Arthur Foote, 1853-1937 PDF Download

Author: Arthur William Foote
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Arthur Foote
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184

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Author: Arthur Foote
Publisher:
ISBN: 9781258838638
Category :
Languages : en
Pages : 138

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Book Description
This is a new release of the original 1946 edition.

Author: Arthur Foote
Publisher:
ISBN: 9781436709316
Category :
Languages : en
Pages : 140

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Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Author: Wilma Reid Cipolla
Publisher: Detroit : Published for the College Music Society by Information Coordinators
ISBN: 9780899900001
Category : Music
Languages : en
Pages : 193

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Author: Boston Public Library. Music Department
Publisher:
ISBN:
Category : Scrapbooks
Languages : en
Pages :

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Author: Nicholas E. Tawa
Publisher: Scarecrow Press
ISBN: 9780810832954
Category : Biography & Autobiography
Languages : en
Pages : 518

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Book Description
Gathers all the available information on Arthur Foote (1853-1937), one of the most important American composers who worked creatively in the late 19th and early 20th centuries. With bibliography and musical examples.

Author: Matthew Hoch
Publisher: Rowman & Littlefield
ISBN: 1538116073
Category : Music
Languages : en
Pages : 413

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Book Description
In a profession that is dominated by male composers, SYWTS Music by Women serves as a compendium for singers and teaches of singing who wish to explore the vast repertoire of women written by women, cutting across a wide array of styles and genres. Hoch and Lister highlight the key composers and provide tips and tools for programming their music.

Author: Bill F. Faucett
Publisher: Lexington Books
ISBN: 1498537391
Category : Music
Languages : en
Pages : 295

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Book Description
Music in Boston: Composers, Events, and Ideas, 1852–1918 is a history of the city’s classical-music culture in the period that begins a decade before the American Civil War and extends to the close of the Great War. The book provides insights into the intellectual foundation of Boston's musical development as revealed in the writings of its significant critics and thinkers, including John Sullivan Dwight, John Knowles Paine, William Foster Apthorp, and others. It also examines the influence of outsiders—Patrick Gilmore, Theodore Thomas, Richard Wagner, New York’s Metropolitan Opera, and Richard Strauss—on Boston’s performance and composition scene while also considering events that affected music in Boston, such as the building of the Music Hall, the acquisition of its Great Organ, the National Peace Jubilee, Chicago’s Columbian Exposition, Boston’s first Wagner Festival, and the rise and fall of the Boston Opera Company. Music in Boston also accounts for the ascent of the Second New England School of composers—John Knowles Paine, Edward MacDowell, George Whitefield Chadwick, Amy Beach and others—and discusses their key compositions and legacy. Finally, the book explores Boston itself: its transformations via immigration, its ever-changing topography, and its economy.

Author: David F. Burg
Publisher: University Press of Kentucky
ISBN: 0813184681
Category : History
Languages : en
Pages : 449

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Book Description
In 1893, the year that marked the four hundredth anniversary of the landing of Columbus in the New World, Chicago was host to an exposition to mark the occasion. Although the World's Columbian Exposition was the fifteenth world's fair, it was of vastly greater scope than any of its predecessors. Chicago created a veritable new city. It was not only larger than any previous exposition but also more elaborately designed, more precisely laid out, more fully realized, and more prophetic. It was the first exposition truly to solicit the participation of the entire world. In this study of the White City, David F. Burg shows America at a crossroads in its development. It was in the process of moving from a largely agricultural society to a predominately urban and industrial one. The exposition was an index of American values, achievements, and expectation in this era of profound and complex change. The exposition was an achievement of cooperative endeavor and expertise. It demonstrated that both artistic capacity and technology were available to transform, in agreeable combination, burgeoning industrial cities into well-designed centers of business, culture, and community. Burg places his discussion in the context of the United States and Chicago during the early 1890s. Besides dealing with the multifaceted fair itself—its architecture, artworks, music, technological achievements—he discusses the congresses that were held on a variety of subjects, two of the most significant being the Congresses of Women and the World's Parliament of Religions. In the exposition's theme was the potential of fashioning the Kingdom of God on earth in contrast to the chaotic, dirty, industrial cities of the time. Burg finds in the exposition a significant legacy to architecture, city planning, and civic organization. Its most promising aftereffect occurred in the City Beautiful movement; its influence extended also to such ordinary concerns as well-lighted streets, efficient waste disposal, and honest government.