Artistic Practices and Cultural Transfer in Early Modern Italy PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Artistic Practices and Cultural Transfer in Early Modern Italy PDF full book. Access full book title Artistic Practices and Cultural Transfer in Early Modern Italy by Allison Sherman. Download full books in PDF and EPUB format.
Author: Allison Sherman Publisher: Routledge ISBN: 1351575252 Category : Art Languages : en Pages : 330
Book Description
For too long, the ?centre? of the Renaissance has been considered to be Rome and the art produced in, or inspired by it. This collection of essays dedicated to Deborah Howard brings together an impressive group of internationally recognised scholars of art and architecture to showcase both the diversity within and the porosity between the ?centre? and ?periphery? in Renaissance art. Without abandoning Rome, but together with other centres of art production, the essays both shift their focus away from conventional categories and bring together recent trends in Renaissance studies, notably a focus on cultural contact, material culture and historiography. They explore the material mechanisms for the transmission and evolution of ideas, artistic training and networks, as well as the dynamics of collaboration and exchange between artists, theorists and patrons. The chapters, each with a wealth of groundbreaking research and previously unpublished documentary evidence, as well as innovative methodologies, reinterpret Italian art relating to canonical sites and artists such as Michelangelo, Titian, Tintoretto, Veronese, and Sebastiano del Piombo, in addition to showcasing the work of several hitherto neglected architects, painters, and an inimitable engineer-inventor.
Author: Allison Sherman Publisher: Routledge ISBN: 1351575252 Category : Art Languages : en Pages : 330
Book Description
For too long, the ?centre? of the Renaissance has been considered to be Rome and the art produced in, or inspired by it. This collection of essays dedicated to Deborah Howard brings together an impressive group of internationally recognised scholars of art and architecture to showcase both the diversity within and the porosity between the ?centre? and ?periphery? in Renaissance art. Without abandoning Rome, but together with other centres of art production, the essays both shift their focus away from conventional categories and bring together recent trends in Renaissance studies, notably a focus on cultural contact, material culture and historiography. They explore the material mechanisms for the transmission and evolution of ideas, artistic training and networks, as well as the dynamics of collaboration and exchange between artists, theorists and patrons. The chapters, each with a wealth of groundbreaking research and previously unpublished documentary evidence, as well as innovative methodologies, reinterpret Italian art relating to canonical sites and artists such as Michelangelo, Titian, Tintoretto, Veronese, and Sebastiano del Piombo, in addition to showcasing the work of several hitherto neglected architects, painters, and an inimitable engineer-inventor.
Author: Allison Sherman Publisher: Routledge ISBN: 1351575260 Category : Art Languages : en Pages : 337
Book Description
For too long, the ?centre? of the Renaissance has been considered to be Rome and the art produced in, or inspired by it. This collection of essays dedicated to Deborah Howard brings together an impressive group of internationally recognised scholars of art and architecture to showcase both the diversity within and the porosity between the ?centre? and ?periphery? in Renaissance art. Without abandoning Rome, but together with other centres of art production, the essays both shift their focus away from conventional categories and bring together recent trends in Renaissance studies, notably a focus on cultural contact, material culture and historiography. They explore the material mechanisms for the transmission and evolution of ideas, artistic training and networks, as well as the dynamics of collaboration and exchange between artists, theorists and patrons. The chapters, each with a wealth of groundbreaking research and previously unpublished documentary evidence, as well as innovative methodologies, reinterpret Italian art relating to canonical sites and artists such as Michelangelo, Titian, Tintoretto, Veronese, and Sebastiano del Piombo, in addition to showcasing the work of several hitherto neglected architects, painters, and an inimitable engineer-inventor.
Author: Erin J. Campbell Publisher: Routledge ISBN: 131708604X Category : Art Languages : en Pages : 266
Book Description
Though portraits of old women mediate cultural preoccupations just as effectively as those of younger women, the scant published research on images of older women belies their significance within early modern Italy. This study examines the remarkable flowering, largely overlooked in portraiture scholarship to date, of portraits of old women in Northern Italy and especially Bologna during the second half of the sixteenth century, when, as a result of religious reform, the lives of women and the family came under increasing scrutiny. Old Women and Art in the Early Modern Italian Domestic Interior draws on a wide range of primary visual sources, including portraits, religious images, architectural views, prints and drawings, as well as extant palazzi and case, furnishings, and domestic objects created by the leading artists in Bologna, including Lavinia Fontana, Bartolomeo Passerotti, Denys Calvaert, and the Carracci. The study also draws on an array of historical sources - including sixteenth-century theories of portraiture, prescriptive writings on women and the family, philosophical and practical treatises on the home economy, sumptuary legislation, books of secrets, prescriptive writings on old age, and household inventories - to provide new historical perspectives on the domestic life of the propertied classes in Bologna during the period. Author Erin Campbell contends that these images of unidentified women are not only crucial to our understanding of the cultural operations of art within the early modern world, but also, by working from the margins to revise the center, provide an opportunity to present new conceptual frameworks and question our assumptions about old age, portraiture, and the domestic interior.
