Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 606
Book Description
Art and Auctions
Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984
Author:
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
Book Description
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
Book Description
Index of Art Sales Catalogs 1981-1985: Main index, October 7, 1984-December 23, 1985. Subject index
Catalogues of Sales
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 2082
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 2082
Book Description
Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642
Book Description
Catalogue ...
Author: Scribner Book Store, New York
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
Catalogue de vente
Author: Sotheby's Monaco S.A.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 308
Book Description
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704
Book Description
East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe
Author: Isabelle Tillerot
Publisher: Getty Publications
ISBN: 1606068865
Category : Art
Languages : en
Pages : 279
Book Description
An insightful look at how East Asian notions of space transformed Western painting. This volume offers the first critical account of how European imports of East Asian textiles, porcelain, and lacquers, along with newly published descriptions of the Chinese garden, inspired a revolution in the role of painting in early modern Europe. With particular focus on French interiors, Isabelle Tillerot reveals how a European enthusiasm for East Asian culture and a demand for novelty transformed the dynamic between painting and decor. Models of space, landscape, and horizon, as shown in Chinese and Japanese objects and their ornamentation, disrupted prevailing design concepts in Europe. With paintings no longer functioning as pictorial windows, they began to be viewed as discrete images displayed on a wall—and with that, their status changed from decorative device to autonomous work of art. This study presents a detailed history of this transformation, revealing how an aesthetic free from the constraints of symmetry and geometrized order upended paradigms of display, enabling European painting to come into its own.
Publisher: Getty Publications
ISBN: 1606068865
Category : Art
Languages : en
Pages : 279
Book Description
An insightful look at how East Asian notions of space transformed Western painting. This volume offers the first critical account of how European imports of East Asian textiles, porcelain, and lacquers, along with newly published descriptions of the Chinese garden, inspired a revolution in the role of painting in early modern Europe. With particular focus on French interiors, Isabelle Tillerot reveals how a European enthusiasm for East Asian culture and a demand for novelty transformed the dynamic between painting and decor. Models of space, landscape, and horizon, as shown in Chinese and Japanese objects and their ornamentation, disrupted prevailing design concepts in Europe. With paintings no longer functioning as pictorial windows, they began to be viewed as discrete images displayed on a wall—and with that, their status changed from decorative device to autonomous work of art. This study presents a detailed history of this transformation, revealing how an aesthetic free from the constraints of symmetry and geometrized order upended paradigms of display, enabling European painting to come into its own.