Artistic Works of Fiction and Falsehood PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Artistic Works of Fiction and Falsehood PDF full book. Access full book title Artistic Works of Fiction and Falsehood by Patrick Scolyer-Gray. Download full books in PDF and EPUB format.
Author: Patrick Scolyer-Gray Publisher: Patrick Scolyer-Gray ISBN: 0645604402 Category : Social Science Languages : en Pages : 437
Book Description
Millions of people are producing and consuming knowledge via the digital components of the globalised, interconnected, and participatory “media ecosystem”, and this continues to have significant implications for society. However, the Internet exceeds the proverbial ‘bandwidth’ of researchers, and countless platforms and online environments have been overlooked and/or understudied. Consequently, there are substantial blind spots in what is known about the notorious and fully anonymous imageboard 4chan.org. 4chan ‘disproportionately’ influences the media ecosystem, and played a significant role in the consolidation of the extremist ‘alt-right’ and ‘Incel’ movements, but little is known about 4chan’s userbase. Based on the output of the PhD research of the same name, Dr Patrick Scolyer-Gray’s Fiction and Falsehood explores three research objectives, each achieved via a sociological mixed-methods ethnographic research design. First, using a combination of survey and interview data, the socio-political discourses that most frequently influence the socio-political perspectives of 4chan’s users are identified. The text offers empirical evidence that the most influential socio-political discourses on 4chan are consistent with an alt-right ideological framework. Second, how and why 4chan-discourses became integrated into the socio-political perspectives of the userbase is explored. The fine-grained insight provided by in-depth semi-structured interviews with 4chan-users is combined with Bourdieu’s ‘theory of practice’ to produce an explanatory framework based on ‘habitus-field congruency’. Third, empirical evidence of 4chan’s relationship with the public sphere is provided, and the implications of this relationship are explored. A formidable body of evidence dovetails into the author's argument that the memes produced by 4chan-users represent ‘symbolic ordnance’ that influence the public sphere by having a ‘disproportionate’ impact on the development of public opinion. A series of additional issues raised by 4chan’s relationship with the public sphere are also highlighted. 4chan, its users, the productions featured on the platform, intersections between discourses borne out of (or amplified by) 4chan and the broader information ecosystem and their respective interconnected relationships are examined in granular detail. Additionally, Fiction and Falsehood offers fresh insights into the origins and significance of the alt-right, a detailed exposition of methodological techniques of novelty and enduring relevance to researchers and private practitioners alike, and unique findings that will appeal to any reader interested in how online spaces are connected to broader societal trends.
Author: Patrick Scolyer-Gray Publisher: Patrick Scolyer-Gray ISBN: 0645604402 Category : Social Science Languages : en Pages : 437
Book Description
Millions of people are producing and consuming knowledge via the digital components of the globalised, interconnected, and participatory “media ecosystem”, and this continues to have significant implications for society. However, the Internet exceeds the proverbial ‘bandwidth’ of researchers, and countless platforms and online environments have been overlooked and/or understudied. Consequently, there are substantial blind spots in what is known about the notorious and fully anonymous imageboard 4chan.org. 4chan ‘disproportionately’ influences the media ecosystem, and played a significant role in the consolidation of the extremist ‘alt-right’ and ‘Incel’ movements, but little is known about 4chan’s userbase. Based on the output of the PhD research of the same name, Dr Patrick Scolyer-Gray’s Fiction and Falsehood explores three research objectives, each achieved via a sociological mixed-methods ethnographic research design. First, using a combination of survey and interview data, the socio-political discourses that most frequently influence the socio-political perspectives of 4chan’s users are identified. The text offers empirical evidence that the most influential socio-political discourses on 4chan are consistent with an alt-right ideological framework. Second, how and why 4chan-discourses became integrated into the socio-political perspectives of the userbase is explored. The fine-grained insight provided by in-depth semi-structured interviews with 4chan-users is combined with Bourdieu’s ‘theory of practice’ to produce an explanatory framework based on ‘habitus-field congruency’. Third, empirical evidence of 4chan’s relationship with the public sphere is provided, and the implications of this relationship are explored. A formidable body of evidence dovetails into the author's argument that the memes produced by 4chan-users represent ‘symbolic ordnance’ that influence the public sphere by having a ‘disproportionate’ impact on the development of public opinion. A series of additional issues raised by 4chan’s relationship with the public sphere are also highlighted. 4chan, its users, the productions featured on the platform, intersections between discourses borne out of (or amplified by) 4chan and the broader information ecosystem and their respective interconnected relationships are examined in granular detail. Additionally, Fiction and Falsehood offers fresh insights into the origins and significance of the alt-right, a detailed exposition of methodological techniques of novelty and enduring relevance to researchers and private practitioners alike, and unique findings that will appeal to any reader interested in how online spaces are connected to broader societal trends.