Author: Hubertus Fischer Publisher: Birkhäuser ISBN: 3319263420 Category : Mathematics Languages : en Pages : 369
Book Description
This volume focuses on the outstanding contributions made by botany and the mathematical sciences to the genesis and development of early modern garden art and garden culture. The many facets of the mathematical sciences and botany point to the increasingly “scientific” approach that was being adopted in and applied to garden art and garden culture in the early modern period. This development was deeply embedded in the philosophical, religious, political, cultural and social contexts, running parallel to the beginning of processes of scientization so characteristic for modern European history. This volume strikingly shows how these various developments are intertwined in gardens for various purposes.
Author: Joan-Lluis Palos Publisher: Taylor & Francis ISBN: 1317200446 Category : History Languages : en Pages : 292
Book Description
Toward the end of the fifteenth century, the Habsburg family began to rely on dynastic marriage to unite an array of territories, eventually creating an empire as had not been seen in Europe since the Romans. Other European rulers followed the Habsburgs' lead in forging ties through dynastic marriages. Because of these marriages, many more aristocrats (especially women) left their homelands to reside elsewhere. Until now, historians have viewed these unions from a primarily political viewpoint and have paid scant attention to the personal dimensions of these relocations. Separated from their family and thrust into a strange new land in which language, attire, religion, food, and cultural practices were often different, these young aristocrats were forced to conform to new customs or adapt their own customs to a new cultural setting. Early Modern Dynastic Marriages and Cultural Transfer examines these marriages as important agents of cultural transfer, emphasizing how marriages could lead to the creation of a cosmopolitan culture, common to the elites of Europe. These essays focus on the personal and domestic dimensions of early modern European court life, examining such areas as women's devotional practices, fashion, patronage, and culinary traditions.
Author: Sandra Cavallo Publisher: Manchester University Press ISBN: 9780719076626 Category : Art Languages : en Pages : 306
Book Description
This groundbreaking study explores the role of those involved in various aspects of the care, comfort, and appearance of the body in 17th and early 18th century Italy. It brings to light the strong cultural affinities and social ties between barber, surgeons, and the apparently distant trades of jeweler, tailor, wigmaker, and upholsterer. Drawing on contemporary understandings of the body, the author shows that shared concerns about health and wellbeing permeated the professional cultures of these medical and non-medical occupations. At the same time, the detailed analysis of the life-course, career patterns, and family experience of "artisans of the body" offers unprecedented insight into the world of the urban middling sorts.
Author: Katherine A. McIver Publisher: Routledge ISBN: 1351872478 Category : Art Languages : en Pages : 270
Book Description
Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patronage of the arts, which afforded them some visibility. Invisibility is also examined in terms of commissions which are no longer extant or are inaccessible. What is revealed throughout the essays is a new way of looking at works of art, a new way to visualize the past by addressing representational invisibility, the marginalized or absent subject or object and historical (in)visibility to discover who does the 'looking,' and how this shapes how something or someone is visible or invisible. The result is a more nuanced understanding of the place of women and gender in early modern Italy.
Author: Leah R. Clark Publisher: Cambridge University Press ISBN: 1009276204 Category : Art Languages : en Pages : 745
Book Description
In Courtly Mediators, Leah R. Clark investigates the exchange of a range of materials and objects, including metalware, ceramic drug jars, Chinese porcelain, and aromatics, across the early modern Italian, Mamluk, and Ottoman courts. She provides a new narrative that places Aragonese Naples at the center of an international courtly culture, where cosmopolitanism and the transcultural flourished, and in which artists, ambassadors, and luxury goods actively participated. By articulating how and why transcultural objects were exchanged, displayed, copied, and framed, she provides a new methodological framework that transforms our understanding of the Italian Renaissance court. Clark's volume provides a multi-sensorial, innovative reading of Italian Renaissance art. It demonstrates that the early modern culture of collecting was more than a humanistic enterprise associated with the European roots of the Renaissance. Rather, it was sustained by interactions with global material cultures from the Islamic world and beyond.
Author: Carolyn Valone Publisher: ISBN: 9781599103068 Category : Art Languages : en Pages : 378
Book Description
"Sixteen essays by an international group of scholars that examine the role of noble women as patrons of architecture and music in early modern Italy and that explore the behavior of woman art patrons and artists involved in the creation of art and architecture"--
Author: Allison Sherman
Author: Allison Sherman
Author: Allison Sherman
Author: Erin J. Campbell
Author: Hubertus Fischer
Author: Joan-Lluis Palos
Author: Sandra Cavallo
Author: Katherine A. McIver
Author: Leah R. Clark
Author: Carolyn Valone
Author: Patricia Rocco