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Author: Richard L. Anderson Publisher: Prentice Hall ISBN: Category : Art Languages : en Pages : 264
Book Description
"Brings together the many insights of cultural anthropologists and art historians, treating art as both a visual and a cultural phenomenon"--
Author: Richard L. Anderson Publisher: Prentice Hall ISBN: Category : Art Languages : en Pages : 264
Book Description
"Brings together the many insights of cultural anthropologists and art historians, treating art as both a visual and a cultural phenomenon"--
Author: Wenner-Gren Foundation for Anthropological Research Publisher: London ; New York : Oxford University Press, for Wenner-Gren Foundation for Anthropological Research ISBN: Category : Art Languages : en Pages : 332
Book Description
Based on a conference held at Burg Wartenstein from 27 June to 5 July 1967.
Author: Susan Hiller Publisher: Routledge ISBN: 1134980388 Category : Art Languages : en Pages : 368
Book Description
This book explores the fusion of myth, history and geography which leads to ideas of primitivism, and looks at their construction, interpretation and consumption in Western culture. Contextualized by Susan Hiller's introductions to each section, discussions range from the origins of cultural colonialism to eurocentric ideas of primitive societies, including the use of primitive culture in constructing national identities, and the appropriation of primitivist imagery in modernist art. The result is a controversial critique of art theory, practice and politics, and a major enquiry into the history of primitivism and its implications for contemporary culture.
Author: Vincent Sherry Publisher: Cambridge University Press ISBN: 1316720535 Category : Literary Criticism Languages : en Pages : 1579
Book Description
This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.
Author: H. Gene Blocker Publisher: ISBN: Category : Art Languages : en Pages : 350
Book Description
In this work, Blocker extends the philosophy of art to traditional African, Pre-Columbian Meso-American, and other works of "primitive art". Contents: Is Primitive Art Primitive? Is Primitive Art Art? Aesthetic Consciousness in Primitive Art; Critical Assessment of Primitive Art.
Author: Richard L. Anderson
Author: Richard L. Anderson
Author: Carol F. Jopling
Author: Wenner-Gren Foundation for Anthropological Research
Author: Sally Price
Author: Susan Hiller
Author: Phillip Harold Lewis
Author: Edward Burnett Tylor
Author: Vincent Sherry
Author: H. Gene Blocker
Author: Rene D'Harnoncourt