Art in the English Provinces, 1800-1830 PDF Download

Author: Trevor Fawcett
Publisher:
ISBN:
Category : Art
Languages : en
Pages :

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Author: Trevor Fawcett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280

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Author: Rafael Cardoso Denis
Publisher: Manchester University Press
ISBN: 9780719054969
Category : Academic art
Languages : en
Pages : 228

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Throughout the nineteenth century, academies functioned as the main venues for the teaching, promotion, and display of art. Contemporary scholars have, for the most part, denigrated academic art, calling it formulaic, unoriginal, and repetitious. The contributors to Art and the Academy in the Nineteenth Century challenge this entrenched notion and consider how academies worldwide have represented an important system of artistic preservation and transmission. Their essays eschew easy binaries that have reigned in academia for more than half a century and that simply oppose the avant-garde to academicism.

Author: Geraldine Norman
Publisher: Univ of California Press
ISBN: 9780520033283
Category : Art
Languages : en
Pages : 248

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Author: Trevor Fawcett
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages :

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Author: James Ayres
Publisher: Oxbow Books
ISBN: 1782977422
Category : Art
Languages : en
Pages : 537

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Book Description
Before the foundation of academies of art in London in 1758 and Philadelphia in 1805, most individuals who were to emerge as artists trained in workshops of varying degrees of relevance. Easel painters began their careers apprenticed to carriage, house, sign or ship painters, whilst a few were placed with those who made pictures. Sculptors emerged from a training as ornamental plasterers or carvers. Of the many other trades in a position to offer an appropriate background were ÔlimningÕ, staining, engraving, surveying, chasing and die-sinking. In addition, plumbers gained the right to use oil painting and, for plasterers, the application of distemper was an extension of their trade. Central to the theme of this book is the notion that, for those who were to become either painters or sculptor, a training in a trade met their practical needs. This ÔtrainingÕ was of an altogether different nature to an ÔeducationÕ in an art school. In the past, prospective artists were offered, by means of apprenticeships, an empirical rather than a theoretical understanding of their ultimate vocation. James Ayres provides a lively account of the inter-relationship between art and trade in the late seventeenth to early nineteenth centuries, in both Britain and North America. He demonstrates with numerous, illustrated examples, the many cross-overs in the Ôart and mysteryÕ of artistic training, and, to modern eyes, the sometimes incongruous relationships between the various trades that contributed to the blossoming of many artistic careers, including some of the most illustrious names of the ÔlongÕ eighteenth century.

Author: Holger Hoock
Publisher: Clarendon Press
ISBN: 9780191556104
Category : Art
Languages : en
Pages : 396

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This is the story of the forging of a national cultural institution in late eighteenth- and early nineteenth-century Britain. The Royal Academy of Arts was the dominant art school and exhibition society in London and a model for art societies across the British Isles and North America. This is the first study of its early years, re-evaluating the Academy's significance in national cultural life and its profile in an international context. Holger Hoock reassesses royal and state patronage of the arts and explores the concepts and practices of cultural patriotism and the politicization of art during the American and French Revolutions. By demonstrating how the Academy shaped the notions of an English and British school of art and influenced the emergence of the British cultural state, he illuminates the politics of national culture and the character of British public life in an age of war, revolution, and reform.

Author: Philip Waller
Publisher: OUP Oxford
ISBN: 0191547298
Category : History
Languages : en
Pages : 352

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A volume on the history of the English urban environment that will appeal to both general readers and academic specialists. The emphasis throughout is emphatically that of the historian, rather than the physical geographer: that is, a primary focus on the people who make the landscapes, the changing social structure of the communities, and the different economies which sustained them. The text is enhanced by 130 integrated illustrations, including half-tones and diagrams. The thirteen chapters combine chronological and thematic surveys. After a general introduction by Dr Waller, chapters 2-5 provide overviews of how the urban landscape in England developed during the Roman period, the Early Medieval period, the Medieval period, and the Early Modern Period. The second, larger part of the text offers a variety of thematic approaches to the history of the built environment, with a focus on the last two centuries: metropolitanism, the commercial city, the industrial city, transport, slums and suburbs, recreation, civil and ecclesiastical, and artistic and literary. In addition there are a number of cameo features throughout the text, eg on a small market town, a garden city, a council estate, the Potteries. There is a list of further reading on each chapter.

Author: Arthur Burns
Publisher: Cambridge University Press
ISBN: 0521823943
Category : Art
Languages : en
Pages : 365

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This book takes a look at the 'age of reform', from 1780 when reform became a common object of aspiration, to the 1830s - the era of the 'Reform Ministry' and of the Great Reform Act of 1832 - and beyond, when such aspirations were realized more frequently. It pays close attention to what contemporaries termed 'reform', identifying two strands, institutional and moral, which interacted in complex ways. Particular reforming initiatives singled out for attention include those targeting parliament, government, the law, the Church, medicine, slavery, regimens of self-care, opera, theatre, and art institutions, while later chapters situate British reform in its imperial and European contexts. An extended introduction provides a point of entry to the history and historiography of the period. The book will therefore stimulate fresh thinking about this formative period of British history.

Author: ElizabethA. Pergam
Publisher: Routledge
ISBN: 135154280X
Category : Art
Languages : en
Pages : 397

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An overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. Intended to rehabilitate Manchester's image at a heady time of economic prosperity, the Exhibition became a touchstone for aesthetic, social, and economic issues of the mid-nineteenth century. Reverberations of this moment can be followed to the present day in the discipline of art history and its practice in public museums of Europe and America. Highlighting the tension between art and commerce, philanthropy and profit, the book examines the Exhibition's organization and the presentation of the works of art in the purpose-built Art Treasures Palace. Pergam places the Exhibition in the context of contemporary debates about museum architecture and display. With an analysis of the reception of both "Ancient" and "Modern" paintings, the book questions the function of exhibitions in the construction of an art historical canon. The book also provides an essential reference tool: a compiled list of all of the paintings exhibited in 1857 that are now in public collections throughout the world, with an analysis of the collecting trends manifest in their provenance.