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Author: Rochona Majumdar Publisher: Columbia University Press ISBN: 0231553900 Category : Performing Arts Languages : en Pages : 222
Book Description
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
Author: Marilyn Fabe Publisher: Univ of California Press ISBN: 0520279972 Category : Performing Arts Languages : en Pages : 312
Book Description
"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.
Author: Amid Amidi Publisher: Chronicle Books ISBN: 1452165211 Category : Performing Arts Languages : en Pages : 165
Book Description
While Pixar Animation Studios was creating beloved feature-length films such as Monsters Inc., Ratatouille, and WALLE, it was simultaneously testing animation and storytelling techniques in dozens of memorable short films. Andre and Wally B proved that computer animation was possible; Tin Toy laid the groundwork for what would become Toy Story; and Mike's New Car exposed Pixar's finely tuned funny bone. In The Art of Pixar Short Films, animation expert and short film devotee Amid Amidi shines a spotlight on these and many more memorable vignettes from the Pixar archive. Essays and interviews illuminate more than 250 full-color pastels, pencil sketches, storyboards, and final rendered frames that were the foundation of Pixar's creative process.
Author: Matt Zoller Seitz Publisher: Abrams ISBN: 164700117X Category : Performing Arts Languages : en Pages : 632
Book Description
The official behind-the-scenes companion to The French Dispatch and the latest volume in the bestselling Wes Anderson Collection series The French Dispatch—the tenth feature film from writer-director Wes Anderson—is a love letter to journalists set at the titular American newspaper in the fictional 20th-century French city of Ennui-sur-Blasé. The film stars a number of Anderson's frequent collaborators, including Bill Murray as the newspaper's editor in chief; Owen Wilson, Tilda Swinton, and Frances McDormand, as well as new players Jeffrey Wright, Benicio del Toro, Elisabeth Moss, and Timothée Chalamet, who bring to life a collection of stories published in The French Dispatch magazine. In this latest one-volume entry in The Wes Anderson Collection series—the only book to take readers behind the scenes of The French Dispatch—everything that goes into bringing Anderson's trademark style, meticulous compositions, and exacting production design to the screen is revealed in detail. Written by film and television critic and New York Times bestselling author Matt Zoller Seitz, The Wes Anderson Collection: The French Dispatch presents the complete story behind the film’s conception, anecdotes about the making of the film, and behind-the-scenes photos, production materials, and artwork.
Author: Philip J. Riley Publisher: ISBN: 9781593934866 Category : Antiques & Collectibles Languages : en Pages : 138
Book Description
Over 200 Reproductions in Full Color! Within are Vintage Poster Art images from all the titles of the Ackerman Archives, Universal Filmscript and Filmonster Series' ! Billboards, 6-sheets, 3-sheets, One-sheets, inserts and lobby cards. From the most Famous of the Classic Monster Films
Author: Meg Simmonds Publisher: DK ISBN: 9781465437907 Category : Art and motion pictures Languages : en Pages : 0
Book Description
Bond By Design gives an exclusive tour through EON Productions' James Bond archives - a treasure trove of set, storyboard, vehicle, gadget and costume designs, many of which have never been published before. Accessing EON Productions' vast archive of more than 50 years of art and design, Bond By Designfeatures the work of legendary Bond film designers such as Ken Adam, Peter Lamont and Syd Cain. The book provides a unique, spectacular and fascinating insight into the longest-running film franchise of all time. It reveals the craft behind the creation of famous sets, such as Stromberg's Atlantis base in The Spy Who Loved Me and Drax's shuttle launch site in Moonraker, as well as technical drawings of Bond's gadget-laden Aston Martin DB5. Includes two exclusive, full-colour prints of Bond film designs.
Author: Jill Murphy Publisher: Amsterdam University Press ISBN: 9048542022 Category : Art Languages : en Pages : 304
Book Description
As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions.
Author: Joseph M. Boggs
Author: Joseph M. Boggs
Author: Rochona Majumdar
Author: Amos Vogel
Author: Marilyn Fabe
Author: Amid Amidi
Author: Matt Zoller Seitz
Author: Philip J. Riley
Author: Meg Simmonds
Author: Jill Murphy
Author: Theodore Robert Bowie