Author: Trevor Harris
Publisher: Cambridge Scholars Publishing
ISBN: 1443815667
Category : History
Languages : en
Pages : 155
Book Description
The oldest word in politics is “new”. The oldest word in the writing of history may well be “modern”: it is, without doubt, one of the most overworked adjectives in the English language. But the indeterminacy is perhaps just another way of saying that the difficulties raised are of a kind which simply will not go away… This collection of eight essays on aspects of modernity and modernism takes up the challenge of examining the complex, but fascinating convergence of aesthetics, politics and a quasi-spiritual dimension which is perhaps typical of British modernist thinking about modernity. This may have produced figures whom we now dismiss as eccentrics or “aesthetes”, it none the less produced figures whom many still think of as in some sense embodying the national identity: what, after all, could be more “English” than a William Morris wallpaper design? Rather than towards socialism in any of its “scientific” guises, what the British modernist approach to modernity may have been pushing at was yet another mutation of liberalism: a libertarian-humanitarian hybrid in which indigenous radical and Evangelical legacies keep scientific socialism in check, where fellowship and domesticity edge out a larger-scale, more abstract “fraternity”, and where citoyenneté or civisme give way to what George Orwell was later to define simply as “decency”.
Art, Politics and Society in Britain (1880-1914)
Author: Trevor Harris
Publisher: Cambridge Scholars Publishing
ISBN: 1443815667
Category : History
Languages : en
Pages : 155
Book Description
The oldest word in politics is “new”. The oldest word in the writing of history may well be “modern”: it is, without doubt, one of the most overworked adjectives in the English language. But the indeterminacy is perhaps just another way of saying that the difficulties raised are of a kind which simply will not go away… This collection of eight essays on aspects of modernity and modernism takes up the challenge of examining the complex, but fascinating convergence of aesthetics, politics and a quasi-spiritual dimension which is perhaps typical of British modernist thinking about modernity. This may have produced figures whom we now dismiss as eccentrics or “aesthetes”, it none the less produced figures whom many still think of as in some sense embodying the national identity: what, after all, could be more “English” than a William Morris wallpaper design? Rather than towards socialism in any of its “scientific” guises, what the British modernist approach to modernity may have been pushing at was yet another mutation of liberalism: a libertarian-humanitarian hybrid in which indigenous radical and Evangelical legacies keep scientific socialism in check, where fellowship and domesticity edge out a larger-scale, more abstract “fraternity”, and where citoyenneté or civisme give way to what George Orwell was later to define simply as “decency”.
Publisher: Cambridge Scholars Publishing
ISBN: 1443815667
Category : History
Languages : en
Pages : 155
Book Description
The oldest word in politics is “new”. The oldest word in the writing of history may well be “modern”: it is, without doubt, one of the most overworked adjectives in the English language. But the indeterminacy is perhaps just another way of saying that the difficulties raised are of a kind which simply will not go away… This collection of eight essays on aspects of modernity and modernism takes up the challenge of examining the complex, but fascinating convergence of aesthetics, politics and a quasi-spiritual dimension which is perhaps typical of British modernist thinking about modernity. This may have produced figures whom we now dismiss as eccentrics or “aesthetes”, it none the less produced figures whom many still think of as in some sense embodying the national identity: what, after all, could be more “English” than a William Morris wallpaper design? Rather than towards socialism in any of its “scientific” guises, what the British modernist approach to modernity may have been pushing at was yet another mutation of liberalism: a libertarian-humanitarian hybrid in which indigenous radical and Evangelical legacies keep scientific socialism in check, where fellowship and domesticity edge out a larger-scale, more abstract “fraternity”, and where citoyenneté or civisme give way to what George Orwell was later to define simply as “decency”.
The Age of Decadence
Author: Simon Heffer
Publisher: Simon and Schuster
ISBN: 1643136712
Category : History
Languages : en
Pages : 912
Book Description
A richly detailed history of Britain at its imperial zenith, revealing the simmering tensions and explosive rivalries beneath the opulent surface of the late Victorian and Edwardian eras. The popular memory of Britain in the years before the Great War is of a powerful, contented, orderly, and thriving country. Britain commanded a vast empire: she bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamed of and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence can be seen in Edward Elgar’s Pomp and Circumstance marches, newsreels of George V’s coronation, and London’s great Edwardian palaces. Yet beneath the surface things were very different In The Age of Decadence, Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation’s massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century’s gravest constitutional crisis—and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists’ public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press, and the science fiction of H. G. Wells, but also the nostalgia of A. E. Housman.
Publisher: Simon and Schuster
ISBN: 1643136712
Category : History
Languages : en
Pages : 912
Book Description
A richly detailed history of Britain at its imperial zenith, revealing the simmering tensions and explosive rivalries beneath the opulent surface of the late Victorian and Edwardian eras. The popular memory of Britain in the years before the Great War is of a powerful, contented, orderly, and thriving country. Britain commanded a vast empire: she bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamed of and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence can be seen in Edward Elgar’s Pomp and Circumstance marches, newsreels of George V’s coronation, and London’s great Edwardian palaces. Yet beneath the surface things were very different In The Age of Decadence, Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation’s massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century’s gravest constitutional crisis—and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists’ public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press, and the science fiction of H. G. Wells, but also the nostalgia of A. E. Housman.
