Author: Art Club of Philadelphia
Publisher:
ISBN:
Category : Clubs
Languages : en
Pages : 23
Book Description
Art Club of Philadelphia, January 1904
Author: Art Club of Philadelphia
Publisher:
ISBN:
Category : Clubs
Languages : en
Pages : 23
Book Description
Publisher:
ISBN:
Category : Clubs
Languages : en
Pages : 23
Book Description
Charter, Constitution and By-laws of the Art Club of Philadelphia with House Rules, Report of the Board of Directors and List of Members
Author: Art Club of Philadelphia
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
Book Description
John Sloan's Oil Paintings
Author: John Sloan
Publisher: University of Delaware Press
ISBN: 0874134390
Category : Art
Languages : en
Pages : 316
Book Description
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Publisher: University of Delaware Press
ISBN: 0874134390
Category : Art
Languages : en
Pages : 316
Book Description
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Proceedings of the ... Annual Convention of the American Institute of Architects
Author: American Institute of Architects
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 656
Book Description
Vol. for 1906/07 includes proceedings of the celebration of the fiftieth anniversary of the foundation of the Institute.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 656
Book Description
Vol. for 1906/07 includes proceedings of the celebration of the fiftieth anniversary of the foundation of the Institute.
Proceedings of the Engineers' Club of Philadelphia, Vol. 21
Author: Engineers Club of Philadelphia
Publisher: Forgotten Books
ISBN: 9780282011970
Category : Technology & Engineering
Languages : en
Pages : 1000
Book Description
Excerpt from Proceedings of the Engineers' Club of Philadelphia, Vol. 21: January, 1904 The axle-box yokes in the side frames were necessary not only for truck squareness, but also to permit the body of the truck to be lifted off the axles so that the motors might be inspected and repaired in pits. The early motors were arranged to be carried low, therefore the side frames were also carried low. Soon motors were constructed that could be carried higher, and, what was of supreme importance, were completely encased. The encasing of the motors, protecting them from moisture and dirt, was the real beginning of the general use of electric motor cars, since it removed one of the chief obstacles. The motor supports were wholly depended on to connect one side frame rigidly with the other. The heavy motors that came into use with the use of larger car bodies brought too much stress upon these center crossings; therefore independent motor supports were placed upon the frame and straight crossings were used at the centers between the wheels and also at the ends of the frames outside the wheels. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780282011970
Category : Technology & Engineering
Languages : en
Pages : 1000
Book Description
Excerpt from Proceedings of the Engineers' Club of Philadelphia, Vol. 21: January, 1904 The axle-box yokes in the side frames were necessary not only for truck squareness, but also to permit the body of the truck to be lifted off the axles so that the motors might be inspected and repaired in pits. The early motors were arranged to be carried low, therefore the side frames were also carried low. Soon motors were constructed that could be carried higher, and, what was of supreme importance, were completely encased. The encasing of the motors, protecting them from moisture and dirt, was the real beginning of the general use of electric motor cars, since it removed one of the chief obstacles. The motor supports were wholly depended on to connect one side frame rigidly with the other. The heavy motors that came into use with the use of larger car bodies brought too much stress upon these center crossings; therefore independent motor supports were placed upon the frame and straight crossings were used at the centers between the wheels and also at the ends of the frames outside the wheels. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Catalogue, Members' Exhibition
Author: Photographic Society of Philadelphia
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 6
Book Description
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 6
Book Description
William Merritt Chase: Portraits in oil
Author: Ronald G. Pisano
Publisher: Yale University Press
ISBN: 0300110219
Category : Art
Languages : en
Pages : 324
Book Description
V. 1. "This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique"--Jacket.
Publisher: Yale University Press
ISBN: 0300110219
Category : Art
Languages : en
Pages : 324
Book Description
V. 1. "This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique"--Jacket.
American Art Annual
The Women Impressionists
Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
ISBN: 0313032467
Category : Art
Languages : en
Pages : 212
Book Description
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.
Publisher: Bloomsbury Publishing USA
ISBN: 0313032467
Category : Art
Languages : en
Pages : 212
Book Description
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.
American Drawings and Watercolors in the Metropolitan Museum of Art
Author: Stephanie L. Herdrich
Publisher: Metropolitan Museum of Art
ISBN: 0870999524
Category : Art
Languages : en
Pages : 444
Book Description
"The Museum's collection illuminates all aspects of Sargent's career. The drawings and watercolors in particular reflect his activity outside the portrait studio: his sojourns in Spain, Morocco and elsewhere in North Africa, and in the Middle East; his enduring fascination with Venice; his holidays in the Italian lake district and the Alps; his tours of North America, including Florida and the Rocky Mountains; his visit as an official war artist to the western front in 1918; and his work as a muralist at the Boston Public Library, the Museum of Fine Arts, Boston, and Harvard University's Widener Library."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Metropolitan Museum of Art
ISBN: 0870999524
Category : Art
Languages : en
Pages : 444
Book Description
"The Museum's collection illuminates all aspects of Sargent's career. The drawings and watercolors in particular reflect his activity outside the portrait studio: his sojourns in Spain, Morocco and elsewhere in North Africa, and in the Middle East; his enduring fascination with Venice; his holidays in the Italian lake district and the Alps; his tours of North America, including Florida and the Rocky Mountains; his visit as an official war artist to the western front in 1918; and his work as a muralist at the Boston Public Library, the Museum of Fine Arts, Boston, and Harvard University's Widener Library."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved