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Author: Berys Gaut Publisher: Cambridge University Press ISBN: 0521822440 Category : Performing Arts Languages : en Pages : 339
Book Description
A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.
Author: Berys Gaut Publisher: Cambridge University Press ISBN: 0521822440 Category : Performing Arts Languages : en Pages : 339
Book Description
A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.
Author: Jane Tormey Publisher: Cambridge Scholars Publishing ISBN: 1527557278 Category : Art Languages : en Pages : 299
Book Description
Trespassing disciplines and binding together practice and theory, Telling Stories: Visual Practice, Theories and Narrative crosses strange territories and occupies liminal spaces. It addresses a contemporary preoccupation with narrative and narration, which is being played out across the arts, humanities and beyond, and considers how visual and performative encounters contribute to thinking. How might they tell theories? Telling Stories results from a series of symposia, held at Loughborough University School of Art and Design in 2007. The programme included papers, screenings and performances and was based around the convenors’ shared interests in Peggy Phelan’s notion of ‘performative writing’ and in the examination of inter-disciplinary forms of narrative and counter-narrative. It specifically focused on three aspects - experimental forms of Theories and Criticism, Objects and Narrative and the particular form of the Cinematic Essay and explored how the performative move could also be said to apply to forms of contemporary art practice: to what photography, film, objects wish to say. This resulting edited collection presents contemporary making and writing practices as multi-faceted, interdisciplinary and trans-medial and is indicative of an attitude that sets out to encounter the world, its social conditions, its global perspectives and the nature of aesthetic discussion that is no longer confined by formalism.
Author: Michael Peter Bolus Publisher: Anthem Press ISBN: 1783089822 Category : Performing Arts Languages : en Pages : 176
Book Description
Since the inception of cinema in the late nineteenth century, filmmakers have employed a wide array of precursory aesthetic strategies in the conception and creation of their disparate works. The existence of these traditional antecedents have afforded filmmakers a diverse range of technical and artistic applications towards the construction of their respective cinematic narratives. Furthermore, the socio-political and cultural contexts in which films are conceived often inform the manner in which particular aesthetic sensibilities are selected and deployed. ‘Aesthetics and the Cinematic Narrative’ provides a concise historical survey of Aesthetics as a practical philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling.
Author: David Bordwell Publisher: Routledge ISBN: 1136099166 Category : Performing Arts Languages : en Pages : 385
Book Description
In this study, David Bordwell offers a comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives.
Author: Warren Buckland Publisher: Columbia University Press ISBN: 023154359X Category : Performing Arts Languages : en Pages : 110
Book Description
From mainstream blockbusters to art house cinema, narrative and narration are the driving forces that organize a film. Yet attempts to explain these forces are often mired in notoriously complex terminology and dense theory. Warren Buckland provides a clear and accessible introduction that explains how narrative and narration work using straightforward language. Narrative and Narration distills the basic components of cinematic storytelling into a set of core concepts: narrative structure, processes of narration, and narrative agents. The book opens with a discussion of the emergence of narrative and narration in early cinema and proceeds to illustrate key ideas through numerous case studies. Each chapter guides readers through different methods that they can use to analyze cinematic storytelling. Buckland also discusses how departures from traditional modes, such as feminist narratives, art cinema, and unreliable narrators, can complicate and corroborate the book’s understanding of narrative and narration. Examples include mainstream films, both classic and contemporary; art house films of every stripe; and two relatively new styles of cinematic storytelling: the puzzle film and those driven by a narrative logic derived from video games. Narrative and Narration is a concise introduction that provides readers with fundamental tools to understand cinematic storytelling.
Author: Martin Rieser Publisher: Bloomsbury Publishing ISBN: 1838717285 Category : Performing Arts Languages : en Pages : 267
Book Description
This text presents the work of cultural theorists and philosophers of new media, together with the perspectives of artists experimenting with different interactive models critically examining their own practice. The book proposes the use of new critical tools for discussing new media forms.
Author: Bijun Huang Publisher: ISBN: Category : Calligraphy, Chinese Languages : en Pages : 524
Book Description
This paper explores how filmmakers use painting and calligraphy/writing as prop and image, blending various styles of painting and calligraphy/writing to portray characters, create settings, depict sequences, frame narrative structures and convey meaning. This study will examine ideas about the artistic value of Chinese and English calligraphy, and their integration into cinematic images. Besides written texts, I also examine the ways that both Chinese and Western paintings are used creatively to advance the visual rhetoric and narrative strategies in cinema. I will focus on the compositional designs of cinematic images, their cultural implications and narrative demerits such as setting, characterization, metaphor, hyperbole and irony. Susan Felleman in Art in cinematic imagination points out that a small but significant body of scholarly work in the past decade has discussed the use of non-cinematic visual arts, such as painting, in films. However, little work has been done on written words in cinematic images. This paper aims to expand the discussion about painting in cinema, as well as to the examination of written texts integrated into cinematic images.
Author: Marilyn Fabe Publisher: Univ of California Press ISBN: 0520279972 Category : Performing Arts Languages : en Pages : 312
Book Description
"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.
Author: Gene Youngblood Publisher: Fordham University Press ISBN: 0823287432 Category : Art Languages : en Pages : 464
Book Description
Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.
Author: Berys Gaut
Author: Berys Gaut
Author: Jane Tormey
Author: Michael Peter Bolus
Author: David Bordwell
Author: Warren Buckland
Author: Martin Rieser
Author: Bijun Huang
Author: Marilyn Fabe
Author: Charles Affron
Author: Gene Youngblood