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Art and the F Word

Art and the F Word PDF Author: What, How & for Whom
Publisher:
ISBN: 9783956790744
Category : Art
Languages : en
Pages : 0

Book Description
From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project "Beginning as Well as We Can (How Do We Talk about Fascism?)." Focusing on the startling increase of nationalism across Europe--made palpable in manifestations of fascist tendencies and the cult of heritage--the project points to the possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now. Art and the F Word: Reflections on the Browning of Europe, edited by curator Maria Lind and the collective What, How & for Whom/WHW, continues the debate with contributions by cultural critics, curators, and artists, which articulate resistant and constructive possibilities of social and artistic production--investigating the language of politics and philosophy and also popular vocabularies, social contexts, media, science, and aesthetics. The exhibitions featured here, which form an essential part of the overall project, test the potential of aesthetic experience to question reality and upset the ideological complacency and political resignation that lead to a loss of control over the direction of social transformation. Copublished with Tensta konsthall and What, How & for Whom/WHW Contributors Lawrence Abu Hamdan, Petra Bauer & Sofia Wiberg, Barnabás Bencsik, Boris Buden, Maria Lind and Tensta konsthall, Jelena Vesic, What, How & for Whom/WHW

Art and the F Word

Art and the F Word PDF Author: What, How & for Whom
Publisher:
ISBN: 9783956790744
Category : Art
Languages : en
Pages : 0

Book Description
From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project "Beginning as Well as We Can (How Do We Talk about Fascism?)." Focusing on the startling increase of nationalism across Europe--made palpable in manifestations of fascist tendencies and the cult of heritage--the project points to the possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now. Art and the F Word: Reflections on the Browning of Europe, edited by curator Maria Lind and the collective What, How & for Whom/WHW, continues the debate with contributions by cultural critics, curators, and artists, which articulate resistant and constructive possibilities of social and artistic production--investigating the language of politics and philosophy and also popular vocabularies, social contexts, media, science, and aesthetics. The exhibitions featured here, which form an essential part of the overall project, test the potential of aesthetic experience to question reality and upset the ideological complacency and political resignation that lead to a loss of control over the direction of social transformation. Copublished with Tensta konsthall and What, How & for Whom/WHW Contributors Lawrence Abu Hamdan, Petra Bauer & Sofia Wiberg, Barnabás Bencsik, Boris Buden, Maria Lind and Tensta konsthall, Jelena Vesic, What, How & for Whom/WHW

The Other "F" Word

The Other Author: John Danner
Publisher: John Wiley & Sons
ISBN: 1119017696
Category : Business & Economics
Languages : en
Pages : 291

Book Description
Leverage the power of failure in your organization Nobody wants to fail, but failure is a fact of life. Most of us treat it as a regrettable, even shameful, event best overlooked. In truth, failure can be a game-changing strategic resource that can help you and your organization achieve the greater success you crave. The Other "F" Word shows how successful leaders and teams are putting failure to work every day - to re-engage employees, spark innovation and accelerate growth. Authors Danner and Coopersmith - with their rare blend of senior-level executive experience, global advising, teaching acumen and cross-discipline perspective - share these valuable new practices, and show how they can improve results across your organization. Based on exclusive interviews with prominent leaders and insightful examples from their own in-depth work, the book features a practical seven-stage framework to liberate failure as a force to advance your leadership agenda. After all, everyone creates and confronts failure on a daily basis. Why not use it to your advantage? The Other "F" Word shows you how to: Start an open, productive conversation about failure across your organization Reduce the fear of failure that stifles initiative, creativity and engagement Anticipate, prepare for and respond to failure, so you can leverage it when it happens Harness failure as a catalyst to drive innovation, improve performance and strengthen culture Failure's like gravity – pervasive and powerful. Whether you're a leader or team member of a startup, a growing business, or an established enterprise, failure is today's lesson for tomorrow. Let The Other "F" Word show you how to apply this lesson and take your company where it needs to go.

