Artists Painters: Regionalism III PDF Download

Author:
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 426

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Author: James M. Dennis
Publisher: Univ of Wisconsin Press
ISBN: 9780299155803
Category : Art
Languages : en
Pages : 300

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Author: Debra Bricker Balken
Publisher: Des Moines Art Center
ISBN:
Category : Art
Languages : en
Pages : 216

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Book Description
After Many Springs is the title of a Thomas Hart Benton painting that evokes nostalgia for a fertile, creative time gone by. This bold new book--taking the name of this work by Benton--examines the intersections between Regionalist and Modernist paintings, photography, and film during the Great Depression, a period when the two approaches to art making were perhaps at their zenith. It is commonly believed that Regionalist artists Benton, John Steuart Curry, and Grant Wood reacted to the economic and social devastation of their era by harking back in tranquil bucolic paintings to a departed utopia. However, this volume compares their work to that of photographers such as Dorothea Lange and Ben Shahn and filmmakers such as Josef von Sternberg--all of whom documented the desolation of the Depression--and finds surprising commonalities. The book also notes intriguing connections between Regionalist artists and Modernists Jackson Pollock and Philip Guston, countering prevailing assumptions that Regionalism was an anathema to these New York School painters and showing their shared fascination with the Midwest. Distributed for the Des Moines Art Center Exhibition Schedule: Des Moines Art Center (January 30 - May 17, 2009)

Author: Donna M. Cassidy
Publisher: Metropolitan Museum of Art
ISBN: 1588396134
Category : Art
Languages : en
Pages : 186

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Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.

Author: Amanda Mobley Guenther
Publisher:
ISBN: 9780983226307
Category :
Languages : en
Pages : 197

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Author: M. Sue Kendall
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 176

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Author: Linda Van Santvoort
Publisher: Leuven University Press
ISBN: 9058676498
Category : History
Languages : en
Pages : 201

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"Architectural concepts and styles seem to flourish from the most local of contexts to the global." "This book investigates the regional, often conceived today as a late nineteenth-century phenomenon, primarily on account of the preservation and restoration movements that arose. An interdisciplinary approach to regionalism, as manifested not only in architecture but also in art and literature, necessitates a more thorough examination of the complexity and multilayered quality of the phenomenon." "The research is limited in lime to the nineteenth century plus the years leading up to the First World War, and in place to Western Europe, with an emphasis on Belgium, France and England, and to a lesser extent on the Netherlands, Germany and Spain."--BOOK JACKET.

Author: Lauren Kroiz
Publisher: Univ of California Press
ISBN: 0520286561
Category : Art
Languages : en
Pages : 310

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"Cultivating Citizens rethinks the aesthetics and politics of regionalism in the United States during the 1930s and 1940s. During this period, painters Grant Wood, Thomas Hart Benton, and John Steuart Curry formed a loose alliance as American Regionalists. Some lauded their depictions of the rural landscape and hardworking inhabitants of America's midwestern heartland. Others deemed Regionalist painting dangerous, regarding its easily understood realism as a vehicle for jingoism, chauvinism, and even fascism. Cultivating Citizens shifts the terms of this ongoing debate over subject matter and style by considering heretofore neglected Regionalist programs of art education and concepts of artistic labor."--Provided by publisher.

Author: Sarah L. Burns
Publisher: Yale University Press
ISBN: 0300214855
Category : Art
Languages : en
Pages : 205

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Book Description
A unique look at America's quest to carve out an artistic identity during the Depression era Through 50 masterpieces of painting, this fascinating catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression seeking to define modern American art. In the process, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles--ranging from abstraction to Regionalism to Surrealism--that allowed them to engage with issues such as populism, labor, social protest, and to employ an urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty.

Author: Helen D. Hume
Publisher: John Wiley & Sons
ISBN: 0470877820
Category : Education
Languages : en
Pages : 423

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A revised and updated edition of the best-selling resource for art teachers This time-tested book is written for teachers who need accurate and updated information about the world of art, artists, and art movements, including the arts of Africa, Asia, Native America and other diverse cultures. The book is filled with tools, resources, and ideas for creating art in multiple media. Written by an experienced artist and art instructor, the book is filled with vital facts, data, readings, and other references, Each of the book's lists has been updated and the includes some 100 new lists Contains new information on contemporary artists, artwork, art movements, museum holdings, art websites, and more Offers ideas for dynamic art projects and lessons Diverse in its content, the book covers topics such as architecture, drawing, painting, graphic arts, photography, digital arts, and much more.