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Author: Frank O'Hara Publisher: George Braziller ISBN: Category : Abstract expressionism Languages : en Pages : 184
Book Description
This book features recent works by some of the members of the Abstract Art movement, from 1954 to 1966. Also included, is a chronology, and a bibliography.
Author: Frank O'Hara Publisher: George Braziller ISBN: Category : Abstract expressionism Languages : en Pages : 184
Book Description
This book features recent works by some of the members of the Abstract Art movement, from 1954 to 1966. Also included, is a chronology, and a bibliography.
Author: Andrew Epstein Publisher: Oxford University Press ISBN: 0190292717 Category : Literary Criticism Languages : en Pages : 376
Book Description
Although it has long been commonplace to imagine the archetypal American poet singing a solitary "Song of Myself," much of the most enduring American poetry has actually been preoccupied with the drama of friendship. In this lucid and absorbing study, Andrew Epstein argues that an obsession with both the pleasures and problems of friendship erupts in the "New American Poetry" that emerges after the Second World War. By focusing on some of the most significant postmodernist American poets--the "New York School" poets John Ashbery, Frank O'Hara, and their close contemporary Amiri Baraka--Beautiful Enemies reveals a fundamental paradox at the heart of postwar American poetry and culture: the avant-garde's commitment to individualism and nonconformity runs directly counter to its own valorization of community and collaboration. In fact, Epstein demonstrates that the clash between friendship and nonconformity complicates the legendary alliances forged by postwar poets, becomes a predominant theme in the poetry they created, and leaves contemporary writers with a complicated legacy to negotiate. Rather than simply celebrating friendship and poetic community as nurturing and inspiring, these poets represent friendship as a kind of exhilarating, maddening contradiction, a site of attraction and repulsion, affinity and rivalry. Challenging both the reductive critiques of American individualism and the idealized, heavily biographical celebrations of literary camaraderie one finds in much critical discussion, this book provides a new interpretation of the peculiar dynamics of American avant-garde poetic communities and the role of the individual within them. By situating his extensive and revealing readings of these highly influential poets against the backdrop of Cold War cultural politics and within the context of American pragmatist thought, Epstein uncovers the collision between radical self-reliance and the siren call of the interpersonal at the core of postwar American poetry.
Author: Claude Cernuschi Publisher: Routledge ISBN: 0429708971 Category : Art Languages : en Pages : 267
Book Description
Designed to help students and interested general readers to interpret the abstract expressionist paintings of Jackson Pollock, this survey of Pollock's life and art provides insight into the origins and meanings of individual works and analyzes the influences upon Pollock. Also included are discussions of the many issues raised by Pollock's work above and beyond his intentions, and how they intersected with the work of his contemporaries as well as other intellectual currents of the time.
Author: David Lehman Publisher: Anchor ISBN: 0385495331 Category : Literary Criticism Languages : en Pages : 449
Book Description
A landmark work of cultural history that tells the story of how four young poets, John Ashbery, Frank O'Hara, James Schuyler, and Kenneth Koch, reinvented literature and turned New York into the art capital of the world. Greenwich Village, New York, circa 1951. Every night, at a rundown tavern with a magnificent bar called the Cedar Tavern, an extraordinary group or painters, writers, poets, and hangers-on arrive to drink, argue, tell jokes, fight, start affairs, and bang out a powerful new aesthetic. Their style is playful, irreverent, tradition-shattering, and brilliant. Out of these friendships, and these conversations, will come the works of art and poetry that will define New York City as the capital of world culture--abstract expressionism and the New York School of Poetry. A richly detailed portrait of one of the great movements in American arts and letters, The Last Avant-Garde covers the years 1948-1966 and focuses on four fast friends--the poets Frank O'Hara, James Schuyler, John Ashbery, and Kenneth Koch. Lehman brings to vivid life the extraordinary creative ferment of the time and place, the relationship of great friendship to art, and the powerful influence that a group of visual artisits--especially Jane Freilicher, Larry Rivers, and Fairfield Porter--had on the literary efforts of the New York School. The Last Avant-Garde is both a definitive and lively view of a quintessentially American aesthetic and an exploration of the dynamics of creativity.