The Subtle Art of Not Giving a F*ck

The Subtle Art of Not Giving a F*ck PDF Author: Mark Manson
Publisher: HarperCollins
ISBN: 006245773X
Category : Self-Help
Languages : en
Pages : 197

Book Description
#1 New York Times Bestseller Over 10 million copies sold In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people. For decades, we’ve been told that positive thinking is the key to a happy, rich life. "F**k positivity," Mark Manson says. "Let’s be honest, shit is f**ked and we have to live with it." In his wildly popular Internet blog, Manson doesn’t sugarcoat or equivocate. He tells it like it is—a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F**k is his antidote to the coddling, let’s-all-feel-good mindset that has infected American society and spoiled a generation, rewarding them with gold medals just for showing up. Manson makes the argument, backed both by academic research and well-timed poop jokes, that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to stomach lemons better. Human beings are flawed and limited—"not everybody can be extraordinary, there are winners and losers in society, and some of it is not fair or your fault." Manson advises us to get to know our limitations and accept them. Once we embrace our fears, faults, and uncertainties, once we stop running and avoiding and start confronting painful truths, we can begin to find the courage, perseverance, honesty, responsibility, curiosity, and forgiveness we seek. There are only so many things we can give a f**k about so we need to figure out which ones really matter, Manson makes clear. While money is nice, caring about what you do with your life is better, because true wealth is about experience. A much-needed grab-you-by-the-shoulders-and-look-you-in-the-eye moment of real-talk, filled with entertaining stories and profane, ruthless humor, The Subtle Art of Not Giving a F**k is a refreshing slap for a generation to help them lead contented, grounded lives.

The F Word

The F Word PDF Author: Candice Hopkins
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 76

Book Description
"Now more than ever, feminism is an 'f-word'--it invokes the profane, the unspeakable, the mischievous, and the tabloo. (In addition to acting as a stand-in for feminism, the f-word has been used as a surrogate for 'fuck,' 'food,' 'fat,' 'fag,' and even 'forced preganancy,' drawing intriguing connections between sensuality, sexuality, consumption, control, and rights.) We took these contradictions and deliberate ambiguities as an opportunity to think about how feminist practices might be defined and understood today. Conceived in early 2008, 'The F Word' featured works in video and installation by fourteen women artists: Rebecca Belmore, Patty Chang, Allyson Clay, who created a project together with Lisa Robertson and Nathanaël (Nathalie Stephens), Kate Craig and Margaret Dragu, Shawna Dempsey and Lorri Millan, Klara Lidén, Deirdre Logue, Jillian Macdonald, Lisa Steele, and Salla Tykkä."--Introduction (page 5).

The Life-Changing Magic of Not Giving a F*ck

The Life-Changing Magic of Not Giving a F*ck PDF Author: Sarah Knight
Publisher: Voracious
ISBN: 0316270733
Category : Humor
Languages : en
Pages : 160

Book Description
The "genius" national bestseller on the art of caring less and getting more -- from the author of Calm the F*ck Down and F*ck No (Cosmopolitan). Are you stressed out, overbooked, and underwhelmed by life? Fed up with pleasing everyone else before you please yourself? It's time to stop giving a f*ck. This brilliant, hilarious, and practical parody of Marie Kondo's bestseller The Life-Changing Magic of Tidying Up explains how to rid yourself of unwanted obligations, shame, and guilt -- and give your f*cks instead to people and things that make you happy. The easy-to-use, two-step NotSorry Method for mental decluttering will help you unleash the power of not giving a f*ck about: Family drama Having a "bikini body" Iceland Co-workers' opinions, pets, and children And other bullsh*t! And it will free you to spend your time, energy, and money on the things that really matter. So what are you waiting for? Stop giving a f*ck and start living your best life today! Discover more of the magic of not giving a f*ck with The Life-Changing Magic of Not Giving a F*ck Journal.