High Society
Author: Pamela Horn
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 234
Book Description
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 234
Book Description
Edinburgh Companion to the First World War and the Arts
Author: Ann-Marie Einhaus
Publisher: Edinburgh University Press
ISBN: 1474425720
Category : History
Languages : en
Pages : 480
Book Description
A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present
Publisher: Edinburgh University Press
ISBN: 1474425720
Category : History
Languages : en
Pages : 480
Book Description
A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present
An Empire on Display
Author: Peter H. Hoffenberg
Publisher: Univ of California Press
ISBN: 0520218914
Category : Business & Economics
Languages : en
Pages : 467
Book Description
An examination of world's fairs in Britain and its two most important 19th-century colonies, Australia and India; arguing that the fairs provided a forum for shaping both national and imperial identities.
Publisher: Univ of California Press
ISBN: 0520218914
Category : Business & Economics
Languages : en
Pages : 467
Book Description
An examination of world's fairs in Britain and its two most important 19th-century colonies, Australia and India; arguing that the fairs provided a forum for shaping both national and imperial identities.
Culture, Politics, and National Identity in Wales 1832-1886
Author: Matthew Cragoe
Publisher: OUP Oxford
ISBN: 9780191513367
Category : History
Languages : en
Pages : 312
Book Description
Culture, Politics and National Identity in Wales 1832-86 offers the first comprehensive account of politics in the principality between the first and third reform acts. Based on a wealth of previously unused sources in both English and Welsh, and grounded firmly in recent scholarship on electioneering elsewhere in Britain, Cragoe challenges the existing narrative of political history in the principality. There was more to politics in Victorian Wales, he suggests, than the current focus on nonconformity and radical liberalism after 1860 allows. The book's focus on elections and election culture creates a natural context within which a wider spectrum of political opinion can be sampled. Cragoe examines the differing ideologies of the major political parties - Tory, Liberal and Radical - and then explores how these ideas were carried into the electoral arena through party organisation, campaigning, and propaganda. Later chapters examine some of the ways in which individuals were prevented from recording their true political opinions and the relationship between the unenfranchised and the political process. Throughout, politics is presented as a highly participatory process, one in which ideals and principles played a key role for both candidates and voters alike. It was into this world that the typically 'Welsh' style of radical politics, imbued with the values of militant dissent and armed with new conception of national identity, was born in the 1860s. Weaving that singular political phenomenon back into its contemporary setting and recognising the extent to which its ideas have monopolised modern accounts of Welsh political history, is the purpose of this stimulating and, at times, controversial book.
Publisher: OUP Oxford
ISBN: 9780191513367
Category : History
Languages : en
Pages : 312
Book Description
Culture, Politics and National Identity in Wales 1832-86 offers the first comprehensive account of politics in the principality between the first and third reform acts. Based on a wealth of previously unused sources in both English and Welsh, and grounded firmly in recent scholarship on electioneering elsewhere in Britain, Cragoe challenges the existing narrative of political history in the principality. There was more to politics in Victorian Wales, he suggests, than the current focus on nonconformity and radical liberalism after 1860 allows. The book's focus on elections and election culture creates a natural context within which a wider spectrum of political opinion can be sampled. Cragoe examines the differing ideologies of the major political parties - Tory, Liberal and Radical - and then explores how these ideas were carried into the electoral arena through party organisation, campaigning, and propaganda. Later chapters examine some of the ways in which individuals were prevented from recording their true political opinions and the relationship between the unenfranchised and the political process. Throughout, politics is presented as a highly participatory process, one in which ideals and principles played a key role for both candidates and voters alike. It was into this world that the typically 'Welsh' style of radical politics, imbued with the values of militant dissent and armed with new conception of national identity, was born in the 1860s. Weaving that singular political phenomenon back into its contemporary setting and recognising the extent to which its ideas have monopolised modern accounts of Welsh political history, is the purpose of this stimulating and, at times, controversial book.
"Memory, Masculinity and National Identity in British Visual Culture, 1914?930 "
Author: Gabriel Koureas
Publisher: Routledge
ISBN: 1351558544
Category : Art
Languages : en
Pages : 227
Book Description
With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. The study interrogates the complications arising out of issues of trauma, cultural expressions of sexuality and affect, as well as the ways in which these are encoded in diverse forms in visual culture and commemorative objects. Concentrating on masculinity and cultural memory, it investigates the ways in which these and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. In the course of the narrative, the author looks at Bolshevism and the Returning Ex-Servicemen, the 1919 NUR Strike, the Central Labour College in conjunction with banners and revolution, as well as the Imperial War Graves, the Cenotaph, the London and North Western Railway memorial, the Machine Gun Corps Memorial and the establishment of the Imperial War Museum. He also excavates new archival material, particularly case studies of shell shock sufferers and film footage of male hysteria.
