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Art and Swadeshi

Art and Swadeshi PDF Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 156

Book Description
The Present Volume Is A Rich Collection Of Thirteen Important Articles Embodied In A Single Thread. They Are Diverse In Contents, But They All Convey A Single Message-The Churned Outcome Of A Master Mind Visualizing Things And Events In Their True Perspective.

Art and Swadeshi

Art and Swadeshi PDF Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 156

Book Description
The Present Volume Is A Rich Collection Of Thirteen Important Articles Embodied In A Single Thread. They Are Diverse In Contents, But They All Convey A Single Message-The Churned Outcome Of A Master Mind Visualizing Things And Events In Their True Perspective.

Art and Nationalism in Colonial India, 1850-1922

Art and Nationalism in Colonial India, 1850-1922 PDF Author: Partha Mitter
Publisher: Cambridge University Press
ISBN: 9780521443548
Category : Art
Languages : en
Pages : 538

Book Description
Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.

Ananda Coomaraswamy

Ananda Coomaraswamy PDF Author: Pratapaditya Pal
Publisher: Bayeux Arts Incorporated
ISBN: 9781897411872
Category :
Languages : en
Pages : 196

Book Description
An engaging and authouritative biography of one a remarkable man who has left a lasting impression on art in the world

India by Design

India by Design PDF Author: Saloni Mathur
Publisher: Univ of California Press
ISBN: 9780520941052
Category : Social Science
Languages : en
Pages : 232

Book Description
India by Design: Colonial History and Cultural Display maps for the first time a series of historical events—from the Raj in the mid-nineteenth century up to the present day—through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. Situated at the convergence of discussions in anthropology, art history, museum studies, and postcolonial criticism, this dynamic study investigates with vivid historical detail how Indian objects, bodies, images, and narratives circulated through metropolitan space and acquired meaning in an emergent nineteenth-century consumer economy. Through an examination of India as represented in department stores, museums, exhibitions, painting, and picture postcards of the era, the book carefully confronts the problems and politics of postcolonial display and offers an original and provocative account of the implications of colonial practices for visual production in our contemporary world.

Fifty Key Texts in Art History

Fifty Key Texts in Art History PDF Author: Diana Newall
Publisher: Routledge
ISBN: 1136493069
Category : Art
Languages : en
Pages : 302

Book Description
Fifty Key Texts in Art History is an anthology of critical commentaries selected from the classical period to the late modern. It explores some of the central and emerging themes, issues and debates within Art History as an increasingly expansive and globalised discipline. It features an international range of contributors , including art historians, artists, curators and gallerists. Arranged chronologically, each entry includes a bibliography for further reading and a key word index for easy reference. Text selections range across issues including artistic value, cultural identity, modernism, gender, psychoanalysis, photographic theory, poststructuralism and postcolonialism. Rozsika Parker and Griselda Pollock Old Mistresses, Women, Art & Ideology (1981) Victor Burgin’s The End of Art Theory: Criticism and Postmodernity (1986) Homi Bhabha The Location of Culture: Hybridity, Liminal Spaces and Borders (1994) Geeta Kapur When was Modernism in Indian Art? (1995) Judith Butler's Gender Trouble (1999) Georges Didi Huberman Confronting Images. Questioning the Ends of a Certain History of Art (2004)

Tagore and Yeats

Tagore and Yeats PDF Author:
Publisher: BRILL
ISBN: 9004515151
Category : Poetry
Languages : en
Pages : 238

Book Description
This is a comparative exploration of two iconic Nobel Prize winning writers, W.B. Yeats and Rabindranath Tagore, focusing on the theme of postcolonial translation, politics of friendship, decolonializing art and Irish-Indian nationalism through poetry and literature.

