Author: Publisher:
ISBN:
Category : Art
Languages : en
Pages : 530
Book Description
Art, Pictorial and Industrial
Author: Art, pictorial and industrial, an illustrated magazine. New ser. (ed. by J. Forbes-Robertson).
Author: John Forbes- RobertsonPublisher:
ISBN:
Category :
Languages : en
Pages : 82
Book Description
Journal of Applied Science, and Record of Progress in the Industrial Arts
Author: Art and Industry
Author: United States. Office of EducationPublisher:
ISBN:
Category : Drawing
Languages : en
Pages : 1118
Book Description
Art and the Industrial Revolution
Author: Francis Donald KlingenderPublisher: London : Evelyn, Adams & Mackay
ISBN:
Category : Art and industry
Languages : en
Pages : 340
Book Description
About British art during the Industrial Revolution.
Industrial Art
Author: J. H. LampreyPublisher:
ISBN:
Category : Handicraft
Languages : en
Pages : 662
Book Description
The American Catalogue
Author: Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 522
Book Description
American national trade bibliography.
The Art Journal Illustrated Catalogue of the International Exhibition, 1862
Author: Art and Industry
Author: Crafting the Woman Professional in the Long Nineteenth Century
Author: Kyriaki HadjiafxendiPublisher: Routledge
ISBN: 1317158644
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Over the course of the nineteenth century, women in Britain participated in diverse and prolific forms of artistic labour. As they created objects and commodities that blurred the boundaries between domestic and fine art production, they crafted subjectivities for themselves as creative workers. By bringing together work by scholars of literature, painting, music, craft and the plastic arts, this collection argues that the constructed and contested nature of the female artistic professional was a notable aspect of debates about aesthetic value and the impact of industrial technologies. All the essays in this volume set up a productive inter-art dialogue that complicates conventional binary divisions such as amateur and professional, public and private, artistry and industry in order to provide a more nuanced understanding of the relationship between gender, artistic labour and creativity in the period. Ultimately, how women faced the pragmatics of their own creative labour as they pursued vocations, trades and professions in the literary marketplace and related art-industries reveals the different ideological positions surrounding the transition of women from industrious amateurism to professional artistry.