wojnarowicz.

Author: Guy Debord
Publisher: Bread and Circuses Publishing
ISBN: 1625173199
Category : Political Science
Languages : en
Pages : 336

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Book Description
After Guy Debord’s seminal Society of the Spectacle, this new compendium brings together eight other important situationist works. Ivan Chtcheglov opens proceedings via his Formulary for a New Urbanism (1953), with it’s quasi-mythical demand that resonated down through generations: “The hacienda must be built”, followed by two brief but illuminating pieces from Asger Jorn, who’s sandpaper book cover later turned up under the same Factory Records roof as Manchesters’ own Hacienda, on the Durrtti Column’s "Return of the Durrutti Column" ( the title itself lifted from Andre Bertrand's détourned pro-situ comic strip). Debord’s The Decline and Fall of the Spectacle-Commodity Economy-was an immediate, razor sharp response to the LA/Watts Riots of 1965, it’s analysis of the relationship between the rioter and the meaningless, unaffordable commodities they loot or destroy resonating heavily today. Tunisian situationist Mustapha Khayati contributes Address to Revolutionaries of Algeria and of All Countries and the game changing “On the Poverty of Student Life”, the match that arguably lit the fires of May 68’. Raoul Vaneigem's The Revolution of Everyday Life finishes things off in defiant fashion : “. You’re f*%@g Around With Us? — Not For Long!”

Author: Ruth Baumeister
Publisher: Scheidegger and Spiess
ISBN: 9783858817730
Category : Architecture
Languages : en
Pages : 0

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Book Description
Museum Jorn in Silkeborg, Denmark, commemorates the 50th anniversary of Le Corbusier's passing with an exhibition and an academic conference. The coinciding book will reflect both, the exhibition's content and the results of the conference. Le Corbusier (1887-1965) aimed for nothing less than changing the world and therefore called out for a revolution in architecture and society. His thinking and sometimes megalomaniac ideas have been, and remain to the present day, highly influential for architects around the world. This new book for the first time investigates in detail Le Corbusier's reception in Scandinavia, in Denmark in particular. The book's focal point is the connection between the Danish experimental expressionist artist Asger Jorn (1914-73) and Le Corbsuier. As a young student of art in Paris, Asger Jorn collaborated with Le Corbusier on the Pavillon des Temps Nouveaux at the 1937 Paris World Exposition. The young Jorn was fascinated by architecture--the most public form of art--in general and also followed closely Le Corbusiers building activities and his book publications. The book opens with four essays providing a survey of Le Corbusier as an artist architect. Further contributions examine Le Corbusiers influence on Asger Jorn and the younger artist's initial admiration for and later critique of the famous architect. They discuss Jorns position towards Le Corbusier in theory, and also look at relationships in both men's artistic practice, e.g. in poetry, book production, tapestry, etc. Another four essays deal withLe Corbusier's traces in Danish architecture and urbanism, his intellectual reception in Scandinavia, parallels between Le Corbusier and Jorn Utzon, and a comparison of the Arhus Brutalism and Le Corbusier. The book also features reprints of texts by Asger Jorn and an especially commissioned photo essay by the German experimental film director Heinz Emigholz of Asger Jorns Aarhus Mural and Le Corbusiers Villa Savoye.