Arte desde los setenta: Prácticas en lo político PDF Download

Author: Yayo Aznar Almazán
Publisher: Editorial Centro de Estudios Ramon Areces SA
ISBN: 8499613314
Category : Art
Languages : es
Pages : 241

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Book Description
Libro de texto para la asignatura Últimas tendencias del arte de la UNED.

Author: Jordi Claramonte
Publisher: Editorial Nerea
ISBN: 8415042205
Category : Art
Languages : es
Pages : 243

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Book Description
En la última década del siglo XX y aprovechando el poso de movimientos tan diversos como la Internacional Situacionista, los provos, el punk o la antiglobalización, se ha generado una red relativamente amplia de prácticas artísticas social y políticamente articuladas. Prácticas que se podrían caracterizar por el cuidado que ponen en la contextualización productiva y política de su trabajo y que por ello mismo suelen exceder el marco de concepción, producción y distribución acotado para el arte en la alta cultura moderna. Arte de contexto ofrece un repaso por la historia más reciente y cercana de estas prácticas artísticas, que parten de constatar la quiebra de la representación para considerar juntamente acción directa y formalización artística, casi siempre en contextos altamente polémicos. Mediante los conceptos de "lo táctico, lo estratégico y lo operacional", e introduciendo además nociones procedentes de la reciente estética modal, se da cuenta de los terrenos en que confluyen y se confrontan las formas artísticas y las formas de organizar la sensibilidad y la vida de cada individuo.

Author: Francisco Gonzalez Castro
Publisher: Independently Published
ISBN:
Category :
Languages : es
Pages : 0

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Book Description
El libro consta de tres partes. La primera, titulada "El Arte como herramienta del capitalismo", analiza cómo el Arte, en su paradigma moderno, es parte integral del sistema capitalista, al tiempo que se marca la diferencia entre el Arte y las prácticas artísticas. La segunda parte, "Lo artístico contra el Arte y la Enfermedad Mental", postula como el Arte ha restado la capacidad creadora de los colectivos, y como el concepto de Enfermedad Mental ha sustraído la posibilidad de autocreación de los individuos. La última parte, "La práctica político-artística y sus efectos", instala el concepto de lo político-artístico como un campo diferente del que proponen las relaciones tradicionales entre el Arte y la Política, posicionando los efectos político-artísticos como su mayor potencia. En estas páginas, se podrá encontrar con variados personajes, autores, artistas y anónimos de la precariedad académica, desde Tom Bombadil hasta un gran bagaje de la teoría anarquista (en un espectro que cubre de Bakunin a Aragorn!), acompañados por los protagonistas de True Detective, dialogando todos en un esfuerzo que no sólo funciona cuando sale de la academia, sino que la interpela. Y es que, cuando decide quedarse en sus confines, también apuesta por una vía diferente desde la transdisciplinareidad. Se pasa así del post-estructuralismo francés a la biología y las neurociencias (Sapolsky es, por ejemplo, uno de los autores medulares de este trabajo) y se retorna (eterno retorno) a la confianza y complicidad con el maestro/amigo que le resulta Nietzsche. Se trata, pues, de una gran y variada caja de herramientas, con una apuesta clara y una posibilidad de articulación de potencias que se delata urgente. Del prólogo Sobre el sistema del Arte y la(s) potencia(s). A modo de prólogo, por Alberto Pacheco Benites.

Author: Julián Díaz Sánchez
Publisher:
ISBN: 9788483194751
Category : Juvenile Nonfiction
Languages : es
Pages : 128

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Author: Rosa Queralt
Publisher:
ISBN: 9788480262743
Category : Crafts & Hobbies
Languages : es
Pages : 191

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Author: Olivier Debroise
Publisher: UNAM
ISBN: 9789703238293
Category : Art
Languages : en
Pages : 482

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Book Description
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.

Author: Mara Polgovsky Ezcurra
Publisher: Rutgers University Press
ISBN: 1978802048
Category : Art
Languages : en
Pages : 291

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Book Description
Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize​ Winner of the 2019 Art Journal Prize from the College Art Association What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.

Author: Alejandro Anreus
Publisher: John Wiley & Sons
ISBN: 1118475410
Category : Art
Languages : en
Pages : 612

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Book Description
In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.

Author: Jon Secada
Publisher: Penguin
ISBN: 0698154487
Category : Biography & Autobiography
Languages : en
Pages : 240

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Book Description
As one of the first successful Latin crossover artists, Jon Secada dominated the pop music charts in the early 90s, releasing hits such as Just Another Day and Angel and winning multiple Grammy Awards. As a Cuban refuge, Jon understands that life is about starting anew and embracing opportunities, something he never lost sight of while achieving his dream of being a performer and while building new dreams when life took unexpected turns. In his debut book, Jon shares the lessons he learned that made him the resilient person he is today. His moving message reaffirms that wisdom and strength comes from constantly reinventing yourself and finding what you’re made of through doubt and hardships, growing from adversity, and having faith in A New Day.

Author: Katy Deepwell
Publisher: Universitat de València
ISBN: 9788437616322
Category : Social Science
Languages : en
Pages : 348

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Book Description
The artist, the critic and the academic: feminism's problematic relationship with 'Theory'/ Janet Wolff -- Preaching to the converted? Feminist art publishing in the 1980s / Frances Borzello -- The sphinx contemplating Napoleon : black women artists in Britain / Gilane Tawadros -- Reading between the lines: the imprinted spaces of Sutapa Biswas / Moira Roth -- Modernism, art education and sexual difference /Pen Dalton -- Eyewitnesses, not spectators/activists, not academics: feminist pedagogy and women's creativity / Val A. Walsh -- Exhibiting strategies / Debbie Duffin -- The situation of women curators / Elizabeth A. MacGregor -- Afterthoughts on curating 'The subversive stitch' / Pennina Barnett -- The cult of the individual / Fran Cottell -- On women dealers in the art world / Maureen Paley -- Where do we draw the line? An investigation into the censorship of art / Anna Douglas --Women's movements: feminism, censorship and performance art / Sally Dawson -- Why have there been no great women pornagraphers? / Naomi Salaman -- Just jamming: Irigaray, painting and psychoanalysis / Christine Battersby -- Border crossing: womanliness, body, repre-sentation / Hilary Robinson -- (P)age 49: on the subject of history / Mary Kelly -- Models of painting practice: too much body? / Joan Key --Text and textiles: weaving across the borderlines / Janis Jefferies --Kinda art, sorta tapestry ... / Ann Newdigate -- Sewn constructions / Dinah Prentice -- Penelope and the unravelling of history / Ruth Scheuing.