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Author: Francesca Billiani Publisher: Bloomsbury Publishing ISBN: 1788317580 Category : Political Science Languages : en Pages : 257
Book Description
Between 1917 to 1975 Germany, Italy, Portugal, the Soviet Union, and Spain shifted from liberal parliamentary democracies to authoritarian and totalitarian dictatorships, seeking total control, mass consensus, and the constitution of a 'new man/woman' as the foundation of a modern collective social identity. As they did so these regimes uniformly adopted what we would call a modernist aesthetic – huge-scale experiments in modernism were funded and supported by fascist and totalitarian dictators. Famous examples include Mussolini's New Rome at EUR, or the Stalinist apartment blocks built in urban Russia. Focusing largely on Mussolini's Italy, Francesca Billiani argues that modernity was intertwined irrecoverably with fascism – that too often modernist buildings, art and writings are seen as a purely cultural output, when in fact the principles of modernist aesthetics constitute and are constituted by the principles of fascism. The obsession with the creation of the 'new man' in art and in reality shows this synergy at work. This book is a key contribution to the field of twentieth century history – particularly in the study of fascism, while also appealing to students of art history and philosophy.
Author: Francesca Billiani Publisher: Bloomsbury Publishing ISBN: 1788317580 Category : Political Science Languages : en Pages : 257
Book Description
Between 1917 to 1975 Germany, Italy, Portugal, the Soviet Union, and Spain shifted from liberal parliamentary democracies to authoritarian and totalitarian dictatorships, seeking total control, mass consensus, and the constitution of a 'new man/woman' as the foundation of a modern collective social identity. As they did so these regimes uniformly adopted what we would call a modernist aesthetic – huge-scale experiments in modernism were funded and supported by fascist and totalitarian dictators. Famous examples include Mussolini's New Rome at EUR, or the Stalinist apartment blocks built in urban Russia. Focusing largely on Mussolini's Italy, Francesca Billiani argues that modernity was intertwined irrecoverably with fascism – that too often modernist buildings, art and writings are seen as a purely cultural output, when in fact the principles of modernist aesthetics constitute and are constituted by the principles of fascism. The obsession with the creation of the 'new man' in art and in reality shows this synergy at work. This book is a key contribution to the field of twentieth century history – particularly in the study of fascism, while also appealing to students of art history and philosophy.
Author: Dario Gentili Publisher: Taylor & Francis ISBN: 1040129935 Category : Political Science Languages : en Pages : 227
Book Description
This book marks a missed encounter between two of the most influential Marxist thinkers of our age, Walter Benjamin and Antonio Gramsci, studied here for the first time side by side. Benjamin and Gramsci were contemporaries, whose births and deaths took place within a few years of each other in Western Europe in the first half of the twentieth century. Two Marxists sui generis, they radically changed Marxism’s themes and vocabulary, profoundly influencing the most significant analyses and debates. At a time in which Marxism was considered to be outdated and in crisis, both Gramsci’s and Benjamin’s thoughts provided resources for its renewal: particularly in postcolonial studies for Gramsci and in new media studies for Benjamin. Both were victims of fascism, on the threshold of the catastrophe of the Second World War. These two philosophers’ posthumous fortune depended on the transmission of their thought, which was first entrusted to friends and comrades, and then to entire generations of scholars from a wide range of disciplines. Editors, Dario Gentili, Elettra Stimilli, and Gabriele Guerra explore with leading voices on Benjamin and Gramsci the most relevant and topical issues today. The book gives an indispensable new perspective in Marxism for students and researchers alike.
Author: Ernest Ialongo Publisher: Rowman & Littlefield ISBN: 1611477573 Category : Biography & Autobiography Languages : en Pages : 344
Book Description
Filippo Tommaso Marinetti: The Artist and His Politics explores the politics of the leader of the Futurist art movement. Emerging in Italy in 1909, Futurism sought to propel Italy into the modern world, and is famously known for outlandish claims to want to destroy museums and libraries in order to speed this transition. Futurism, however, also had a much darker political side. It glorified war as the solution to many of Italy’s ills, and was closely tied to the Fascist Regime. In this book, Ialongo focuses on Marinetti as the chief determinant of Futurist politics and explores how a seemingly revolutionary art movement, at one point having some support among revolutionary left-wing movements in Italy, could eventually become so intimately tied to the repressive Fascist regime. Ialongo traces Marinetti’s politics from before the foundation of Futurism, through the Great War, and then throughout the twenty-year Fascist dictatorship, using a wide range of published and unpublished sources. Futurist politics are presented within the wider context of developments in Italy and Europe, and Ialongo further highlights how Marinetti’s political choices influenced the art of his movement.
Author: Fulvio Conti Publisher: Taylor & Francis ISBN: 1000812766 Category : History Languages : en Pages : 304
Book Description
This book shows how Dante Alighieri has been represented in the Italian collective imagination from the late eighteenth century to the present day. Often held to be a precursor of Italian unity, the author of the Divine Comedy has been put forward both as a standard-bearer of a secular, anti-clerical Italy and the embodiment of the concept of a deeply religious and Catholic nation; while he was later adopted by nationalist and fascists as well as a pop icon in the age of the internet and globalization. The book describes this long and fascinating history from a completely original point of view: the centuries-old myth of Dante is analysed from the perspective of cultural history. The sources employed include Dante commemorations, festivals and monuments, pilgrimages to his tomb, films and other media productions about Dante, as well as comic strips, advertisements and other cultural items dedicated to him.
Author: Günter Berghaus Publisher: Berghahn Books ISBN: 9781571819017 Category : Art and society Languages : en Pages : 340
Book Description
Since the 1920s, an endless flow of studies has analyzed the political systems of fascism, theseizure of power, the nature of the regimes, the atrocities committed, and, finally, the wars waged against other countries. However, much less attention has been paid to the strategies of persuasion employed by the regimes to win over the masses for their cause. Among these, fascist propaganda has traditionally been seen as the key means of influencing public opinion. Only recently has the "fascination with Fascism" become a topic of enquiry that has also formed the guiding interest of this volume: it offers, for the first time, a comparative analysis of the forms and functions of theater in countries governed by fascist or para-fascist regimes. By examining a wide spectrum of theatrical manifestations in a number of States with a varying degree of fascistization, these studies establish some of the similarities and differences between the theatrical cultures of several cultures in the interwar period.
Author: Francesca Billiani
Author: Francesca Billiani
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Author: Dario Gentili
Author: Ernest Ialongo
Author: Fulvio Conti
Author: Günter Berghaus
Author: Iva Glisic
Author: Meyer E. Dacosta
Author: Carla Amadio