Publisher: Routledge
ISBN: 1351558544
Category : Art
Languages : en
Pages : 227
Book Description
With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. The study interrogates the complications arising out of issues of trauma, cultural expressions of sexuality and affect, as well as the ways in which these are encoded in diverse forms in visual culture and commemorative objects. Concentrating on masculinity and cultural memory, it investigates the ways in which these and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. In the course of the narrative, the author looks at Bolshevism and the Returning Ex-Servicemen, the 1919 NUR Strike, the Central Labour College in conjunction with banners and revolution, as well as the Imperial War Graves, the Cenotaph, the London and North Western Railway memorial, the Machine Gun Corps Memorial and the establishment of the Imperial War Museum. He also excavates new archival material, particularly case studies of shell shock sufferers and film footage of male hysteria.
British Politics, Society and Empire, 1852-1945
Author: David W. Gutzke
Publisher: Routledge
ISBN: 1315387123
Category : History
Languages : en
Pages : 222
Book Description
This book draws together essays on modern British history, empire, liberalism and conservatism in honour of Trevor O. Lloyd, Emeritus Professor of Modern British history at the University of Toronto for some thirty years beginning in the 1960s. With Lloyd best known for his two histories of the Empire and of domestic Britain, published in the Short Oxford History of the Modern World series, as well as his pioneering psephological study of the 1880 General Election, the essays include analyses of Anglo-Irish relations, Florence Nightingale, Canada, muckrackers, the Primrose League and prisoners of war during World War II.
Publisher: Routledge
ISBN: 1315387123
Category : History
Languages : en
Pages : 222
Book Description
This book draws together essays on modern British history, empire, liberalism and conservatism in honour of Trevor O. Lloyd, Emeritus Professor of Modern British history at the University of Toronto for some thirty years beginning in the 1960s. With Lloyd best known for his two histories of the Empire and of domestic Britain, published in the Short Oxford History of the Modern World series, as well as his pioneering psephological study of the 1880 General Election, the essays include analyses of Anglo-Irish relations, Florence Nightingale, Canada, muckrackers, the Primrose League and prisoners of war during World War II.
British Literary Culture and Publishing Practice, 1880-1914
Author: Peter D. McDonald
Publisher: Cambridge University Press
ISBN: 9780521893947
Category : History
Languages : en
Pages : 248
Book Description
This book examines the early publishing careers of three highly influential writers, Joseph Conrad, Arnold Bennett, and Arthur Conan Doyle.
Publisher: Cambridge University Press
ISBN: 9780521893947
Category : History
Languages : en
Pages : 248
Book Description
This book examines the early publishing careers of three highly influential writers, Joseph Conrad, Arnold Bennett, and Arthur Conan Doyle.
Cultural Sociology of Cultural Representations
Author: Christopher Thorpe
Publisher: Taylor & Francis
ISBN: 0429670885
Category : Social Science
Languages : en
Pages : 297
Book Description
This book provides a historical cultural sociological analysis of cultural representations of Italy in England and later Britain, from the period of the Italian Renaissance to the present day. Rooted in a critical account of orthodox social scientific approaches to thinking and theorising cultural representation, the study combines analytical frames and conceptual apparatus from Bourdieu’s Field theory and Yale School cultural sociology. Drawing from a wide range of empirical data and studies, the book demonstrates the significance of representations of the Italian peninsula and its people for exploring a range of cultural sociological phenomena, from the ‘classing’ and ‘commodification’ of Italy to the role of Italian symbolism for negotiating cultural trauma, identify formation, and expressions of cultural edification, veneration, and emulation. As such, it will be of interest to scholars of (cultural) sociology, history, anthropology, Italian studies as well as scholars in international studies interested in intercultural exchange and representations of other nations, national cultures, and otherness.
Publisher: Taylor & Francis
ISBN: 0429670885
Category : Social Science
Languages : en
Pages : 297
Book Description
This book provides a historical cultural sociological analysis of cultural representations of Italy in England and later Britain, from the period of the Italian Renaissance to the present day. Rooted in a critical account of orthodox social scientific approaches to thinking and theorising cultural representation, the study combines analytical frames and conceptual apparatus from Bourdieu’s Field theory and Yale School cultural sociology. Drawing from a wide range of empirical data and studies, the book demonstrates the significance of representations of the Italian peninsula and its people for exploring a range of cultural sociological phenomena, from the ‘classing’ and ‘commodification’ of Italy to the role of Italian symbolism for negotiating cultural trauma, identify formation, and expressions of cultural edification, veneration, and emulation. As such, it will be of interest to scholars of (cultural) sociology, history, anthropology, Italian studies as well as scholars in international studies interested in intercultural exchange and representations of other nations, national cultures, and otherness.