Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Folksonomies PDF full book. Access full book title Folksonomies by Concha SÁEZ DEL ÁLAMO. Download full books in PDF and EPUB format.
Author: Concha SÁEZ DEL ÁLAMO Publisher: Ediciones Universidad de Salamanca ISBN: 8490128413 Category : Art Languages : en Pages : 162
Book Description
The current publication, entitled Folksonomies, sets out the contents of a selection of works I have done lately and it recounts its exhibit walkthrough, organized on the basis of two individual projects which run parallel throughout 2016. One of them relates to the works arising from my interest in Big Data and which is composed of different accounts with works in painting, mural installation and drawing. It is the project I have called Sombras_Big_Dat@. The second Project is about my activity around engraving, silk screen printing and digital printing which I have named 32 bits_memoria_grafica. The book is thus structured in two parts, starting with the Sombras_Big_Dat@ project and specifically, its showing at the Salamanca Museum, as I have shown here the set of works which comprise the project in the best conditions of space and illumination, which afforded us to collect some interesting photographic scenes on site and views of works which render quite an accurate idea of the jobs I have done. The second part of this publication documents the exhibition called 32_bits_memoria_grafica, with works in engraving and printed work. Throughout my career, creating projects with these means has been and still is crucial: not only does it complement the creative activity I do with other disciplines, but it also provides me with other channels for my thoughts and presentation of ideas. The council of the Arts Engraving Museum chose my project and I was offered a chance to show a walkthrough of several years of activity which I structured on the basis of eight thematic axes: Energies, Presences, Dialogs, Silences, Places and territories, Echos and appearances, Human schemes and Dream landscapes, around which 32 works spin, executed with chalcographic engraving, digital printing and silk screen printing. The set of works grouped in such fashion composed a remarkable atmosphere which contributed to the understanding and tuning in with the works and their crossed meanings.
Author: Concha SÁEZ DEL ÁLAMO Publisher: Ediciones Universidad de Salamanca ISBN: 8490128413 Category : Art Languages : en Pages : 162
Book Description
The current publication, entitled Folksonomies, sets out the contents of a selection of works I have done lately and it recounts its exhibit walkthrough, organized on the basis of two individual projects which run parallel throughout 2016. One of them relates to the works arising from my interest in Big Data and which is composed of different accounts with works in painting, mural installation and drawing. It is the project I have called Sombras_Big_Dat@. The second Project is about my activity around engraving, silk screen printing and digital printing which I have named 32 bits_memoria_grafica. The book is thus structured in two parts, starting with the Sombras_Big_Dat@ project and specifically, its showing at the Salamanca Museum, as I have shown here the set of works which comprise the project in the best conditions of space and illumination, which afforded us to collect some interesting photographic scenes on site and views of works which render quite an accurate idea of the jobs I have done. The second part of this publication documents the exhibition called 32_bits_memoria_grafica, with works in engraving and printed work. Throughout my career, creating projects with these means has been and still is crucial: not only does it complement the creative activity I do with other disciplines, but it also provides me with other channels for my thoughts and presentation of ideas. The council of the Arts Engraving Museum chose my project and I was offered a chance to show a walkthrough of several years of activity which I structured on the basis of eight thematic axes: Energies, Presences, Dialogs, Silences, Places and territories, Echos and appearances, Human schemes and Dream landscapes, around which 32 works spin, executed with chalcographic engraving, digital printing and silk screen printing. The set of works grouped in such fashion composed a remarkable atmosphere which contributed to the understanding and tuning in with the works and their crossed meanings.
Author: Florencia Bazzano-Nelson Publisher: Routledge ISBN: 1351560107 Category : Art Languages : en Pages : 258
Book Description
Visually appealing, conceptually startling, and intellectually engaging-these phrases aptly describe the art of Liliana Porter. Florencia Bazzano-Nelson's study focuses on the principal theme in the Argentine-born artist's work since the 1970s: her playful but subversive dismantling of the limits that separate everyday reality from the world of illusion and simulacra. Over the years, Porter's own evolving interest in perception lead the author to explore a series of interconnected and timely issues in her artistic production, such as the representative function of art, the structural links between art and language, and the witty re-signification of the art-historical images and mass-produced kitsch figurines she has so often featured in her art. Strongly founded in critical theory, Bazzano-Nelson's approach considers Porter's art as the site of conceptually exciting dialogues with Jorge Luis Borges, Ren?agritte, Michel Foucault, and Jean Baudrillard. Her carefully crafted interdisciplinary analysis not only combines art-historical, literary, and theoretical perspectives but also addresses the artist's work in different media, such as printmaking, conceptual art, photography, and film.
Author: Elena Shtromberg Publisher: Getty Publications ISBN: 1606067923 Category : Art Languages : en Pages : 290
Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
Book Description
Directory to over 500 public and private collections of pictorial documents created and preserved in the United Mexican States. "Exemplary....The type is large and clear, and the page well designed for maximal legibility. Even the quality of paper, binding, and case deserves praise. An eminently respectable addition to art collections with photographic interests." --CHOICE "...marvelously intelligent guide....beautiful reproductions of some especially interesting photos....a must..." --THE AMERICAS
Author: Publisher: ISBN: Category : Art, Cuban Languages : en Pages : 160
Book Description
An exhibition of 26 contemporary Cuban artists such as Agustín Bejarano, Belkis Ayón, Eduardo Roca Choco, Flora Fong, Alexis Leyva Kcho, Eduardo Ponjuán, Roberto Fabelo, Los Carpinteros, Roberto Diago, Zaida del Río and others reflect in their artistic creations the plurality in art in Cuba and the country's introduction into the comercial art world. The exhibition curated by Juan Delgado, was part of the cultural events of the Festival Internacional de Música held in Morelia, Michoacán, a music event dedicated to Cuba.
Author: Alejandro Anreus Publisher: John Wiley & Sons ISBN: 1118475410 Category : Art Languages : en Pages : 612
Book Description
In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.
Author: Concha SÁEZ DEL ÁLAMO
Author: Concha SÁEZ DEL ÁLAMO
Author: Rómulo Moya Peralta
Author: Museum of Modern Art (New York, N.Y.)
Author: Florencia Bazzano-Nelson
Author: 
Author: Elena Shtromberg
Author: Martha Davidson
Author: 
Author: Alejandro Anreus
Author: Steve Shipp