Author: Donald Wigal Publisher: Parkstone International ISBN: 1780429738 Category : Art Languages : en Pages : 256
Book Description
Born in 1912, in a small town in Wyoming, Jackson Pollock embodied the American dream as the country found itself confronted with the realities of a modern era replacing the fading nineteenth century. Pollock left home in search of fame and fortune in New York City. Thanks to the Federal Art Project he quickly won acclaim, and after the Second World War became the biggest art celebrity in America. For De Kooning, Pollock was the “icebreaker”. For Max Ernst and Masson, Pollock was a fellow member of the European Surrealist movement. And for Motherwell, Pollock was a legitimate candidate for the status of the Master of the American School. During the many upheavals in his life in Nez York in the 1950s and 60s, Pollock lost his bearings - success had simply come too fast and too easily. It was during this period that he turned to alcohol and disintegrated his marriage to Lee Krasner. His life ended like that of 50s film icon James Dean behind the wheel of his Oldsmobile, after a night of drinking.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 1588392740 Category : Abstract expressionism Languages : en Pages : 226
Book Description
An exhibition organized by the Metropolitan Museum of Art of the Muriel Kallis Steinberg Newman Collection which comprises sixty-three modern paintings, sculptures and works on paper by fifty artists. The Abstract Expressionist paintings that form the heart of this collection were nearly all created in New York City.
Author: Terence Diggory Publisher: Princeton University Press ISBN: 1400861721 Category : Poetry Languages : en Pages : 199
Book Description
In Peter Brueghel's painting The Adoration of the Kings, the depiction of Joseph and Mary suggested to William Carlos Williams a paradigm for the relationship between poem and painting, reader and text, man and woman, that he had sought throughout his life to establish: a marriage that can acknowledge and withstand infidelity. Here Terence Diggory explores the meaning of this paradigm within the context of Williams's career and also of recent critical and cultural debate, which frequently assumes violence and oppression to be inherent in all forms of relationship. Williams's special attention to the art of painting, Diggory shows, put him in a position to challenge such assumptions. In contrast to the "ethics of reading" deduced by J. Hillis Miller from the premises of deconstruction, Diggory illuminates Williams's "ethics of painting" by applying Julia Kristeva's concepts of psychoanalytic transference and nonoppressive desire. The abstract or "objectless" space in which such desire operates is typified by modernist painting, for both Kristeva and Williams, but foreshadowed in the work of earlier artists such as Bellini and Brueghel. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Terence Diggory Publisher: Infobase Learning ISBN: 1438140665 Category : American poetry Languages : en Pages : 1921
Book Description
Presents an alphabetical reference guide detailing the lives and works of poets associated with the New York Schools of the early twentieth century.
Author: Stephen J. Ross Publisher: Oxford University Press ISBN: 0192519301 Category : Literary Criticism Languages : en Pages : 208
Book Description
In his debut collection, Some Trees (1956), the American poet John Ashbery poses a question that resonates across his oeuvre and much of modern art: 'How could he explain to them his prayer / that nature, not art, might usurp the canvas?' When Ashbery asks this strange question, he joins a host of transatlantic avant-gardists—from the Dadaists to the 1960s neo-avant-gardists and beyond—who have dreamed of turning art into nature, of creating art that would be 'valid solely on its own terms, in the way nature itself is valid, in the way a landscape—not its picture—is aesthetically valid' (Clement Greenberg, 1939). Invisible Terrain reads Ashbery as a bold intermediary between avant-garde anti-mimeticism and the long western nature poetic tradition. In chronicling Ashbery's articulation of 'a completely new kind of realism' and his engagement with figures ranging from Wordsworth to Warhol, the book presents a broader case study of nature's dramatic transformation into a resolutely unnatural aesthetic resource in 20th-century art and literature. The story begins in the late 1940s with the Abstract Expressionist valorization of process, surface, and immediacy—summed up by Jackson Pollock's famous quip, 'I am Nature'—that so influenced the early New York School poets. It ends with 'Breezeway,' a poem about Hurricane Sandy. Along the way, the project documents Ashbery's strategies for literalizing the 'stream of consciousness' metaphor, his negotiation of pastoral and politics during the Vietnam War, and his investment in 'bad' nature poetry.
Author: Frank O'Hara
Author: Frank O'Hara
Author: Daniel Belgrad
Author: Andrew Epstein
Author: Claude Cernuschi
Author: David Lehman
Author: Donald Wigal
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Terence Diggory
Author: Terence Diggory
Author: Stephen J. Ross