Author: Deborah L. Ross Publisher: University Press of Kentucky ISBN: 0813183162 Category : Literary Criticism Languages : en Pages : 328
Book Description
"The only excellence of falsehood... is its resemblance to truth," proclaims a clergyman in Charlotte Lennox's The Female Quixote. He argues that romances are bad art; novels, he implies, are better. This clergyman's remarks—repeating what literary and moral authorities had been saying since the late seventeenth century—are central to Deborah Ross's discussion of romance characteristics in English women's novels. Aphra Behn, Delariviere Manley, Eliza Haywood, Charlotte Lennox, Fanny Burney, Ann Radcliffe, and Jane Austen did not take the clergyman's advice to heart. To them, the "falsehood" of romance was by no means self-evident, nor was the superior "excellence" of the novel. In theory, many of them accepted the distinction, but their works combined aspects of the romance and the novel in ways that brought them into conflict with the critical establishment. The texts discussed here illustrate a process of development both in the novel and in the conditions of women's lives. Tensions between romance and realism enabled women writers to question official versions of reality and to measure life against a romance ideal. By altering readers' perceptions and judgments, these authors gradually altered the reality that novels "resemble" and set up new combinations of romance and realism for future writers. This give-and-take between fiction and life is seen most dramatically in the way a "romantic" notion gradually comes to be treated in novels as both "real" and right. Ross follows one such notion—that women have matrimonial preferences—to the point where romance and reality merge. Ross's study brings to light an important part of the history of the novel not yet incorporated in theories and histories of the genre.
Author: Whitney Phillips Publisher: John Wiley & Sons ISBN: 1509501304 Category : Computers Languages : en Pages : 240
Book Description
This book explores the weird and mean and in-between that characterize everyday expression online, from absurdist photoshops to antagonistic Twitter hashtags to deceptive identity play. Whitney Phillips and Ryan M. Milner focus especially on the ambivalence of this expression: the fact that it is too unwieldy, too variable across cases, to be essentialized as old or new, vernacular or institutional, generative or destructive. Online expression is, instead, all of the above. This ambivalence, the authors argue, hinges on available digital tools. That said, there is nothing unexpected or surprising about even the strangest online behavior. Ours is a brave new world, and there is nothing new under the sun – a point necessary to understanding not just that online spaces are rife with oddity, mischief, and antagonism, but why these behaviors matter. The Ambivalent Internet is essential reading for students and scholars of digital media and related fields across the humanities, as well as anyone interested in mediated culture and expression.
Author: Rohan Maitzen Publisher: Broadview Press ISBN: 1460404270 Category : Literary Criticism Languages : en Pages : 345
Book Description
The Victorian Art of Fiction presents important Victorian statements on the form and function of fiction. The essays in this anthology address questions of genre, such as realism and sensationalism; questions of gender and authorship; questions of form, such as characterization, plot construction, and narration; and questions about the morality of fiction. The editor discusses where Victorian writing on the novel has been placed in accounts of the history of criticism and then suggests some reasons for reconsidering this conventional evaluation. Among the featured essayists and critics are John Ruskin, Walter Bagehot, George Henry Lewes, Leslie Stephen, Anthony Trollope, and Robert Louis Stevenson; the classic essays include George Eliot’s “Silly Novels by Lady Novelists” and Henry James’s “The Art of Fiction.”