The F Word

The F Word PDF Author:
Publisher:
ISBN: 9780992520809
Category :
Languages : en
Pages :

Book Description
The f Word has been a three year research project exploring contemporary feminist art in Australia. The project includes visual artists artists from Melbourne and Regional Victoria and activities include forums, workshops and events culminating in two exhibitions of visual art. The f Word catalogue contextualises the project from development through to exhibition, including the 'a dinner party; setting the table' residency at West Space, Melbourne in 2012, 'The Regional Feminist Art Forum' at the La Trobe Visual Arts Centre, Bendigo in 2013 and the 'Technopia Tours Feminist Art Bus' held in Melbourne on International Women's Day, March 8, 2014. The catalogue includes scholarly essays by Dr. Louise Burchill, Virginia Fraser and Dr. Carolyn Barnes and details the works included in the two exhibitions; The f Word, Sale at Gippsland Art Gallery, Sale from July 19 to September 7, 2014 and The f Word, Ararat at Ararat Regional Art Gallery, August 28 to October 12, 2014. Curated by Caroline Phillips with the support of the Melbourne Social Equity Institute, the Victorian College of the Arts 'Matters of the Body' Research Cluster and Technopia Tours, a research project by Kim Donaldson.

Contemporary Art and Its Commercial Markets

Contemporary Art and Its Commercial Markets PDF Author: Maria Lind
Publisher:
ISBN: 9781934105993
Category : Art
Languages : en
Pages : 270

Book Description


The F Word

The F Word PDF Author: Paris Rodgers
Publisher:
ISBN: 9781737083054
Category :
Languages : en
Pages :

Book Description


Feminist Perspectives on Art

Feminist Perspectives on Art PDF Author: Jacqueline Millner
Publisher: Routledge
ISBN: 135166719X
Category : Social Science
Languages : en
Pages : 273

Book Description
When the body is foregrounded in artwork – as in much contemporary performance, sculptural installation and video work – so is gendered and sexualised difference. Feminist Perspectives on Art: Contemporary Outtakes looks to interactions between art history, theory, curation, and studio-based practices to theorise the phenomenological import of this embodied gender difference in contemporary art. The essays in this collection are rooted in a wide variety of disciplines, including art-making, curating, and art history and criticism, with many of the authors combining roles of curator, artist and writer. This interdisciplinary approach enables the book to bridge the theory–practice divide and highlight new perspectives emerging from creative arts research. Fresh insights are offered on feminist aesthetics, women’s embodied experience, curatorial and art historical method, art world equity, and intersectional concerns. It engages with epistemological assertions of ‘how the body feels’, how the land has creative agency in Indigenous art, and how the use of emotional or affective registers may form one’s curatorial method. This anthology represents a significant contribution to a broader resurgence of feminist thought, methodology, and action in contemporary art, particularly in creative practice research. It will be of particular value to students and researchers in art history, visual culture, cultural studies, and gender studies, in addition to museum and gallery professionals specialising in contemporary art.

A Decade of Negative Thinking

A Decade of Negative Thinking PDF Author: Mira Schor
Publisher: Duke University Press
ISBN: 0822391414
Category : Art
Languages : en
Pages : 338

Book Description
A Decade of Negative Thinking brings together writings on contemporary art and culture by the painter and feminist art theorist Mira Schor. Mixing theory and practice, the personal and the political, she tackles questions about the place of feminism in art and political discourse, the aesthetics and values of contemporary painting, and the influence of the market on the creation of art. Schor writes across disciplines and is committed to the fluid interrelationship between a formalist aesthetic, a literary sensibility, and a strongly political viewpoint. Her critical views are expressed with poetry and humor in the accessible language that has been her hallmark, and her perspective is informed by her dual practice as a painter and writer and by her experience as a teacher of art. In essays such as “The ism that dare not speak its name,” “Generation 2.5,” “Like a Veneer,” “Modest Painting,” “Blurring Richter,” and “Trite Tropes, Clichés, or the Persistence of Styles,” Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings in the rich transitory space between the near past and the “nextmodern.” Witty, brave, rigorous, and heartfelt, Schor’s essays are impassioned reflections on art, politics, and criticism.