The Wisdom of Ananda Coomaraswamy

The Wisdom of Ananda Coomaraswamy PDF Author: Ananda Kentish Coomaraswamy
Publisher: World Wisdom, Inc
ISBN: 1935493957
Category : Art
Languages : en
Pages : 186

Book Description
Ananda Coomaraswamy (1877-1947) was one of the most famous scholars of Indian art, culture, and religion. He served for many years as the Keeper of Indian and Islamic Art at the Boston Museum of Fine Arts, establishing one of the most impressive collections of oriental artifacts in the world. This anthology contains thematically arranged excerpts from his many writings, letters, and speeches, making it a uniquely accessible collection of his wisdom and insight. It is richly illustrated with over 140 black-and-white historical photographs and paintings.

Art and Form

Art and Form PDF Author: Sam Rose
Publisher: Penn State Press
ISBN: 0271084308
Category : Art
Languages : en
Pages : 221

Book Description
This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement’s significance to art history today. In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude the world outside. But through careful attention to early twentieth-century connoisseurship, aesthetics, art education, design, and art in colonial Nigeria and India, Rose builds an expanded account of form based on its engagement with the social world. Art and Form thus opens discussions on a range of urgent topics in art writing, from its history and the constructions of high and low culture to the idea of global modernism. Rose demonstrates the true breadth of formalism and shows how it lends a new richness to thought about art and visual culture in the early to mid-twentieth century. Accessibly written and analytically sophisticated, Art and Form opens exciting new paths of inquiry into the meaning and lasting importance of formalism and its ties to modernism. It will be invaluable for scholars and enthusiasts of art history and visual culture.

Art and Emergency

Art and Emergency PDF Author: Emilia Terracciano
Publisher: Bloomsbury Publishing
ISBN: 178673270X
Category : Political Science
Languages : en
Pages : 304

Book Description
During states of emergency, normal rules and rights are suspended, and force can often prevail. In these precarious intervals, when the human potential for violence can be released and rehearsed, images may also emerge. This book asks: what happens to art during a state of emergency? Investigating the uneasy relationship between aesthetics and political history, Emilia Terracciano traces a genealogy of modernism in colonial and postcolonial India; she explores catastrophic turning points in the history of twentieth-century India, via the art works which emerged from them. Art and Emergency reveals how the suspended, diagonal, fugitive lines of Nasreen Mohamedi's abstract compositions echo Partition's traumatic legacy; how the theatrical choreographies of Sunil Janah's photographs document desperate famine; and how Gaganendranath Tagore's lithographs respond to the wake of massacre. Making an innovative, important intervention into current debates on visual culture in South Asia, this book also furthers our understanding of the history of modernism.

Colour, Art and Empire

Colour, Art and Empire PDF Author: Natasha Eaton
Publisher: Bloomsbury Publishing
ISBN: 085772276X
Category : Art
Languages : en
Pages : 432

Book Description
Colour, Art and Empire explores the entanglements of visual culture, enchanted technologies, waste, revolution, resistance and otherness. The materiality of colour offers a critical and timely force-field for approaching afresh debates on colonialism. This book analyses the formation of colour and politics as qualitative overspill. Colour can be viewed both as central and supplemental to early photography, the totem, alchemy, tantra and mysticism. From the eighteenth-century Austrian Empress Maria Theresa to Rabindranath Tagore and Gandhi, to 1970s Bollywood, colour makes us adjust our take on the politics of the human sensorium as defamiliarising and disorienting. The four chapters conjecture how European, Indian and Papua New Guinean artists, writers, scientists, activists, anthropologists or their subjects sought to negotiate the highly problematic stasis of colour in the repainting of modernity. Specifically, the thesis of this book traces Europeans' admiration and emulation of what they termed 'Indian colour' to its gradual denigration and the emergence of a 'space of exception'. This space of exception pitted industrial colours against the colonial desire for a massive workforce whose slave-like exploitation ignited riots against the production of pigments - most notably indigo. Feared or derided, the figure of the vernacular dyer constituted a force capable of dismantling the imperial machinations of colour. Colour thus wreaks havoc with Western expectations of biological determinism, objectivity and eugenics. Beyond the cracks of such discursive practice, colour becomes a sentient and nomadic retort to be pitted against a perceived colonial hegemony. The ideological reinvention of colour as a resource for independence struggles make it fundamental to multivalent genealogies of artistic and political action and their relevance to the present.