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Author: Greg Stevenson Publisher: Shire Publications ISBN: 9780747803782 Category : Antiques & Collectibles Languages : en Pages : 40
Book Description
An explosion of new ceramic design in the late 1920s and early 1930s introduced vibrant colours and dramatic angular shapes to the breakfast tables of Britain and the world. This book includes information on how to identify and date ceramics at a glance and features all the major designers including Clarice Cliff, Susie Cooper and Charlotte Rhead.
Author: Greg Stevenson Publisher: Shire Publications ISBN: 9780747803782 Category : Antiques & Collectibles Languages : en Pages : 40
Book Description
An explosion of new ceramic design in the late 1920s and early 1930s introduced vibrant colours and dramatic angular shapes to the breakfast tables of Britain and the world. This book includes information on how to identify and date ceramics at a glance and features all the major designers including Clarice Cliff, Susie Cooper and Charlotte Rhead.
Author: Andrew Casey Publisher: Antique Collectors Club Dist ISBN: Category : Antiques & Collectibles Languages : en Pages : 400
Book Description
The first publication to focus on individual designers in ceramics over the whole 20th century. Covers all the major female designers with up to date findings. Also some male designers previously almost undocumented.
Author: Karen McCready Publisher: Thames & Hudson ISBN: 9780500278253 Category : Art Languages : en Pages : 192
Book Description
This is a guide to the ceramics of the 1920s and 1930s, offering clear explanations of art terms such as Art Deco, Modernism, Art Moderne, and Streamline Style. Over 200 photographs provide a visual reference of objects both useful and decorative, chosen for their visual power, their historical significance or their appeal to collectors.
Author: Tim Benton Publisher: Fundacion Juan March ISBN: 9788470756290 Category : Art Languages : en Pages : 501
Book Description
Modern taste: Art Deco in Paris, 1910-1935' offers readers an opportunity to appreciate, examine, assess and enjoy an artistic movement that defies easy definition but which has been described as "the last of the total styles": Art Deco.0The book aims to question the almost total absence of Art Deco from the history of modern art and from curatorial practice, and to vindicate--as some exemplary cases did in the wake of the Deco revival from the 1970s onwards--not only the evident beauty of Art Deco but also the fascination exerted by this singularly modern phenomenon with all its cultural and artistic complexity.0What we know as Art Deco was an alternative style to the avant-garde. It stood for a modernity that was pragmatic and ornamental rather than utopian and functional, and it became the great shaper of modern desire and taste, leaving its characteristic stamp on Western society and capitalism in the early decades of the 20th century.0Comprehensive and beautifully designed, 'Modern taste' includes nearly 400 works in a wide array of media: painting, sculpture, furniture, fashion design, jewelry, film, architecture, glassware and ceramics are all represented, alongside the photography, drawings and advertisements that helped create "the modern taste."0Exhibition: Fundacíon Juan March, Madrid, Spain (26.03-28.06.2015).
Author: Alastair Duncan Publisher: ISBN: 9780810923492 Category : Art deco Languages : en Pages : 292
Book Description
Explores the tradition of the streamlined design and reveals how it was manifested in the great buildings, furniture, and merchandise of the 1930s.
Author: Jared Goss Publisher: Metropolitan Museum of Art ISBN: 0300204302 Category : Art Languages : en Pages : 282
Book Description
Art Deco—the term conjures up jewels by Van Cleef & Arpels, glassware by Laique, furniture by Ruhlmann—is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Art Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity yet were rooted in past traditions. Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. the style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts—such as Cubism and Fauvism—and a taste for the exotic, all of which converged in exceptionally luxurious and innovative objects. While the practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has grown steadily. Based on the Metropolitan Museum's renowned collection French Art Deco presents more than eighty masterpieces by forty-two designers. Examples include Süe et Mare's furniture from the 1925 Exposition; Dufy's Cubist-inspired textiles; Dunand's lacquered bedroom suite; Dupas's monumental glass wall panels from the SS Normandie; and Fouquet's spectacular dress ornament in the shape of a Chinese mask. Jared Goss's engaging text includes a discussion of each object together with a biography of the designer who created it and is enlivened by generous quotations from writings of the period. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco. With its rich text and sumptuous photographs, this is not only one of the rare books on French Art Deco in English, but an object d'art in its own right.
Author: Robert Bruegmann Publisher: Yale University Press ISBN: 0300229933 Category : Design Languages : en Pages : 413
Book Description
An expansive take on American Art Deco that explores Chicago's pivotal role in developing the architecture, graphic design, and product design that came to define middle-class style in the twentieth century Frank Lloyd Wright’s lost Midway Gardens, the iconic Sunbeam Mixmaster, and Marshall Field’s famed window displays: despite the differences in scale and medium, each belongs to the broad current of an Art Deco style that developed in Chicago in the first half of the twentieth century. This ambitious overview of the city’s architectural, product, industrial, and graphic design between 1910 and 1950 offers a fresh perspective on a style that would come to represent the dominant mode of modernism for the American middle class. Lavishly illustrated with 325 images, the book narrates Art Deco’s evolution in 101 key works, carefully curated and chronologically organized to tell the story of not just a style but a set of sensibilities. Critical essays from leading figures in the field discuss the ways in which Art Deco created an entire visual universe that extended to architecture, advertising, household objects, clothing, and even food design. Through this comprehensive approach to one of the 20th century’s most pervasive modes of expression in America, Art Deco Chicago provides an essential overview of both this influential style and the metropolis that came to embody it.
Author: Paul Greenhalgh Publisher: Bloomsbury Publishing ISBN: 1474239722 Category : Art Languages : en Pages : 512
Book Description
In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Author: Greg Stevenson
Author: Greg Stevenson
Author: Andrew Casey
Author: Karen McCready
Author: Tim Benton
Author: Alastair Duncan
Author: Jared Goss
Author: Robert Bruegmann
Author: Tom Dewey
Author: Bevis Hillier
Author: Paul Greenhalgh