Author: Publisher: ISBN: Category : Languages : en Pages : 660
Book Description
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
Author: Johann Wolfgang von Goethe Publisher: Good Press ISBN: Category : Religion Languages : en Pages : 20250
Book Description
The anthology '50 Christian Books: Scripture, History, Theology, Spirituality and Fiction' represents an unprecedented assembly of philosophical, theological, and literary genius spanning centuries of Christian thought and storytelling. It binds together an eclectic mixture of genresfrom theological treatises and spiritual autobiographies to allegorical fiction and philosophical discourse. The diversity present within this collection allows for a comprehensive exploration of Christian ideals, ethics, and spiritual struggles. Among these pages, readers will find seminal works that have shaped Christian thought and influenced global literary movements, providing insights into the perennial questions of faith, good and evil, and human destiny. The contributing authors and editors, ranging from early church fathers like Saint Augustine and Gregory of Nyssa to Renaissance luminaries such as John Milton, up to modern philosophers like Friedrich Nietzsche and G.K. Chesterton, embody a wide spectrum of theological, philosophical, and cultural perspectives. This diversity reflects the anthology's commitment to displaying the rich tapestry of Christian literature, encompassing various epochs, cultures, and doctrinal viewpoints. Their collective works chart the development of Christian theology and philosophy, engage with the socio-political challenges of their times, and continue to provoke thoughtful reflection on moral and spiritual questions today. This collection is essential reading for anyone interested in the depth and diversity of Christian literary tradition. It offers readers the unique opportunity to engage with a myriad of perspectives and voices, all united by the theme of exploring the Christian faith but varied in their approaches and conclusions. Whether one approaches these works with scholarly intent, spiritual seeking, or mere curiosity about the influence of Christianity on world literature, there is much to be gleaned from the dialogue these texts provoke. '50 Christian Books' invites a journey through history, thought, and beliefa journey well worth taking for the richness of its scenery and the company of its guides.
Author: Didier Maleuvre Publisher: Bloomsbury Publishing USA ISBN: 1501353861 Category : Literary Criticism Languages : en Pages : 264
Book Description
What made art modern? What is modern art? The Legends of the Modern demystifies the ideas and "legends" that have shaped our appreciation of modern art and literature. Beginning with an examination of the early modern artists Shakespeare, Michelangelo, and Cervantes, Didier Maleuvre demonstrates how many of the foundational works of modern culture were born not from the legendry of expressive freedom, originality, creativity, subversion, or spiritual profundity but out of unease with these ideas. This ambivalence toward the modern has lain at the heart of artistic modernity from the late Renaissance onward, and the arts have since then shown both exhilaration and disappointment with their own creative power. The Legends of the Modern lays bare the many contradictions that pull at the fabric of modernity and demonstrates that modern art's dissatisfaction with modernity is in fact a vital facet of this cultural period.
Author: Patrick Scolyer-Gray
Author: Patrick Scolyer-Gray
Author: Deborah L. Ross
Author: Patrick Scolyer-Gray
Author: Whitney Phillips![The London encyclopaedia, or, Universal dictionary of science, art, literature, and practical mechanics, by the orig. ed. of the Encyclopaedia metropolitana [T. Curtis]. PDF](https://books.google.com/books/content/images/frontcover/ShfarehdjokC?fife=w80-h100)
Author: Thomas Curtis (of Grove house sch, Islington)
Author: Rohan Maitzen
Author: 
Author: 
Author: Johann Wolfgang von Goethe
Author: Didier Maleuvre