Author: Victoria Combalía Dexeus
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 244
Book Description
La muestra presenta obras -esculturas, dibujos, pinturas, vídeos- de una generación de artistas británicos posteriores a los llamados "Young British Artists" que constituyen una relectura del pasado, especialmente de las vanguardias clásicas del siglo XX, con elementos nuevos y desde una perspectiva más amplia y autorreflexiva.
Art from Britain : Echo Room
Author: Victoria Combalía Dexeus
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 244
Book Description
La muestra presenta obras -esculturas, dibujos, pinturas, vídeos- de una generación de artistas británicos posteriores a los llamados "Young British Artists" que constituyen una relectura del pasado, especialmente de las vanguardias clásicas del siglo XX, con elementos nuevos y desde una perspectiva más amplia y autorreflexiva.
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 244
Book Description
La muestra presenta obras -esculturas, dibujos, pinturas, vídeos- de una generación de artistas británicos posteriores a los llamados "Young British Artists" que constituyen una relectura del pasado, especialmente de las vanguardias clásicas del siglo XX, con elementos nuevos y desde una perspectiva más amplia y autorreflexiva.
Room for Wonder
Author: Stuart Cary Welch
Publisher:
ISBN:
Category : Painting, Indic
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Painting, Indic
Languages : en
Pages : 200
Book Description
Sessional Papers
Author: Great Britain. Parliament. House of Commons
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1240
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1240
Book Description
Official Guide to the London Exhibition of Art and Industry, Held at South Kensington in the Year MDCCCLXXII.
Echo's Chambers
Author: Joseph L. Clarke
Publisher: University of Pittsburgh Press
ISBN: 0822988038
Category : Architecture
Languages : en
Pages : 325
Book Description
A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. Echo’s Chambers explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.
Publisher: University of Pittsburgh Press
ISBN: 0822988038
Category : Architecture
Languages : en
Pages : 325
Book Description
A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. Echo’s Chambers explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.
Shocking Representation
Author: Adam Lowenstein
Publisher: Columbia University Press
ISBN: 0231507186
Category : Performing Arts
Languages : en
Pages : 274
Book Description
In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.
Publisher: Columbia University Press
ISBN: 0231507186
Category : Performing Arts
Languages : en
Pages : 274
Book Description
In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.
Claude Lorrain
Author: Martin Sonnabend
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781848220928
Category : Art
Languages : en
Pages : 224
Book Description
Claude Lorrain (1604-82) is known as the father of European landscape painting. This book sets out to re-appraise his work and look at it through fresh eyes. It unites in a single volume paintings, drawings, and prints from all periods of the artist's life.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781848220928
Category : Art
Languages : en
Pages : 224
Book Description
Claude Lorrain (1604-82) is known as the father of European landscape painting. This book sets out to re-appraise his work and look at it through fresh eyes. It unites in a single volume paintings, drawings, and prints from all periods of the artist's life.
Echo and Reverb
Author: Peter Doyle
Publisher: Wesleyan University Press
ISBN: 0819501646
Category : Music
Languages : en
Pages : 305
Book Description
Echo and Reverb is the first history of acoustically imagined space in popular music recording. The book documents how acoustic effects--reverberation, room ambience, and echo--have been used in recordings since the 1920s to create virtual sonic architectures and landscapes. Author Peter Doyle traces the development of these acoustically-created worlds from the ancient Greek myth of Echo and Narcissus to the dramatic acoustic architectures of the medieval cathedral, the grand concert halls of the 19th century, and those created by the humble parlor phonograph of the early 20th century, and finally, the revolutionary age of rock 'n' roll. Citing recordings ranging from Gene Austin's 'My Blue Heaven' to Elvis Presley's 'Mystery Train,' Doyle illustrates how non-musical sound constructs, with all their rich and contradictory baggage, became a central feature of recorded music. The book traces various imagined worlds created with synthetic echo and reverb--the heroic landscapes of the cowboy west, the twilight shores of south sea islands, the uncanny alleys of dark cityscapes, the weird mindspaces of horror movies, the private and collective spaces of teen experience, and the funky juke-joints of the mind.
Publisher: Wesleyan University Press
ISBN: 0819501646
Category : Music
Languages : en
Pages : 305
Book Description
Echo and Reverb is the first history of acoustically imagined space in popular music recording. The book documents how acoustic effects--reverberation, room ambience, and echo--have been used in recordings since the 1920s to create virtual sonic architectures and landscapes. Author Peter Doyle traces the development of these acoustically-created worlds from the ancient Greek myth of Echo and Narcissus to the dramatic acoustic architectures of the medieval cathedral, the grand concert halls of the 19th century, and those created by the humble parlor phonograph of the early 20th century, and finally, the revolutionary age of rock 'n' roll. Citing recordings ranging from Gene Austin's 'My Blue Heaven' to Elvis Presley's 'Mystery Train,' Doyle illustrates how non-musical sound constructs, with all their rich and contradictory baggage, became a central feature of recorded music. The book traces various imagined worlds created with synthetic echo and reverb--the heroic landscapes of the cowboy west, the twilight shores of south sea islands, the uncanny alleys of dark cityscapes, the weird mindspaces of horror movies, the private and collective spaces of teen experience, and the funky juke-joints of the mind.
The British Encyclopedia, Or Dictionary of Arts and Sciences
Author: William Nicholson
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 712
Book Description