Art Bollockese PDF Download

Author: Jeff Andrews
Publisher: Arena books
ISBN: 1911593366
Category : Art
Languages : en
Pages : 166

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Book Description
A critique of abstract modern art from a constructive common sense perspective.

Author: Jeff Andrews
Publisher: Arena Books Limited
ISBN: 9781911593355
Category : Art
Languages : en
Pages : 164

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Book Description
A critique of abstract modern art from a constructive common sense perspective.

Author: Bernard Riordon
Publisher: Frederick, N.B. : Goose Lane Editions
ISBN: 9780864924810
Category : Art
Languages : en
Pages : 168

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Book Description
Bruno Bobak became a professional artist before he was 20 years old, and more than 60 years later, his work remains vibrant and in demand by public galleries and collectors in North America and Europe. Bruno Bobak: The Full Palette celebrates his life and work. Five authors present Bobak's life and artistic development, stage by stage. Herb Curtis, a novelist and essayist, outlines the artist's early years in Hamilton, Ontario. Laura Brandon, curator of War Art at the Canadian War Museum , describes Bobak's development as a War Artist, and internationally renowned painter, print-maker, and educator Gordon Smith recalls Bobak's formative decade in Vancouver. Marjory Rogers Donaldson, a painter and portraitist, portrays the richness of Bobak's mature years in Fredericton, and independent curator Roslyn Rosenfeld examines the remarkable depth and range of Bobak's drawings and prints. Introduced by Herménégilde Chiasson, the author and artist who is Lieutenant-Governor of New Brunswick.

Author: Noam M. Elcott
Publisher: University of Chicago Press
ISBN: 022632897X
Category : Art
Languages : en
Pages : 319

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Book Description
This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.

Author: Lucienne Peiry
Publisher: Rizzoli Publications
ISBN: 2080305433
Category : Art
Languages : en
Pages : 0

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Book Description
In the early 20th-century, European avant-garde artists began to look beyond the accepted canons of Western art in a search for new sources of inspiration. "Primitive" art, drawings by children, the art of the insane, and graffiti all opened up new avenues for experimentation and artistic creation. At the end of World War II, leading French artist Jean Dubuffet became interested in the works being produced by psychiatric patients and by other social outcasts. In 1948 he founded the Compagnie de l'Art Brut to document the collections he had begun, and in 1976 the collection moved to its permanent home in Lausanne. This critically acclaimed book traces the history of the concept of Art Brut, a movement which has had a profound effect on artistic and social history. The account is completed by biographical notes on the featured artists and an extensive bibliography. This revised edition contains up-to-date information about modern exponents of Art Brut and the collection itself, including two new images of artist Judith Scott's work. All the works reproduced, most from the collection created by Dubuffet, have retained their subversive freedom, which continues to fascinate and inspire artists and collectors today.

Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 166

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Author: Palermo
Publisher: Actar
ISBN:
Category : Art
Languages : en
Pages : 280

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Book Description
Over the course of his 14-year artistic career, Peter Heisterkamp, aka Peter Schwarze, aka Blinky Palermo, tirelessly probed the limits of abstract painting. Having begun his brushwork on more traditional surfaces, he shifted his activity to less conventional supports, experimenting with diverse materials and forms, exploring the relationships that can exist between the wall and the space delimited by the painting. This monograph presents a selection of Palermo's paintings, drawings and engravings, and includes examples taken from the mural he created between 1963 and 1977, the year of his death, and from his installations, among them one he did for the 1976 Venice Biennale, soon to be reconstructed for the accompanying exhibition.

Author: James Thrall Soby
Publisher:
ISBN:
Category :
Languages : en
Pages : 144

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Author: Carter Ratcliff
Publisher: Nouvelles éditions Scala
ISBN: 9781857599435
Category : Painting, American
Languages : en
Pages : 0

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Book Description
***Delayed Publication, now printing*** Bo Bartlett is an American realist known for his complex multi-layered narrative paintings. Working in the tradition of realism that stretches from Thomas Eakins and Winslow Homer to Edward Hopper and Andrew Wyeth, Bartlett's bold narrative approach has made him one of the leading painters of a generation of American artists that redefined realist painting for our time. Bartlett's accessible style and subject matter examine his personal, often epic explorations of family, his roots in the American South, home, water and the sea, beauty, life and death. This long-awaited mid-career retrospective is published to help celebrate the opening of the new Bo Bartlett Center in his hometown of Columbus, Georgia. The exquisitely designed volume is the first full publication to document Bartlett's evolution as an artist, his personal creative process and to place his work in the context of the long-standing tradition of American realism. AUTHOR: David Houston is the Executive Director of the Bo Bartlett Center, College of the Arts, Columbus State University. SELLING POINTS: * First mid-career retrospective of Bo Bartlett's work * Published to commemorate the opening of the new Bo Bartlett Center as part of Columbus State University College of the Arts in the artist's hometown of Columbus, GA in the fall of 2015 * Bartlett's work hangs in well-known public spaces including the McCormic Place in Chicago, the US Mint in Philadelphia, and the Philadelphia Convention Center, as well as museum collections including the Seattle Art Museum, the Crystal Bridges Museum of American Art, the Denver Museum of Art, and the Franklin Institute in Philadelphia, among many others 200 colour

Author: David Brody
Publisher: Rizzoli Publications
ISBN: 0847869911
Category : Art
Languages : en
Pages : 162

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Book Description
A revelatory look at this Italian-American modernist painter of highly realistic and romanticized still lifes, landscapes, and portraits drawn from his life in the gay New York scene and rural Vermont. This first comprehensive survey of the life and work of Luigi Lucioni (1900–1988) places him in the context of fellow Regionalist painters Grant Wood, Charles Sheeler, and Maxfield Parrish. Lucioni is known for meticulously rendered still lifes, landscapes, and arresting portraits drawn from his close-knit circle of queer New York artists and cultural figures, including Paul Cadmus, Jared French, George Platt Lynes, and Lincoln Kirstein. In the early 1930s, Lucioni discovered Vermont, whose landscapes reminded him of northern Italy. It was there that he met Electra Havemeyer Webb, who was to become his single most important patron. For more than 50 years, the New York City–based artist spent every summer painting landscapes of trees, barns, and buildings in Vermont with sharply observed realism and a cool, precise style. Key scholars examine Lucioni’s oeuvre, materials, techniques, and his role in American modernism.